#barryaltschul

[zerotodrum]

Barry Altschul – Free Playing At Best

In the early 70s, the Circle was a band that perhaps was the most technically adept in jazz ensemble – holding the record till today. And Barry Altschul was behind the drum throne. He also had a membership that got him to work with Chick Corea, Dave Holland, and Anthony Braxton. Working with the Circle was an all-encompassing situation for Barry. It was easy because he already had a background in traditional jazz styles. With these skills, he had solid ground for free playing. Since childhood, Barry was always an innovative drummer, which was also an added advantage for easy adaptation to the changing music world.

More: https://zerotodrum.com/barry-altschul/

[budaallmusic]

Circle (5) – Paris - Concert #ECMRecords 1972 🇩🇪 Germany Design [Cover] – B & B Wojirsch Double Bass, Cello – #DaveHolland Engineer – Jean Deloron Percussion – #BarryAltschul Photography By – Jean-Pierre Leloir Piano, Liner Notes [Back Cover Text] – #ChickCorea Producer – Manfred Eicher Reeds, Percussion – #AnthonyBraxton https://www.instagram.com/p/COYUelEsbBy/?igshid=1077id9b239nx

[budaallmusic]

Bley-Peacock Synthesizer Show ‎– Revenge: The Bigger The Love The Greater The Hate #Polydor 1971 🇬🇧 UK Synthesizer, Electric Piano – Paul Bley Drums – #BarryAltschul Electric Bass – #GaryPeacock Alto Saxophone, Saxophone [Electric] – #MarkWhitecage (tracks: A1, A3, A5) Bass – #GlenMoore (tracks: A2, A4, B2), #RichardYoungstein (tracks: A3, B1), #StuWoods (tracks: A1, A5) Clarinet [Electric] – #PerryRobinson (tracks: A2, A3, A4, B2) Drums – #LaurenceCook (tracks: A2, A4, B2), #RickMarotta (tracks: A1, A5) Drums, Percussion – #SteveHaas (tracks: A3, B1) Guitar – #TomCosgrove (tracks: A1, A5) Keyboards – #PaulBley (tracks: A2, A4, B2, B3) Mixed By – Brooks Arthur (tracks: A3, B1) Photography [Cover Photo] – #PaulIcovik Photography By [Back Cover Photo] – #JeanetteHamblin Piano – #MikeGarson (tracks: A1, A5) Producer – Annette Peacock Recorded By – Annette Peacock, Paul Bley Written-By, Vocals, Vibraphone [Electric] – #AnnettePeacock https://www.instagram.com/p/CCjQKo2JcSh/?igshid=rzf2kjtn0co7

[budaallmusic]

Sam Rivers ‎– Paragon #FluidRecords 1977 🇫🇷 France Bass, Cello – #DaveHolland Composed By – #SamRivers Design – #GérardPétrillo Drums, Percussion – #BarryAltschul Photography By – #MariePauleNègre https://www.instagram.com/p/B_3B19cJJRj/?igshid=1nh61s9xtznpt

[sexy-sexy-boy]

Stay at home play this ! #anthonybraxton #chickcorea #davidholland #barryaltschul #jazz #avantjazz #freejazz #freeimprovisation #experimentaljazz #ecmrecords #lp #records #vinyls #vinylgram #vinylcollection #vinyllife #vinylcommunity #vinyloftheday https://www.instagram.com/p/B-th61EgECQB7OQ5cO24_fH4VMOJDW9BXFVQns0/?igshid=19fiwaipyg60h

[budaallmusic]

Paul Bley ‎– In Haarlem - Blood In Haarlem - Blood #InternationalPolydorProduction 1967 🇩🇪 Germany Bass – #MarkLevinson Composed By [Uncredited] – #AnnettePeacock Drums – #BarryAltschul Graphics – #HolgerMatthies Liner Notes – Victor Schonfield Piano – #PaulBley Producer – #AlanBates https://www.instagram.com/p/B5fNcdopOCc/?igshid=1uswc50v0m8y9

[budaallmusic]

Paul Bley Trio ‎– Touching #Fontana 1965 🇬🇧 UK Bass – #KentCarter Design [Cover] – #MarteRöling ❤️ Drums – #BarryAltschul Liner Notes – Erik Wiedemann Photography By [Photo] – #JanPersson Piano – #PaulBley https://www.instagram.com/p/B3nT3Bup9kA/?igshid=19yc21h73wl4c

[projazznet]

Barry Altschul Quartet – Irina (Full Album)

“Drummer Barry Altschul leads a particularly interesting quartet on this date (reissued on CD) that also includes trumpeter Enrico Rava, John Surman on baritone and soprano, and bassist Mark Helias. The music (three Altschul originals, a song apiece from Helias and Ray Anderson, plus Fats Waller’s “Jitterbug Waltz”) finds the pianoless group sounding halfway between the Gerry Mulligan/Chet Baker Quartet and the late-’50s Ornette Coleman/Don Cherry group. Among the highlights are Anderson’s “Tap-A-Jack,” Altschul’s “Da Baron’s Blues,” and Helias’ humorous “Le Tango.” The advanced and passionate solos (Rava sounds much more high-powered than normal) and the close communication between the four highly individual improvisers make this a notable and highly recommended release.” – Scott Yanow/AllMusic.