Lord Byron, the Romantic poet, died in Missolonghi, Greece, on April 19th 1824, he was only 36.
Born as George Gordon Byron ,I won't bore you with all the details about his Scottish credentials, just take my word for it.
He grew up in Aberdeen, and inherited his family's English title at the age of ten, becoming Baron Byron of Rochdale. Abandoned by his father at an early age and resentful of his mother, whom he blamed for his being born with a deformed foot, Byron isolated himself during his youth and was deeply unhappy. Though he was the heir to an idyllic estate, the property was run down and his family had no assets with which to care for it. As a teenager, Byron discovered that he was attracted to men as well as women, which made him all the more remote and secretive.
Byron studied at Aberdeen Grammar School and then Trinity College in Cambridge. During this time Byron collected and published his first volumes of poetry. The first, published anonymously and titled Fugitive Pieces, was printed in 1806 and contained a miscellany of poems, some of which were written when Byron was only fourteen. As a whole, the collection was considered obscene, in part because it ridiculed specific teachers by name, and in part because it contained frank, erotic verses. At the request of a friend, Byron recalled and burned all but four copies of the book, then immediately began compiling a revised version—though it was not published during his lifetime. The next year, however, Byron published his second collection, Hours of Idleness, which contained many of his early poems, as well as significant additions, including poems addressed to John Edelston, a younger boy whom Byron had befriended and deeply loved.
By his twentieth birthday, the young nobleman faced overwhelming debt. Though his second collection received an initially favorable response, a disturbingly negative review was printed in January of 1808, followed by even more scathing criticism a few months later. His response was a satire, English Bards and Scotch Reviewers, which received mixed attention. Publicly humiliated and with nowhere else to turn, Byron set out on a tour of the Mediterranean, traveling with a friend to Portugal, Spain, Albania, Turkey, and finally Athens. Enjoying his new-found sexual freedom, Byron decided to stay in Greece after his friend returned to England, studying the language and working on a poem loosely based on his adventures. Inspired by the culture and climate around him, he later wrote to his sister, “If I am a poet ... the air of Greece has made me one.”
Byron returned home in the summer of 1811 having completed the opening cantos of Childe Harold’s Pilgrimage, a poem which tells the story of a world-weary young man looking for meaning in the world. When the first two cantos were published in March of 1812, the expensive first printing sold out in three days. Byron reportedly said, “I awoke one morning and found myself famous.”
Byrons fame was with the upper classes, the main poetry readers in this era, but the thing I like about Young George is he used his position, not to ingratiate with those he rubbed shoulders with, his time in The House of Lords, the second chamber of our parliamen he spoke in favor of workers’ rights and social reform, as well continuin to publish romantic tales in verse. His personal life, however, remained rocky. He was married and divorced, his wife, Anne Isabella Milbanke, having accused him of everything from incest to sodomy. A number of love affairs also followed. By 1816, Byron was afraid for his life, warned that a crowd might lynch him if he were seen in public!
Forced to flee England, Byron settled in Italy and began writing his masterpiece, Don Juan, an epic-satire novel-in-verse loosely based on a legendary hero. He also spent much of his time engaged in the Greek fight for independence and planned to join a battle against a Turkish-held fortress when he fell ill, becoming increasingly sick with persistent colds and fevers.
When Byron died on this day 1824, at the age of thirty-six, Don Juan was yet to be finished, though seventeen cantos had been written. A memoir, which also hadn’t been published, was burned by Byron's friends who were either afraid of being implicated in scandal or protective of his reputation.
Today, Byron’s Don Juan is considered one of the greatest long poems in English written since John Milton’s Paradise Lost. The Byronic hero, characterized by passion, talent, and rebellion, pervades Byron’s work and greatly influenced the work of later Romantic poets.
Lord Byron, while writing primarily in English, incorporated various Scottish words and phrases into his poetry, reflecting his connection to Scotland and its culture. He often used these words to create a specific tone or evoke a particular setting. Some examples include "Auld Lang Syne," "Loch na Garr," and words related to Scottish attire like "plaid" and "bonnet.
h the Culloden memorial happening today on Drummossie Muir it is only fitting to end this post with a poem that holds it's origins on the battlefield that day.
A year after Waverley appeared, anonymously, Byron wrote a shorter poem honouring the death of a Scots hero at Culloden, the 1746 battle in which George “Stinking Billy” the Duke of Cumberland defeated Bonnie Prince Charlie: battle with which Waverley climaxes. The poem – which wasn't published till after Byron's death is named after its hero, “Golice Macbane” others will know the man as Gillies MacBean, or MacBain.He was a 6ft 7ins captain in the Mackintosh regiment, became a jacobitehero due to him killing fourteen Hanoverians at Culloden before being killed himself.
“The clouds may pour down on Culloden’s red plain, But their waters shall flow o’er its crimson in vain, For their drops shall seem few to the tears for the slain, But mine are for thee, my brave Gillies MacBain!
“Though thy cause was the cause of the injured and brave; Though thy death was the hero’s and glorious thy grave, My sad heart bleeds o’re thee, my Gillies MacBain!
“How the horse and the horseman thy single hand slew! But what could the mightiest single arm do? A hundred like thee might the battle regain; But cold are thy hand and heart, Gillies MacBain!
“With thy back to the wall and thy breast to the targe, Full flashed thy claymore in the face of their charge: The blood of their boldest that barren turf stain, But, Alas! Thine is reddest thee, Gillies MacBain!
“Hewn down, but still battling, thou sunk’st on the ground – Thy plaid was one gore, and thy breast was one wound; Thirteen of thy foes by thy right hand lay slain Oh! Would they were thousands for Gillies MacBain!
“Oh! Loud and long heard shall thy coronach be, And high o’er the heather thy cairn we shall see; And deep in all bosoms thy name shall remain But deepest in mine, dearest Gillies MacBain!
“And daily the eyes of thy brave boy before Shall thy plaid be unfolded, unsheathed the claymore; And the white rose shall bloom on his bonnet again Should he prove the true son of my Gillies MacBain!”