#experimentaljazz

[bsides-n-rarities-n-dope-music]

Sun Ra ⏤ Live on French TV, 1969

"If you find earth boring, just the same ol same thing, c'mon sign up with outer space ways incorporated"

[iamgabrisan]

Rest in Peace Chic Corea 🙏🏽 Chick Corea, Groundbreaking Jazz Pianist, Dead at 79 – Rolling Stone https://www.rollingstone.com/music/music-news/chick-corea-obit-1127283/ “I want to thank all of those along my journey who have helped keep the music fires burning bright,” he wrote via his family on Facebook. “It is my hope that those who have an inkling to play, write, perform or otherwise, do so. If not for yourself then for the rest of us. It’s not only that the world needs more artists, it’s also just a lot of fun. “And to my amazing musician friends who have been like family to me as long as I’ve known you: It has been a blessing and an honor learning from and playing with all of you. My mission has always been to bring the joy of creating anywhere I could, and to have done so with all the artists that I admire so dearly — this has been the richness of my life.” ~ Chic Corea JAZZ⭐ LEGENDS (CLICK # 👈🏽) #ChickCorea #Grammys (23) #Composer #Jazz #Pianist #keyboardist #JazzPianist #iconic #LatinJazz #JazzLegends #ReturntoForever #fusionjazz #experimentaljazz #restinpeace #jazzrockfusion #trailblazer #contemporaryjazz #educator #classicalmusic #jazzstandards #musician #RIPCHICKCOREA #NPR #electricfusion #NEA #jazzmasters #CANCERSUCKS #MilesDavis #HerbieHancock #JeanClaudeGabrielJCG https://www.instagram.com/p/CLMsOe6D-HzVWTYKXH7cp2WLzvVLYqWgDnvPEg0/?igshid=117bszco5kz0

[thebandcampdiaries]

PS5 Turns Mythology Into Movement on Baccanalia

The Pietro Santangelo Quintet channels ritual, trance, and contemporary jazz into a five-track EP shaped by physical rhythm and ancient imagery.

With Baccanalia, PS5, the Pietro Santangelo Quintet, approaches mythology as a living source of movement rather than a distant historical reference. The five-track EP draws from the world of Greco-Roman ritual, imagining war dances, satyr processions, and rites of transformation through syncopated grooves, layered percussion, and restless saxophone arrangements.

The record follows a natural path from the group’s earlier work, which explored Mediterranean sound and biodiversity. Here, the focus turns toward a more archetypal landscape. Pietro Santangelo’s compositions still feel rooted in the body, but the rhythmic language carries a greater sense of ceremony. Odd time signatures are handled with an unusual fluidity, often blurring the line between stable patterns and shifting momentum. The effect is immersive without becoming overly abstract.

Santangelo moves between tenor and soprano saxophones, flute, fujara, vocals, and additional percussion, treating each instrument as part of a wider ritual space. The flute is especially important, adding an airy, almost symbolic presence to the heavier rhythmic foundations. Paolo Batà Bianconcini’s congas, Vincenzo Lamagna’s bass, and Salvatore Rainone’s drums keep the music grounded, while Giuseppe Giroffi and guest musician Luigi Di Nunzio expand the record’s brass textures with expressive, tightly woven contributions.

Tracks such as “Pirrica,” “Komos,” and “Lupercalia” suggest different forms of collective motion, from martial intensity to celebration and release. The recording process, split between Auditorium Novecento in Naples and Godfather Studio, preserves the organic character of the performances.

Baccanalia is a vivid and carefully shaped EP, balancing contemporary jazz language with a deeper interest in trance, instinct, and communal rhythm.

[brainhackmusicbox]

[tdcoltnews]

Top Trends Shaping Modern Jazz Music

Jazz, a genre rooted in deep musical tradition and constant innovation, continues to evolve and adapt to contemporary influences. The latest trends in Jazz music reflect the genre's openness to blending with other styles, technological advancements, and social movements. Here are some of the most notable trends shaping Jazz in recent years: 1. Fusion with Hip-Hop, Neo-Soul, and R&B

