#arteperformativa

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L’arte performativa di #MArteLive arriva anche nel profondo nord dell’Europa. Teatro, danza e circo, a Vilnius come a Roma, non smettono di emozionarci e sorprenderci. Sei un* artista performativ*, iscriviti a #MArteLive entro il 15 settembre e partecipa al più grande concorso multiartistico d’Europa. Per te decine di premi e opportunità. Scopri tutto nel LINK IN BIO ph. Martynas Viténas #contest #performingart #arteperformativa #danza #teatro #contestteatro #contestdanza #contestcirco #beautifuldance #contorsionismo https://www.instagram.com/p/CQ1aVUhBJeC/?utm_medium=tumblr

[acaourbanameditativa]

Per(formo) tua quarentena

[elektromove]

#shooting #makingof #promovideo #performance #concert #marcodemeo #elektromove #storytelling #knowhow #artapproach #solo #artspace #arteperformativa Ph. #fabioingrosso

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“Personal Prosperity, Public Squalor”, Performance in Roman Agora

Athens, 2017

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“Personal Prosperity, Public Squalor”, Performance in Roman Agora

Athens, 2017

[eirinisklito]

Shoes; noun.  Shoes used as tool to explore and dive into different identities.

Other People’ s Shoes- Rehearsals

Athens 2016

[eirinisklito]

“Personal Prosperity, Public Squalor”, Performance in Roman Agora. Part 2

The rise of individualism follows the rise of indifference. 

Inspired by the artwork of G. Helnwein “Disasters of War”

[eirinisklito]

“Personal Prosperity, Public Squalor”, Performance in Roman Agora

This performance approaches the philosophical premises that constitute the dominant ideology of our world. First, that our relationship to others is best filtered through a competitive lens (am I better, richer, etc.), which inevitably leads to rigid hierarchies, zero-sum logic and a lot of unthinking dogma. Second, it equates wealth with life success, which is then equated to virtue. Finally, the individual is the primary unit of power (e.g. Thatcher’s famous line “There is no such thing as society, just individuals and families”). The implication of this “philosophy” can be found on the prioritization of private property rather than collective ownership, on the economics of self- obsessed individual and on the atomization of our society. On the performance, the above relationships probe through bodies and public space. Intention is the redefinition of “public” and “common”. 

The aesthetic references of the performance constitute two paintings, connecting plastic with live art; “The Disasters of War” (Gottfried Helnwein, 2008) and “Passage to Etna” (Peter Blume, 1955).