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ITC Benguiat (1977) Designed by Ed Benguiat
Welp, en español no más. Speedrun es un fanfic que escribo desde hace ya como un año, pero formalmente lo publico desde hace unos 3 meses.
Trata de un Frisk que a realizado multiples reinicios (solo ha hecho rutas pacifistas y neutrales) y que, aburrida, decide realizar una partida rapida o speedrun.
Entonces, hace un true reset e inicia su carrera. Todo iba normal hasta que nota que Flowey actua extraño.
Si hay algun interesado, recomiendo leerlo por Amino, Wattpad no le tengo mucho aprecio, le faltan imagenes y capitulos.
Amino: http://aminoapps.com/page/undertale-espanol/6036627/speedrun-00-fanfic
Wattpad: https://www.wattpad.com/324476783-speedrun-prologo
Nota: Frisk ha aprendido magia durante sus reinicios en este fic.
I shall set this page-spread in Benguiat. As a personal indulgence. It is a Hallowe'en zine, after all. And the only one who might want to stop me is as much of a silly billy as I myself.
Ed Benguiat (1927-2020)
Ed Benguiat may be best known to the general public for his eponymous typeface, but he designed many typefaces. While working for Photo-Lettering, Inc (known as PLINC), and for ITC (International Typeface Corporation) Benguiat designed Barcelona, Bookman, Caslon No. 224, ITC Century Handtooled, ITC Edwardian Script, Souvenir, Tiffany and other popular faces. He was a teacher and a mentor. He inspired a collection of typefaces by House Industries.
Designer and typographer, David Quay, related this story upon hearing of Benguiat’s passing: Many years ago I designed three titles in a trilogy of novels for Penguin Books. They were novels set in Russia. I had just received the latest U&lc magazine from New York displaying Ed Benguiat’s new typeface ITC Benguiat, it was perfect for the subject. I photostated the alphabet and pasted up the 3 headlines. Penguin gave the ok, then I realized ITC Benguiat was not yet available, U&lc was pre-release publicity! I was stuck, Penguin wanted the artwork very quickly and there was not enough time to hand letter all the long titles or retouch the rather crude photostats! I phoned my friend Tony Di Spigna who worked with Herb Lubalin. He said “I will take care of it.” Four days later by special post, an envelope arrived with 3 photographic prints with the titles perfectly set and ligatured. A note enclosed said, “I am pleased you like the typeface, you are the first to use it, Ed.”
Release announcement for ITC Benguiat in the December 1977 issue of ITC’s U&lc magazine.
A noted graphic designer, he was an expert in typefaces, developing many himself and “fixing” others. His work adorns this newspaper.
the man behind the “Stranger Things” logo as well as the NYT header.
” … Mr. Benguiat understood the intricacies of a typeface in a way that today’s computer users, with countless fonts at their disposal, generally do not. He knew that a successful design wasn’t merely in the shaping of individual letters; it was in things like the spacing between those letters. And he knew that what looks good on a computer screen might not work when blown up to the size of a marquee or a billboard.
’At three feet high, the serif of a face like Bodoni is going to be two inches thick,” he told Macworld in 2001, referring to a popular typeface. “Someone has to fix it. I get called to do that’”