One of my favorite episodes of the show. It’s incredible how much I enjoy it every time I watch it. Clarke being my favorite character certainly helps, but the episode is so well done in terms of cinematography, music, acting, direction, and 95% of the writing. (The only thing that makes it less than perfect are 80 seconds towards the end that are very, very badly written.)
The fandom is split on whether the time jump was good or bad for the show, but I think it brought more good than bad, overall (especially since it was necessary, so the actors wouldn’t still be trying to pass as teenagers well into their 30s). If nothing else, then for Octavia’s storyline and this epic beginning of the season - the first 3-4 episodes of season 5 - probably the strongest of all seasons of the show.
Full disclosure: I already rewatched season 5 and season 6 while waiting for season 7, so this entire season is pretty fresh in my mind, but season 5 is still the only one that I haven’t covered in my episode reviews (since I wrote season 6 reviews week by week as it was airing), and I want to get that done. And then I also wanted to rewatch Eden after 7x02 The Garden, because of the parallels and contrasts between the two episodes which I mentioned in my review of The Garden. (Review of 7x03 is coming soon.)
In light of season 7, when the main characters are also separated and the timeline is very weird, it’s also interesting to see how this season 5 premiere is structured:
The opening shot is the Rings seen from space, then we see the Earth from space, before zooming in and seeing Clarke coming out of the ruins of Becca’s lab, 42 days after Praimfaya. ^^^
Almost 25 minutes of this episode are a Clarke flashback, and most of it is just her, fighting against the nature and her own despair and isolation, until she finds Eden and meets Madi, almost two months after Praimfaya. This is the show’s first full uninterrupted flashback that lasts longer than a couple of minutes, but it’s also the first time the show has covered a time jump in a flashback - its previous biggest time jump was 86 days, rather than 2199 days. (And the next time jump will be 125 years. Things have really escalated.)
Then we go “6 years later” (actually 5 years and about 10 months later) and the remaining 16-17 minutes are all set in the present. And even though this is a very Clarke-centric episode, it actually manages to feature all the main characters. First we see Clarke and Madi in the present, then it goes back to the Ring, but this time we see Bellamy and the Spacekru for the first time this season, to check in with them and see how they have or haven’t changed in 6 years.
We see them noticing Eligius,, then we go back to replay the present days scenes from the end of the season 4 finale, where Clarke was expecting Bellamy and kru in the pod, and instead saw the Gagarin transport ship coming down.
We meet Diyoza, McCreary and Shaw for the first time. There’s a few more minutes of Clarke and Madi trying to defend themselves against the prisoners, and killing two of them, but also alerting Diyoza to their existence. Then we go back to the Ring to see Spacekru preparing to board Eligius 4, and, almost at the end of the episode, we get the “OMG look at this twist! You didn’t expect these two to be together, did you? Or maybe you did because you saw the clumsy hints in the season 4 finale, I mean if you stop someone from committing suicide and then you happen to fall right next to each other that counts as setup for romance. right?” twist-reveal of Becho in a 1 minute 20 second scene.
But - that’s not the last scene (you need something actually dramatic for the last scene), because - right after Bellamy says the ironic-foreshadowing line “Octavia is the least of our worries”. we get a cliffhanger-teaser ending - our first look at the fighting pit, with Miller, Indra and Gaia looking on (yes, they’re all credited for this episode, alongside Marie/Octavia, though they all appear for about a second or two), until the winner of the gladiator fight turns to Octavia, and we see her for the first time with her new Blodreina persona. Leading into 5x02 Red Queen (which I hope to rewatch and review soon, too) - unlike this episode, fully set in one place, in the bunker, and most of it is the longest uninterrupted flashback the show has ever done. It only jumps back to the present at the very end, with another teaser-cliffhanger that’s again set in the fighting pit (this time, the twist is that Kane is one of the fighters), setting up a “how the heck did they get there?” question for 5x04 and flashbacks from 5x11 to explain.
(I wouldn’t be surprised if in season 7 we get more of such cliffhanger-teasers where a character or set of characters only appears in an episode for a minute or two, setting up their longer storyline in another episode. I don’t think all episodes will be like 7x02 and 7x04, fully set in one place and with all other characters fully missing.)
