seen from Italy

seen from United States
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seen from Germany
seen from United States

seen from Portugal
seen from China
seen from China

seen from Guatemala

seen from New Zealand

seen from Philippines

seen from Singapore
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seen from United States
seen from United States

seen from United States
:thehorrors:
but now that i've gotten to the end of the opera, i have to say there's something strangely satisfying in the frustration of that ending. perhaps because it would seem too easy and cheap(?) to just have arminio win ( even though that was what happened historically ).
and there's something to be said about how i see certain things from my life and my society reflected here, and how in real life we don't get a perfect, happy ending either. there may be the pretence of resolution, but the reality behind it remains unchanged. the chains have changed shape but they're still coiled around your leg.
...or maybe i'm just a masochist and am far too interested in the prospect of arminio being put into Strange New Tortures.
Franco Arminio, Studi sull’Amore (2022)
[Translation.
Arm. Varus, here you have Arminius, confided to your faith. But he comes alone. Why is the entire Roman camp gathered here? For pomp, it is too much; for a threat, not enough.
Varus. (What courage!)
Tullus. (What audacity!)]
I love Arminio from his very first line!
Also. Bisexual, audacia, enemy of Rome... just like Catilina.
Also. Love how he is written in the libretto as just "Arm." @catilinas hand theory!
Poco alla volta
lascio tutto il mio corpo sulla tua bocca, alla fine dei tuoi baci
niente resterà di me nella tua stanza,
solo i vestiti.
- Franco Arminio, Studi sull'Amore
Racconta il tuo miracolo se pensi di aver fatto un miracolo. Combatti per rendere piú chiaro ciò che dici, abbi cura della tua innocenza piú che della tua bravura. Non puoi scegliere che posto avere nel cuore degli altri, pensa a sistemare gli altri nel tuo cuore.
Franco Arminio, da “Studi sull’amore”.
— Franco Arminio, "A grazia", dalla raccolta "Resteranno i canti"