Ludwig Kainer (1885-1967)
Russisches Ballet, edition 37/250
1913
52 cm x 38 cm
seen from China
seen from Türkiye
seen from China

seen from Türkiye
seen from China

seen from Malaysia
seen from United Kingdom

seen from Switzerland

seen from United States
seen from China

seen from Switzerland

seen from United Kingdom
seen from United States
seen from Singapore
seen from United States
seen from United States
seen from China
seen from China
seen from United States
seen from China
Ludwig Kainer (1885-1967)
Russisches Ballet, edition 37/250
1913
52 cm x 38 cm
EXPRESSION | Faire amende honorable ➽ http://bit.ly/Expression-Amende-Honorable Avouer sa faute, en demander pardon en reconnaissant ses torts. L' « amende honorable » était jadis une peine infamante consistant en l'aveu public que le coupable était tenu de faire du crime pour lequel il avait été condamné
Buongiorno...
Tu as, au fond des yeux, une eau pure et limpide qui se trouble parfois quand ils croisent les miens, est-ce un désir secret sous le masque placide de ton si doux visage aux traits calmes et sereins?
V. H. SCORP
Vanity Fair Cover (April 1922)
Illustration by Georges Barbier
Ernst Oppler
1918
Sammlung von 4 Arbeiten
Etching on vellum
René Bull
1913
Illustration for the ballet "Le Carnaval"in The Russian Ballet by A. E. Johnson; with Illustrations by René Bull
The illustration above is from the book The Russian Ballet published in London. The book features 17 important ballets from the early years of Diaghilev and is illustrated throughout with color and black & white illustrations by René Bull. A chapter in the book is devoted entirely to Anna Pavlova.
René Bull was an illustrator born in Dublin who went to Paris to study engineering but embarked on an artistic career instead. He contributed sketches and political cartoons to various publications in Ireland and London and, in 1898, he became a war photographer and artist for the “Black and White” illustrated newspaper. He was wounded in 1900 while covering the Boer War and returned to England where he worked as a cartoonist for various magazines. He is most appreciated today for his book illustrations, starting with an edition of Fontaine’s Fables. Other major titles he illustrated included The Arabian Nights (1912), Rubaiyat of Omar Khayyam (1913), The Russian Ballet (1913), Carmen (1915), and Andersen’s Fairy Tales (1915).