Orphans: Brawlers, Bawlers and Bastards, Tom Waits (2006)
The overwhelming, overspilling length of Orphans might make it Tom Waits’ most difficult and inaccessible release. However, buried within a three hour run time – and three discs, of which all are individually still longer than his usual studio efforts – are plenty of Waits’ greatest tunes.
Brawlers is the rock disc: a Waitsian fuse of unorthodox country and blues, but even as supposedly straightforward ‘rock’, too much messes with texture, fuzz and composition to be reduced to its mere outward rockiness. Bawlers is then the lowest-key disc, of high quality but more sullen and stripped back. The emphasis here is folk or folk blues, a style in which Waits has excelled for decades. He does so again.
The final disc, Bastards, is my fave. Every other song or so Waits tells a story of varying degrees of weirdness/creepiness, but the music itself is great too. The most varied of the three, it’s the only one that surprises me afresh on each new listen.