Round 2:
Which synth do you like more?
Oberheim DMX
ARP 2500
Remember, this is based off of LOOKS, not sound or reputation.
Propaganda:
Oberheim DMX: "Used by New Order on Blue Monday and sued [used] by lots of other artists"

seen from Serbia
seen from Türkiye
seen from Germany

seen from Kazakhstan
seen from United States

seen from United States
seen from Romania
seen from United States

seen from Russia

seen from Netherlands
seen from United States

seen from Serbia
seen from Russia
seen from United States
seen from United States

seen from Malaysia

seen from Russia
seen from Türkiye
seen from Japan
seen from China
Round 2:
Which synth do you like more?
Oberheim DMX
ARP 2500
Remember, this is based off of LOOKS, not sound or reputation.
Propaganda:
Oberheim DMX: "Used by New Order on Blue Monday and sued [used] by lots of other artists"
Jimmy Page with an ARP 2500 modular synth, Roland GR-700 Guitar Synth plus other stuff including a Roland TR-808 drum machine
Before startup culture in the late 70s and early 80s produced the tech giants we know today, almost a decade earlier there were the real pioneers. One of them was Alan R. Pearlman, geeking out designing amplifiers for the NASA Gemini and Apollo program. At the age of 44, he just left – and started developing odd music machines nobody had ever heard of but later defined the sound of an era. Not a bad move for a space engineer, eh?
He founded ARP in 1969 and his first major success, the 2600, was a milestone in the evolution of electronic music instruments.
I got mine 10 years ago and I spent a fortune for it, even back than, ending up bankrupt for several weeks. I’ve played it for hours and hours since, I’ve played it live (hell yeah), I’ve processed all possible (and impossible) things through it – and there is still nothing like it. It’s such a unique design.
Thanks, Alan 🤘
R.I.P Alan R. Pearlman (06/07/1925 – 01/06/2019)
Eliane Radigue - Triptych Part 1 (1978)
Round 1:
Which synth do you like more?
Synton Syrinx
ARP 2500
This is based off of LOOKS, not sound or reputation.