The already and soon to be public domain movie monsters: Wasp Woman (1960), King Kong (1933), Cesare (1920), the Frankenstein Monster (1931), Count Orlok (1922), and Audrey Junior (1960).
Little Retrospective of Horrors: Little Shop: Bad Seed: That's Not a Joke that's the actual episode title (Comission by WeirdKev27)
Well here we are friends, at the end of my look of little shop of horrors. I may return for the comic adaptations of the films one day, but for now.. there's one last strange and intresting plant to cover before we close shop and count the bodies. Intresting may be pushing it i'll admit but it IS strange, so at least it has that.
Little Shop is a 1991 cartoon based on the musical and film, which mashes together the 60's do-wop themes of the musical, peanuts and Rap into one series.
Yeah THIS happened. I knew about it for a long time but hadn't seen hide nor hair of it till a reviewer I used to watch covered it. What clips I saw really didn't inspire confidence. However Kev loves to watch me suffer and coudln't wait for me to cover this whenever I could, so he paid me money to watch this thing.
So I decided to give the series a fair shake, look at the first episode. And i'm glad he did in the long run as it DOES feel more complete having this series in the retrospective. My soul will never entirely heal but hey, that's the price you pay sometime in this line of work. So join me under the cut as I talk about an Audrey Junior that raps. If that didn't scare you off, join me won't you?
We begin little shop with the theme song. And credit where it's due.. the hook for it is fire.
It's a weird sandwitch of a song where the begining and end are great, a nice 90's style rnb hit. Problem is like many a 90's work they drop a piss take rap in the middle with lines like "get ready for a funny bone overload" "I'm comin atcha like toon style" "In full effect" and "the little shop posse's gaining respect"
Look if you don't know how something works don't do it. It's why i stay far away from tik tok and why Little Shop shouldn't of tried to enter the rap game.
This decision.. will never not be hilarious. Eldrictch God Levels of maddening too, of course, but hilarious. See... you'd THINk from this decision Little Shop abandons the Do-Wop, 60's pop sound of the musical entirely. You'd THINK.
Instead they have numbers in that style AND rap numbers with Junior that make Poochie look dignified. So the writers clearly GOT that the music was one of the most valuable, iconic and awesome parts of the movie and stage play.. but also failed to grasp that it clashed horribly with rap. Or execs did. Or roger Corman
And the 60's style is still present for the most part as in their next baffling decision, they decided the best thing to possibly pair with little shop of horrors.. was peanuts
Now this isn't something I've really had a chance to dig into on this blog.. but I absolutely LOVE peanuts. The specials, the films, and of course the comic that started it all. As my frequent use of Breaking Cat News and Bloom County panels shows I love me a good comic strip and I love the godfather of most modern comic strips. If it didn't come from peanuts it came from Bloom County or Calvin and Hobbes, which came from peanuts.
So I actually do understand the impulse to model little shop's style after peanuts: it's a classic style, it has roots in the 60's as the specials started there and A Charlie Brown Christmas is still played every christmas as gods intended, and it works well. And they do a good job styliistically: it's peanuts esque but has it's own unique style and I like the minmalist yet colorful backgrounds. it really pops and the show LOOKS good, even through the vhs rip I watched.
The big issue is that they go for the peanuts style.. but often don't actually match that tone. The start of the episode kind of does, Seymour is charlie brown now, talks about his bad luck, not being "smart" enough to be a nerd, and his constant bullying by Pain Driller
Our DENNNTTIIIIST. The problem is LIttle Shop goes for a zanier universe. And it's not that Peanut's universe couldn't be rediculous. We've had things like Peppermint Patty being out of school for several weeks going to a dog obdience school thinking it was private school, Snoopy walking all the way to Kansas City when trying to get to Wimbledon and reuniting with his sister, Snoopy's awkward teenage nephew
The Kite Eating Tree which is not Charlie Brown's imagination, the EPA trying to arrest charlie brown for biting the bastard tree, Charlie Brown having to wear a sack over his head due to a baseball shaped rash... Charles Schultz wasn't above getting weird with it, and I'm here for it. Weird peanuts is some of the best peanuts.
The diffrence is peanuts is more.. chill. There will be big events and weird shit but it has a relaxed tone. Even something as awful as Lucy throwing Linus out of the house... was mostly just Linus chilling with Joe cool at his dorm and their parents having not intervened because they were missing... and the reveal of WHY gives Lucy her commpuance in the best way possible.
It's a fairly relaxed strip. There can be tense arcs and weird shit, but generally the stakes are just a setup for jokes or character work. So throwing a magical talking rappin plant into that kind of tone dosen't work. I get the impulse as the originla flim was also kinda relaxed.. at first. But it's hard to make "Carnvrious talking plant" work with "chill and relaxed"... so why do it? Why not just have them as teens at least? why? why/ Why?
So we find out Seymour has a job at Mushnik's still because Child Labor dosen't exist in this universe and is still yelled at by him because Mushnik uses child labor you think he's above YELLING at his free child labor? Seymour, as you'd expect, has a crush on Audrey whose mushnik's daughter in this one so she has a reason to be around. In a series where almost none of the changes make sense, why is THIS the one that does?