Kamasi Washington One of the biggest trends in modern Jazz is its fusion with Hip-Hop, Neo-Soul, and R&B. Artists like Robert Glasper, Kamasi Washington, and Thundercat are at the forefront of this movement. They combine the improvisational nature of Jazz with the rhythm and groove of Hip-Hop beats, soul, and electronic elements, attracting a younger audience. This fusion not only revitalizes Jazz but also serves as a bridge between older Jazz purists and a new generation of listeners. For example, Glasper’s album Black Radio seamlessly blends Jazz with Hip-Hop and Neo-Soul, earning him both critical acclaim and mainstream attention. 2. Incorporation of Electronic Elements

Flying Lotus Jazz musicians are increasingly experimenting with electronic music tools, such as synthesizers, loops, and digital production software. Artists like Flying Lotus, Nubya Garcia, and Makaya McCraven are integrating electronic beats and effects into their Jazz compositions, creating a more futuristic and expansive sound. This trend of "electronic Jazz" challenges traditional ideas about instrumentation, allowing for more experimental approaches and genre-blurring creations. The rise of electronic production in Jazz is especially prominent in live performances, where looping stations and effects pedals are used to enhance improvisational sets. 3. Global and Cross-Cultural Influences

Shabaka Hutchings Jazz has always been an international genre, but recent years have seen even more blending of global influences, particularly from Africa, Latin America, and the Middle East. Musicians like Shabaka Hutchings and Yazz Ahmed are incorporating African rhythms, Middle Eastern scales, and Latin percussion into their work, adding depth and diversity to modern Jazz. Afrobeat and Jazz are also merging, with groups like Kokoroko and Sons of Kemet embracing polyrhythmic grooves and blending them with improvisational Jazz structures, creating vibrant, rhythm-heavy compositions that feel both fresh and culturally resonant. 4. Return of the Jazz Big Band in a Modern Context

Snarky Puppy While Jazz big bands were mostly associated with the Swing era, there is a resurgence of large ensembles today, but with a modern twist. Artists like Maria Schneider, Snarky Puppy, and the WDR Big Band are bringing back the big band format with innovative compositions that mix traditional arrangements with contemporary sounds, from Funk and Soul to experimental Jazz. These ensembles are often experimental and combine the large, intricate arrangements of classic big bands with modern harmonic complexity and genre-crossing influences. Snarky Puppy, for instance, has successfully mixed Jazz with Funk, Rock, and World music, earning both Grammy awards and a large fanbase. 5. Social and Political Commentary Jazz has a long history of reflecting societal issues, and contemporary artists are continuing that tradition. Musicians like Christian Scott aTunde Adjuah and Terrace Martin are using Jazz as a platform to address social justice, racial inequality, and political unrest. Albums like Kamasi Washington’s The Epic and Scott’s Ancestral Recall explore themes of identity, activism, and history, linking the music to movements like Black Lives Matter. Jazz, with its focus on improvisation and personal expression, remains a powerful medium for conveying messages of resistance, empowerment, and change. 6. Revival of Vinyl and Analog Aesthetics The recent surge in the popularity of vinyl records has affected the Jazz world as well. Many artists and labels are releasing new music on vinyl, tapping into the nostalgia for the warm, authentic sound of analog recordings. Jazz aficionados, both new and old, are appreciating the physicality of records, which has led to increased vinyl sales and a resurgence of record stores specializing in Jazz releases. This analog revival also aligns with the growing trend of “live-in-studio” recordings, where artists aim for more organic, raw sound rather than heavily produced tracks. 7. Rise of Independent Labels and DIY Aesthetic With the rise of digital streaming platforms, independent Jazz artists and labels are flourishing. Labels like International Anthem, Brainfeeder, and Ninja Tune are pushing the boundaries of Jazz by nurturing new talent that may not fit the traditional major-label mold. These independent labels often focus on experimental, cross-genre collaborations, encouraging artists to explore new sounds and ideas without commercial pressure. Many Jazz musicians today take a DIY approach to their careers, self-releasing albums, building fanbases on social media, and booking their own tours, which has democratized the music scene and allowed more diverse voices to emerge. 8. Jazz Meets Classical Music Some Jazz musicians are revisiting the genre’s relationship with classical music, incorporating symphonic elements and orchestration into their works. Artists like Esperanza Spalding and Brad Mehldau are merging Jazz with classical compositions to create complex, layered soundscapes that challenge the boundaries of both genres. This “third stream” movement, which combines the intricacies of classical music with the improvisational nature of Jazz, is seeing a revival in a new, contemporary form. 9. Live Streaming and Virtual Jazz Concerts In the wake of the COVID-19 pandemic, many Jazz musicians have embraced live streaming as a way to reach audiences. Platforms like YouTube, Instagram Live, and Twitch have become venues for live Jazz performances, masterclasses, and collaborations across continents. This trend has allowed Jazz artists to maintain a global connection with their fanbases, even during periods when live, in-person concerts were not possible. While live Jazz performances are gradually returning to venues, many musicians continue to incorporate virtual elements into their performances, reaching wider audiences than ever before. 10. Women Leading the Jazz Renaissance More women are taking center stage in the Jazz world, contributing to its evolving sound and expanding representation. Artists like Terri Lyne Carrington, Esperanza Spalding, Melissa Aldana, and Tia Fuller are breaking through in what has traditionally been a male-dominated space, both as instrumentalists and composers. Their works span traditional, avant-garde, and fusion styles, proving that Jazz is moving towards a more inclusive future. Women-led initiatives and all-female Jazz bands are gaining recognition, showcasing the breadth and depth of female talent in Jazz today. Conclusion Jazz music is thriving, with a rich blend of innovation and respect for tradition. Whether it’s through its fusion with Hip-Hop, electronic experimentation, or addressing social issues, modern Jazz is expanding in all directions while staying true to its core ethos of improvisation and expression. As artists continue to explore new ideas, Jazz remains one of the most dynamic and evolving genres in music. Read the full article