So, the first 2 episodes of season 5 had the task of showing us what happened to the three set of characters in three completely different locations over the time jump - with the focus on Clarke, Bellamy and Octavia. But we got almost 25 minutes of Clarke flashbacks (about the time that was the hardest and most eventful for her - trying to survive on the ruined Earth in the first few months after Praimfaya, meeting Madi), a full episode plus later flashbacks in another episode (about 50 minutes?) of flashbacks of the bunker; and.... 0 flashbacks of Spacekru on the Ring. And that says a lot about what the writers considered important to show. The boring, everyday, humdrum life is what you skip in fiction. So, the show told us right from the start that there was nothing of note that happened on the Ring.
While Clarke in this episode - after her “death”, goes through her 40 16 days in the desert before she finds Eden (literally paradise!), and the bunker is clearly Hell on Earth, the Ring is basically just 7 people being stuck in quarantine for 6 years and trying not to get too bored.
The cinematography on this show since season 5 has been so good! Here, the sepia, grey and pale yellow tones help make Earth look desolate and ruined, and like a real desert. Until Clarke finds Eden, which is in normal colors. (This contrast in the color scheme between Eden and the rest of the Earth is there throughout season 5. Later we get the almost too colorful Sanctum, and the soft light and blue-green tones of Skyring.)
With how often TV does the Beauty is Never Tarnished trope - where female characters have to look as gorgeous as possible even when their circumstances are such that it doesn’t make any sense - I love the fact that the show let Clarke have radiation burns on her face and wear a dirty top for half of this episode. This shouldn’t be an exceptional thing in TV shows, but sadly it is.
42 days after Praimfaya - that’s how long Clarke was in Becca’s lab, until she either ran out of food, or judged it was safe to go outside because the death wave had passed, or both.
Oh hi, Rover, maybe the most memorable inanimate “character”. It got a lot of memorable screentime in this ep. The sea is no more - the one good thing is that Clarke has an easier time travelling from the island. First stop Polis - back when Clarke was hoping to reunite with her mom and the rest of the people in the bunker. How much would things change if she had? That shot of the destroyed Tower in Polis is such a memorable symbol of not just the physical destruction that happened in Praimfaya, but the end of the old way of life. Even though season 5 will then weirdly try to resurrect the position of Commander.
I love the opening titles! I can’t believe I have never paid attention to them before the hiatus between seasons 6 and 7. Starting with the title shot of the desolate Earth with the ruins of the Tower, the opening sequence is showing the death wave as it’s happening in the area where the first 4 seasons took place, going from Polis when the tower was still there, to Arkadia burning (where the death wave came before it got to Becca’s lab and Polis), to various other shots including the one that’s clearly the remains of the Statue of Liberty, presumably already broken during the first nuclear apocalypse, to shots of sea and forest burning, to a shot of Earth from space with a green spot, to the really cool animation of most of the Tower disappearing. (The shot of Eligius landing is the only one that doesn’t fit.)
The temple collapsed 46 days after Praimfaya (according to 5x02 - I’ve written that down before). Clarke was trying to dig out the entrance to the bunker for quite a while, stopping occasionally to get some rest and eat. That moment when she desperately pounds at the bunker door and yells “I’m here! Mom!” is one we see from Abby’s POV as she hears the sounds and learns her daughter she’s out there and not in space.
While unsuccessfully trying to clear the path to the entrance, Clarke notices the remnants of Lexa’s throne in the other rubble. A broken throne, another symbol of the past. The Clexa theme starts playing for a moment as Clarke notices it and take out one branch - probably just as a remembrance, because I’m not sure it looked that useful for her current task. And that somehow (however unlikely) seems to cause the rest of the Temple to collapse (a moment we also see replayed in 5x02) - meaning that Clarke loses her chance of being with her mother and other people during the 5 years, and the people in the bunker lose the hope they’ll be able to get out after these 6 years (or maybe ever).
The branch does prove useful later when Clarke uses it as a walking stick as she’s walking through the desert when she’s at the end of her strength.... And... this could all be seen as a metaphor? She met Lexa at the time when she was desperate to save her people, then she became isolated from them, then in her traumatized state, her relationship with Lexa became a crutch but was also isolating her further from her family and her people.