She ignores seymour because she wants to be a fire fighter
She apparently has a diffrent new passion every episode, like Daphne from Be Cool Scooby Doo but not as endearing. Seymour can't get her to notice him, and unlike the previous two versions she dosen't SEEM to have a thing for him back.
So Seymour needs to turn his life around and as usual finds a strange and intresting plant.. or rather it's seed as that's how Little Shop thinks plant dormancy works. Granted i'm not a botanist, but one google tells me that's not how it works. A plant simply stops growing and strengthens it's roots and what not to survive. So the IDEA of how Twoey isn't fozilied depsite, as we'll find out, being from caveman times, isn't bad.
This leads to our first musical number as Seymour tries to raise Audrey Junior to impress Audrey who in this version is a jerk about it while Mr Mushnik talks about his bad luck as does Seymour and no one cares because Seymour is a blatant copy of a way more popular characte rinstead of a kidified version of rick moranis and Mushnik reguarlly bullys a child.
So while we saw Seymour's mom earlier, he's sleeping at the shop. Apparently Mushnik bought him for a wadded up five and a slim fit condom. He dreams of caveman times, and Audrey Junior, who orders himself a pizza. Because apparently having a childrens show about Rambo, Warrior for Piece is okay but you can't sell one about a plant murdering a child's enemies.
So instead Junior just eats a lot. Anyways Pain is the delivery boy because child labor laws can go fuck themselves in this universe, and plans to rob seymour. So instead of being a murderous manipulative monster Twoey.. is just an asshole. Or dosen't know how money works.
Twoey does as usual offer some quid pro quo: Seymour tkaes him home later,a nd Twoey gets Audrey to notice he's alive. He agrees. Mushnik plans to fire the child he shoudln't of hired, while Twoey needs to hold up his end. So he decides to plant the idea in Audrey's head that seymour's cool, by literally pulling a seed out of the plant equilvent for a butt. His aim is lousy though so he hits pain instead.
This works to their advantage though as it allows them to steal his dope ass moped. Unfortunatley Junior finds that his home.. is now a petrified forest. And we get the one joke that actually made me laugh "Petrified Forest, please stay off the petrified grass". And I'll give them credit, Juniors sadness over his family being gone and being stuck in an urban hellscape is great.
The problem is that Junior.. lacks anything that made his predecessor Twoey or his grandpa also junor work. The original junior was just a mindless plant that Seymour was stupid enough to get hooked on corpses. The film version was a creepy trickster who manipulated Seymour ot his ends. A comedic twoey COULD actually work: keep the big eater thing and simply have him manpiulate seymour to his own ends. IT's not as good, but it'd work for what hteir goin for here. Instead while they try that, what we've got is a character whose just a selfish asshole with no trickstery charm and whose also a walking fossil of the 90's instead of the jurassic.
Still as is law Junior DOES help. In trying to lead a plant rebellion against humanity, he instead just makes all the flowers grow. Seymour accidently floods the place trying to stop him, which gets Audrey's intrest thinking he was fire fighting. I'm too tired to think of the logic here. Mushnik is happy to not fire him as long as their's buisness so we have our setup: Junior decides to adjust to modern day, Seymour keeps him because it benefits him, Audrey actuallyt alks to seymour now and Mushnik is taking advantage of a small child
Little Shop.. isn't very good. You'd THINK tha't dbe inherent in "Little Shop of Horrors Cartoon for Children'.. but the idea of one ISN'T as bonkers as it sounds. Little Shop of Horrors.. works for kids as while there's defintely a lot of muder and violence, most of it is pretty subdued. Only the feeding scene from the film really has a lot of gore to it. So as "selling this to children" properties goes, the film with a big awesome puppet, catchy songs, and a happy ending that also has mutilations and spousal abuse.. isn't the wildest swing you could take.
And adapting it for kids.. is really easy. As I said, just have Audrey II be a selfish trickster ala zack morris, doing things for his own benefit. Which they have here, just with an annoying rap gimmick. You age up the characters to high school, take away the unecessary attempts to copy peanuts, and it works. The franchise is already goofy, and while done well serious enoguh, even th efilm and musical still have wacky shit like Orin's entire musical number. The premise is goofy enough to work as a goofy over the top comedy, you just gotta let it. Little Shop ultimately dosen't work because it dose'nt know what it wants to be, mixing peanuts with a magical sidekick, rap and musical numbers more along the line of the original. It dosen't know what it is and that's why it only lasted 13 episodes.
Will I revisit this series? probably. It's pretty nuts and while I don't LIKE it, it was riffable as all hell. And it does sound like it gets more and more bonkers as it goes. For now though the shop is closed, but i was happy to finally give the full breadth of the franchise a looksee. It was certainly strange and intresting.
I know there’s a whole lot of other Audrey II designs and references(and possible bootlegs) out there that I missed, but I feel like these are the one’s advertised from movies, cartoons, plays, and commercials. This is basically like if Twoey had a family of some sorts (also happy 40th anniversary, Little Shop!)
I put the 3 plants together in one line because all three of them came from the 80′s (1982, 1986, and 1987 respectively).
And to think all of these plants came from a B movie made in 3 days.