[thepsynok]

Album: Black Star Artist: David Bowie Genre: #Rock #ArtRock #JazzRock #ExperimentalJazz #ExperimentalRock 👨‍🎤About : Back at the height of the Ziggy Stardust era, David Bowie told an interviewer that he'd always felt like a vehicle for something else, even if he could never quite figure out what that something else was. For all the times he changed his getup--the glam alien of Ziggy, the moody existentialist of the late '70s, the pop sophisticate of the '80s and so on-he was, in his way, remarkably consistent, a barometer of where the culture was and a glimpse of where it was going. Gender fluidity, the hybridization of rock and electronic music, the transformative power of the internet: Bowie was never there first per se, but he was always there early, a transformative figure who managed to bring challenging ideas into mainstream culture in a way that felt stylish, digestible, exciting and most of all possible. His final two albums, 2013's The Next Day and 2016's Blackstar (released two days before his death), were among the grandest-and starkest-of his career. His final video, for the song "No Plan", was released posthumously on what would have been his 70th birthday. Bowie doesn't appear in the clip, at least not live. Instead,we see him in freeze-frame on a TV in the window of a rundown electronics store, just for a few seconds near the very end, a little fuzzy: Not a person, but an image fixed on the screen. [Apple Music] Favourite Tracks: 🔥 Blackstar, 🔥’Tis a Pity She Was a Whore, 🔥 Dollar Days, 🔥 I Can’t Give Everything Away. Featured Tracks: ✨Blackstar, ✨Lazarus, ✨Girl Loves Me. #DavidBowie #BlackStar #Music #MusicReview #KANSASreviews #Musik_Co_ #TasteYourMusic #PsyNok #Psyn0k #FavouriteTracks https://www.instagram.com/p/CqBg3lzy61v/?igshid=NGJjMDIxMWI=

[sexy-sexy-boy]

極品！ Pharoah Sanders - Black Unity ( 1LP ) #pharoahsanders #spiritualjazz #freejazz #freeinprovisation #experimentaljazz #noisejazz #jazz #avantgarde #avantjazz #blackjazz #blackmusic #album #lp #records #vinyl #vinylcollection #vinylgram #vinyldigger #vinylhunter #vinylpassion #vinylcommunity #vinyladdict #vinyljunkie #レコード #レコードのある暮らし #レコード好きな人と繋がりたい https://www.instagram.com/p/CfYXDC3vFEP/?igshid=NGJjMDIxMWI=

[nofakeid]

One of the best album in experimental Jazz field by Heiner Goebbels and Alfred Harth in 1984. It is, indeed the genre itself. link Also the album by the Japanese Jazz-noize band Ground Zero formed by Yoshihide Otomo (Japanese multi-instrumenlist,and the producer) in 1990s resampled this production - which also is the breathtaking album. Floating in the noise. Ground Zero * –Revolutionary Pekingese Opera Ver.1.28