Back to the ruined Arkadia, where Clarke says she was looking for food or water but only found ghosts. One of the most emotional moment of the episode when Clarke cries after finding a chest with Jasper’s goggles, Maya’s music player he had kept after her death, and his letter to Monty. Clarke probably learned about Jasper staying behind to commit suicide off-screen from Bellamy some time at the end of 4x09, and learned about his when she reunited with Monty and Harper, but we didn’t see her react to his death in season 4. (This scene would later be a flashback in 6x07 Nevermind, where Clarke used that same chest in her mindspace to hide her memory in the Dark Place.)
(Maya had really good music taste! And it’s a neat way to hear some good songs and for Clarke to be able to listen to them while driving her rover.)
The hardships Clarke undergoes here and the way she fights shows her strong she is - one of her main character traits is that she does not give up, no matter how desperate the circumstances are. Clarke’s way of fighting despair was to talk to Bellamy on the radio. Sometimes she told him very meaningful things - as when she thought she might die: “If this is the last time I ever do that, I just want to say... Don’t feel bad about leaving me here. You did what you had to. I’m proud of you”. (This reminds me of the time in 2x05 when Bellamy told her he knew she had to leave him and Finn outside to save the others when she closed the dropship door.) Other times she’s telling him about her current problems, musing about her life, chatting about Monty and Raven and all sort of things, imagining he could hear her, even though it must have become obvious to her pretty early on that he can’t reply, and probably can’t even hear her. She wasn’t at this point even sure if he was alive. As she says at one point: “God, this would be so much easier if I knew you were alive, that I will see you again.” But it’s in Clarke’s nature to hope. She was also refusing to believe he and Finn were dead after the Ring of Fire, she refused to believe Bellamy could be dead or captured even while she was worrying about him all the time while he was in Mount Weather. At one point right after getting out of Becca’s lab, she is trying to encourage herself: “You got this” - the way she sometimes tries to encourage others and also the way Bellamy sometimes does it. And other times, she definitely was channelling Bellamy, gently mocking her: “Positive thoughts, Clarke”. He was the one who told her they had hope as long as they were breathing.
And I must say I’m impressed that Clarke had Jasper’s letter to Monty for 6 years and never succumbed to the temptation of opening and reading it. But to do that, would have meant she was giving up hope that she would see her friends again and give it to Monty.
But it would be far less realistic if she hadn’t had a moment of complete despair. (Another character known for being a survivor, Murphy, had that moment after 86 days of sitting in a bunker alone.) Long isolation is a torture in itself and can drive you mad, as it was emphasized in 7x02. It’s not the first time Clarke has been isolated - she was in solitary for a year on the Ark when she was 16-17 (she only had the walls and her drawings to distract herself with), she isolated herself because of her trauma for 3 months, and now she was again forced into isolation. This time she was also losing hope due to the terrible conditions she had to fight, and the way everything seemed to be getting worse. “I’ve done! I’ve lost everything! My friends, my parents. I have nothing!” As Buffy would say - she still had something left, herself. But this is the first of the three times we see Clarke almost lose all hope and the will to live - but the other two times were under the influence of a psychosis, and when she had been bodysnatched. This time it was the tiny hope that there could be a place to live, with basic living conditions, that made her change her mind.
Who was Clarke talking to when she said “You think you can kill me? Have at it” and later when was yelling that at the sky? Nature? Gods or gods? (There has never been any indication that she was religious. Probably not.) It’s the only times during in her solitary moments when Clarke isn’t talking to Bellamy, or, occasionally, to herself.
Finding Eden saved Clarke from despair, at least for a while, I don’t think she would have been able to keep her sanity and her hopefor 6 years if she hadn’t met Madi, almost two months after Praimfaya. Having someone for company, having someone to take care of, is very different from being all alone. Still, even after meeting Madi and became her surrogate mom, Clarke still needed to keep talking to Bellamy every day, for 2199 days in total, to keep herself sane, to have something to look forward to.
These people from the Shallow Valley clan seem so cool, they’re already my favorite Grounder clan from the little we see of their way of life (at least this community - I wonder who the 100 chosen for the bunker were), and most importantly, from the fact that Madi’s parents must have had support from their community in keeping her from the Conclave and all that garbage. Of course they didn’t want to give their child away, so she would be forced to fight and kill other children, probably die at 12, or at best become Heda and be separated from her family tor the rest of her life, because ‘love is weakness’ etc.
The shot of the dead boy is so sad. But he and the other dead people look far too peaceful for radiation victims?
