Decided to post my Backrooms chapter illustrations separately. The links to all the (SFW) chapters can be found here:
Chapter 1 - The Game Begins: https://ticklish-touch.tumblr.com/post/697433375261212672/trapped-in-the-backrooms-chapter-one-the-game Chapte
I really wanted to push myself not just as a writer, but also as a digital artist for this story.
You can read some rambles about my art process for each illustration below the cut.
Ch 1: For this chapter cover, I wanted to do my best to replicate the eerie, sickly vibe of Level Zero. And that resulted me in really playing around with the lighting and shadows in a way that I hadn't before. I also wanted to give it a bit of wonky perspective and feel a bit like an illusion-house.
Ch 2: Lookit this cheeky fucker. Totally isn't a Tower of Terror employee luring you into a false sense of security. 😁 My initial idea for this illustration was to make it look as if the Manager's cuttlefish head was really morphing & bowing out from within the wallpaper. I tried a couple drafts where I attempted to line up his tentacles and facial patterns with the wallpaper patterns. And idk, it just didn't end up looking as cool as it did in my head. (Also hallelujiah for Clip pattern brushes, they helped me make the trim around the elevator.)
Ch 3: Fun fact: This chapter was originally going to be the second half of my hotel chapter. But I'm glad it became its own thing, cause otherwise it would've robbed me of the chance to draw Rags acting like a supervillain in a construction helmet and flannel 👍
also Clip Studio Assets are a godsend, they prevent me from having to draw out an entire freakin warehouse floorplan. I did color it all myself though.
Ch 4: I remember this drawing taking me longer than I would've liked.Then again I've always struggled to draw somewhat realistic-looking water. The shadow off-shooting below the smaller cube pool into the deeper water was actually a complete accident.
And in case anyone was wanting to see a close-up of Lionfish Rags:
And again, Spike and Drake are temporary names for the sake of this AU setting until I think of actual names (for if and when I ever get around to making a Mer-Nautica AU like I've been wanting to). The silhouettes show how big they were when I first saw them in my dreams:
Ch 5: I had visuals in mind for a group of Wanderers/ Survivors since before I wrote this chapter, and grew even more attached to them as I wrote them. I was originally going to just have them depicted here, but I also couldn't get the stupid image of Rags and his megaphone out of my head and decided it needed to be shared 👌
Ch 6: When I tell yall that it was a struggle to get through drawing this. And not because of genuine art struggles; No, because of the pure Lee Panik that gripped my soul when having to zoom in close on Rags' sadistic unhinged Ler face hhhhhhfdhdfjgkfghl-
This was one of the chapters I was most looking forward to writing. It's still one of my favs in terms of pure unbridled ruthless gang-tickling, the culmination of my pred/prey/chasing fantasies revolving around laughter-hungry monsters, along with some good ol Mad Scientist roleplay.
...Oh and the first official introduction of the final antagonist, there's that too 😛
Ch 7: Yall have no idea the absolute childlike glee I felt when discovering that there's a freaking Bouncehouse/McDonalds Playplace level of the Backrooms. But holy hell, drawing the Toon Monsters was more of a challenge than I thought. There's a surprising amount of finesse in depicting that wacky, slightly-unnerving/uncanny toony charm. (Ballpit brush is best brush, change mymind)
Ch 8: Since this chapter was more or less meant to be a sort of mid-series Climax, a hint of what the battle with the Keymaster would be like, I really wanted to push myself with making this chapter cover truly stand out. It was fun to come up with a full-body design for the Court Jester (based on his Wiki interpretation of course), and it was fun to experiment with the ideas I had in mind for his magic visuals.
Once again, Clip Studio assets are a lifesaver, you can catch me actually attempting to draw a rollercoaster or carousel when I'm six feet under 👌
Ch 9: I was both excited about, and dreading, the chance to play around with various different light colors & sources. I wasn't sure how I was going to make neon blues, purples and magentas work in contrast to Rags' color palette, but I'm very happy with what I came up with.
The Dark Sovereign was also a chance for me to play around with chiaroscuro, an art technique that I've always admired (and actually really liked to do with chalk & pastel back in college). As much as I'm a slut for bright colors, I love stark contrasting black & white.
Ch 10: I went through about three iterations of sketches for this chapter cover. I felt like I just couldn't figure out how to angle the perspective of the treeline in comparison to the Giant. I'm still not even sure if I thoroughly pulled off the proper perspective of the greenhouse in the far distance. But once I added all the pretty, spooky fog effects, I became much happier with it.
Unfortunately I do not have a standalone drawing of Naga!Rags. It will definitely happen one of these days.
Ch 11: For this chapter, I wanted to draw a very cramped, stark, foreboding stretch of environment: Basically, a quintessential scene that one would see in the Backrooms if they were wandering through them alone. This is meant to be a much more down-to-earth chapter than the rest, with an air of melancholy and uncertainty. Turns out it actually lined up quite well with some of my own mental and emotional struggles that I was going through at the time.
Ch 12: For the final hurrah, I really wanted to push myself as a digital artist for this piece. (Though that doesn't mean I was about to draw all those goddamn keys from scratch, lmaoo you can thank Clip Assets for that key ring.) I wanted to try and find a way to make the Keymaster the more imposing figure in the piece, despite the fact that Rags is fully powered-up and closest to the viewer. I'm not sure if I entirely succeeded, since my end solution for making him stand out more was "MOAR GLOWY KEYS!!!"
But it was still fun, and very rewarding to get it completed.
Ch 13: I was very happy to finally get the chance to fully render Kenni for this fic. As much as shading his tendrils still drives me up the wall, it felt nice drawing the good soff boi. And I was happy to give an idea of how his Dream realm looks, with all its pastel clouds and close proximity to the Astral plane.