Poor Madi - 6 years old and already she saw her family and everyone she’s ever known die. Her mother died in her arms, and she was left alone. And even before that, she had to hide and learn to fight and lay traps to avoid Flamekeepers, whom she saw as her archenemies. She was another girl who had to hide from birth, like Octavia. No surprise she was a “child from Hell” when Clarke first met her.
Clarke’s world view has gotten so dark. Her old moral certainty from season 1 has been chipped away gradually, and, at this point, she has accepted the moral relativism idea that “everyone does things for their people” and there is no right or wrong - which so many of her enemies or temporary allies have tried to install in her. She’s started to see herself as the “Commander of Death”, too, believing fighting is all she does and can do. “I used to think that life was about more than just surviving… I’m not sure anymore. Animals don’t feel guilty when they kill. It’s kill or be killed.” Interesting - this is the same thing Pike said in season 3a. Clarke has more empathy for her enemies “ I told myself that every life I took was for a reason, but the other side had reasons, too", but the end result is now the same, as we see later...
“There are no good guys” - this line has been said in so many versions and contexts throughout the show, and many people seem to think it’s the show’s motto. But it’s more complicated than that. Those words have changed their meaning and been challenged and opposed. When Abby told Clarke “Remember that we’re the good guys” in season 2, she was telling her: don’t lose yourself, don’t become as ruthless as your enemy in order to beat them. When Clarke said “I tried... I tried to be a good guy” and Abby replied: “Maybe there are no good guys”, she meant that it may not be possible to keep your hands clean in a world like that. (Mind you, neither of them ever said there were no bad guys, or that Mountain Men weren’t that.) When Clarke said to same to Bellamy when he was wondering “What do you do when you realize you may not be the good guy?” in season 3, she was comforting him and telling him she knows what it’s like to hate yourself because of the things you’ve done, in a grey world where it’s often hard to see right and wrong. But Abby in 4x12 told Clarke something different: “I told you there were no good guys. But there are. You are.” Clarke needed to be reassured, so she wouldn’t hate herself, that she was a hero, because her motives were good and she was trying her best under the circumstances, where, as they both agreed, they were no good choices. Sadly, Clarke obviously didn’t take that to heart. In season 5, she does not consider herself a hero. And when Madi says “I think he may be a good guy” about one of the prisoners, the one who argued against killing a child, unlike his buddy - Clarke’s reply “There are no good guys” before she kills him, has a darker meaning: she has lost her faith in humanity (with a few exceptions, at this point), and this a different Clarke, one that isn’t ready to give people the benefit of a doubt. She as at her most murderous in season 5 - because she’s now ready to kill even when it’s not absolutely necessary and when she can’t see another choice, as pre-Praimfaya Clarke. It would take her the whole season to start coming back from that - and decide to try to be a good guy, as Monty asked her to.
First introduction of Diyoza, McCreary and Shaw. Diyoza has changed so much since. Her similarities to Octavia have been emphasized much more because they were the opposing sides in season 5 and because of the relationship they develop later, but she also has similarities to Clarke. She also used to fight for what she believed in against who she saw as bad guys, went through a lot, killed a lot of people, was considered a monster, started to fear she was one, became jaded, and finally decided to find peace and happiness and leave violence behind.
“We’re not alone”. Season 5 is really going for the callbacks to season 1. And I’m still not sure how I feel about this comparison between the Delinquents and the Eligius prisoners. Because there are two ways to look at it. If it’s a part of the “let’s see the humanity of these people rather than see them as one-dimensional villains” thing, I’m all for it. But it makes no sense to see it as an exact parallel. Because in one corner, we have the level of threat posed by 100 unskilled and (at first) unarmed teenagers who just went about, vs thousands of people who had hundreds and hundreds of armed and experienced warriors and who saw fit to immediately almost kill one of these teenagers and start terrorizing them... and in the other, a bunch of adult murderers with all sorts of powerful weapons and a military strategist at the helm, immediately moving in to take over a valley, and the threat they pose to a lone woman and a child...
Before we meet the Eligius prisoners, we get some sweet mother/daughter moments between Clarke and Madi. We learn that Clarke is telling her stories about her friends (Octavia is Madi’s favorite) and drawing events from her past (as they sit by the fire and look through her sketchbook, we see portraits of Octavia in the Conclave, Bellamy and Clarke looking as her friends are leaving her on Earth). Clarke says she doesn’t regret staying, because she met Madi. But she still yearns for them to come back and gives a longing look - and we get this transition:
Spacekru
When we see Spacekru after 6 years, we get the updates on what has changed and what hasn’t, and what the time on the Ring has meant for each of them:
Raven has been unsuccessfully trying to get them back to Earth for a year - which Bellamy, in particular, isn’t happy about. He has no idea that Clarke is alive, but he is eager to see his sister again.
Monty has been keeping everyone alive with his algae farm, although we get a lot of jokes and complaining about their taste (which seems so out of place after you have seen what was going in in the bunker in the meantime).
Emori has been learning to pilot.
Memori have broken up at some point (and Raven has had Emori as roommate since) and Murphy is the one person in the group who has been negative and bitter, to the point they have “exiled” him (history repeating, but in a much more benign way?) to another part of the station. It seems realistic that at least one person and one relationship would crack under the pressure of peace and boredom and being forced to spend time with the same people every day. According to Bellamy, Murphy needs to feel like a hero in order not to feel useless - and without dangers and conflicts, he can’t save anyone and feel like one. According to what Emori says later in season 5, their relationship is one that works better when there is some kind of danger they can face, and Murphy as a fighter and survivor is the version of him she loves.
Bellamy is the obvious leader, in spite of the easy camaraderie between the group - this will become more obvious when they start planning to board the ship and go to the ground, but even here, he is the one who gives pep talks and tries to inspire others - like Murphy, telling him he is not useless. This friendship has certainly developed in those 6 years - before Praimfaya, Bellamy still wasn’t even ready to trust Murphy and was constantly questioning his motives. And they have certainly come a long way from season 1...
Bellamy’s calmed and lighter manner has been discussed a lot. I’d say it made sense 90% of the time - it was simply a result of 6 years of peace, something he had never really had before. It doesn’t mean he was super happy - but simply that, for a change, he didn’t have to constantly fight and he under stress.
Two people who definitely were happy on the Ring are Monty and Harper. Monty is the only one who is even reluctant to go to the ground - scared that he will be pulled again in the world where he will have to fight and kill again. Earth has bad memories for him, from having to kill his mother - twice - to save others, to his best friend’s suicide. The Marper scene is the best of all the Spacekru scenes here. And when Harper tells him his strength - which he showed in all the hard things he had to do - is why she loves him, he has the best line in the episode: “No one should have to be that strong”.
Echo is friendly with everyone and has been teaching them to fight Azgeda-style. And oh, yeah, did we mention she’s been dating Bellamy for a while? Here’s a brief confirmation through a kiss and a conversation where we only learn that Becho is a thing, we don’t know how long it’s been a thing but it’s at least less than 3 years, since he took 3 years to even forgive her (and I don’t think it necessarily means immediately starting to date).; and Echo is worried if it’s still going to be a thing after they go to the ground.
Here’s a thing with Spacekru: the time jump worked much better with Octavia and Wonkru and with Clarke and Madi, because we saw flashbacks, and because we got a good idea what those 6 years were for them, even for things we didn’t see. But the complete lack of flashbacks for Spacekru means that the audience won’t be able to relate to their new “family” unit, because Show, Don’t Tell is the main TV storytelling principle. Even when viewers learn about something in dialogue (like the Farm Station’s tragic backstory since they landed on Earth), they don’t care because they haven’t seen it.
But with Spacekru, there is an additional problem: the show keeps giving us contradictory info about what those 6 years on the Ring were even like. Or rather, most of what we know is consistent with the idea that their biggest problems were boredom and lack of tasty food. *OK, the first batch of algae apparently put Murphy in a coma, but that’s the only traumatic event we hear about.) There were no other people, no one who could be a threat - and while they could have, in theory, had some malfunctions they had to deal with, we never hear anything about it. But the show also has characters saying things like “we kept each other alive” or that Echo has “proven herself on the Ring”, which makes it sound like there was something much more dramatic going on, but they never explain why.
As a result, the idea of Spacekru as a tightly knit family unit - comparable to what the Delinquents were like in season 1 - just doesn’t work so well. The relationships that work the best and are the most compelling are those that had already existed before - Marper, Memori, the friendship between the former 100+2. The Emori/Raven/Murphy trio works because we saw them already interacting in season 4. But Echo is the character who gets the short end of the stick, because all the development she was supposed to have, including her friendships and romantic relationship, happened off-screen. And with the way the show positioned her as a villain in seasons 3 and almost all of season 4, threw her pretty much accidentally (and because she had no other choice and the others accepted her) with the group, and then said “here, she’s one of the good guys now”. That’s really crappy writing. And it set up Echo to be hated, or at least irritate a large part of the audience. Imagine if there had been a time jump in mid-season 2 where Murphy went from being barely tolerated by everyone, to being everyone’s best friend and dating Raven. That’s pretty much that.
Most of these problems are concentrated in the Bellamy/Echo scene at the end. So much bad writing in those 80 seconds. Now, I’m not one of the people who say that this relationship makes no sense. It does make sense for what is it - two people got stuck for 6 years in the same place, with just 5 other people, 4 of which were coupled up. After so much time forced to spend together, you either have to start tolerating and forgiving someone, or your life will become unbearable. There’s a force of habit, the closeness that comes from seeing someone every day, and the lack of other options. There’s also the fact that Bellamy had mourned Clarke and was convinced she was dead. They are both physically attractive people, I’m sure they trained when she taught him Azgeda fighting and he taught her shooting. I have no problem with it as a placeholder relationship that the show is very obviously using as a plot device. And it’s not even subtle about it. Here we learn about the existence of that relationship as a surprise twist at the end of an episode that was focused on Clarke, Clarke being left alone on Earth and struggling, Clarke talking to Bellamy for 6 years and waiting for him to return. (And later episodes will keep making B.E scenes always about Clarke or connected to Clarke, in even more obvious ways.) There is no attempt to show what exactly it is that these two people like about each other, what drew them to each other, how they went from enemies to friends to a couple off-screen, anything apart from the mere fact that the relationship exists. Here, they are kissing, therefore you know they are in love. Maybe. As if the show is saying: no, it doesn’t matter and you don’t have to see it. Yes, you can conclude that it’s just a relationship of convenience and circumstance.
This kind of relationship and love triangle has been done to death in many TV shows. But even for what it is, it’s remarkable how little the show even tries to make this relationship compelling, compared to just about any other relationship in the show, including those of minor characters. I gotta say, as a Bellarke shipper, I kind of enjoy all the B/E scenes, because they are so devoid of chemistry, so forced, so empty. But as someone who appreciates good storytelling, they are pretty painful. When the show tires to focus a little bit on this ship, we get terrible dialogue like this:
"Wouldn't it be easier to just walk outside? This is Bellamy's callback to what he told Echo in 4x13 when he talked her down from suicide. He says it in a lighthearted way and she smiles.Her suicide attempt is a cute remembrance they joke about?! Really? Also, it;s been 6 years for them. Do they joke about that often? Or does he think going to the ground is a cool opportunity to remind her of her suicide attempt? Which is a cute memory for her, apparently?! I’m pretty sure this is not how human beings interact. This line may be even worse than the infamous "We found each other in cages".
."We kept each other alive". How? Unless it's just about that half an hour while they were getting to the Ring, they were never in danger of dying during those 6 years. Bellamy even tells Murphy "Up here, there are no heroes." Monty is the only one who kept them alive, with food. They may have kept each other sane, maybe. However, that goes for all 7 of them. And Bellamy does say “We are family”. Which extends to all of Spacekru and doesn’t really say anything about whether he and Echo will continue being a romantic couple. (Or maybe that was the whole point?)
Bellamy again, making light of the fact that Echo tried to kill Octavia and telling Echo that Octavia will not be a problem and will understand and forgive her easily - even though it took him 3 years. “I’m more stubborn than she is”. Oh come on, Bellamy! You know Octavia better than that! You know more than anyone that this is not true! Is he simply lying to calm Echo’s mind? I like season 5 Bellamy 90% of the time, but he just comes off so fake and weird in this scene - even if “Nothing will change on the ground” and “Octavia is the least of our problems” are enjoyable for their irony.
Body count: Two Eligius prisoners – the bad one (Baines) shot by Madi, the possibly “good” one (Janson) shot by Clarke
Two Wonkru members killed in the fighting pit
Rating: 9.5/10 (half a point knocked off for the B/E scene)
So you’re telling me that after learning how to survive on the ground, fighting Grounders, surviving Mount Weather, A.L.I.E. and Praimfaya, Clarke Griffins kills Bellamy Blake....................nope I don’t accept it.
