K-pop Discography Deep Dives: BTS (Part TWO)
A Disclaimer: I was planning, when I first started Tumblr, to be a lurker, but then I began an office job and needed something to listen to to keep myself occupied. And then, I started going through entire K-pop groups’ repertoires, album by album, and jotting down my thoughts. And then, I stumbled into K-pop tumblr and decided, you know what, there’s at least four people on this hell site who would read in depth rants about these discographies and at least five who wouldn’t read it and then get mad because it’s kind of our job as K-pop fans. My lukewarm takes should be taken with an entire silo of salt and the knowledge that this is completely for fun and occupying my very bored, very neurodivergent brain. All this to say, for the love of god, I’m a sleep-deprived student and I don’t have time for internet hate, so don’t kill me. With that being said, enjoy!
So, my credentials: I’ve got nothing this time, folks. I’m not an Army; I’m too casual to even be a casual fan. I like most of what I’ve heard, based on friend recommendations, but I have no idea how representative of their work the songs I’ve heard are. I know the group members’ names, but barely anything about them, although I’m always open to learning more. The reason I wanted to do this deep dive is because I’ve been a k-pop fan for almost five years now and I’ve heard every opinion between “BTS is the second coming of Christ” and “BTS is responsible for the collapse of society,” and I want to make up my own mind, free of influence.
Since BTS has over 200 songs, I’m also doing short supplementals each week, both to give myself and you guys a break and to look at groups / soloists with discographies too short to need a full week (because this is gonna be a dissertation and I’ll have to separate it into two parts). So, grab your lightstick, get some ice cream, steal a fluffy dog, and settle in folks. Let’s do this.
We left off just before You Never Walk Alone, and Blood, Sweat, and Tears. I was surprised on first listen of this one, because I don’t quite know how to classify it; it’s too calm to be one of their more bombastic songs and too loud to be one of their calmer ones. I’m just not sure what to say about it, to be honest. I don’t hate it but I don’t like it either. I like the instrumental and the elegance of some of its quieter moments but as I’ve stated ad nauseum, empty, chanty choruses are one of my song pet peeves, and I just can’t get into a song with it.
So then, we have Spring Day. I also don’t know what to say about this one, for the complete opposite reason. It’s the other one of BTS’ songs in my Top 25 K-pop songs, and I admit it; I find it almost impossible to be objective when I go “aww” the second I hear the opening notes. It’s melancholy and contemplative, wistful and pained, hopeful and tragic. The lyrics are honestly beautiful and such a raw expression of grief that it’s the kind of song you need to sit with for a minute before moving on.
I, like most people, have someone I love deeply that this song reminds me of, and it always makes me appreciate life just a little more every time I give it a listen. It’s perfect, but you don’t need me to tell you that. Go take a deep breath and watch the music video for yourself.
Not Today’s opening is…not for me, and feels especially harsh after the beauty that is Spring Day. I do really enjoy the pre-chorus, although I admit that I appreciate more than like the song as a whole. But, it has so much energy and drive it’s hard not to be pulled along for the ride. For the album as a whole, I really enjoyed seeing the variety in all of the solos, and although the one I liked the best was Stigma, I enjoyed the cinematic opening and the odd vocalizing of Lie and the slightly jazzy vibe of Mama too.
I’ve mentioned that I liked Taehyung’s voice before, but I really loved it in Stigma. He goes between whispering and half-wailing so well, and his voice carries so much emotion that I found myself swept up in it too. And of course, as a queer woman myself, the plaintive apologies and constant reference to “sins” make me wince in sympathy, although I have no idea if that’s the intended meaning.
On to an odyssey of a repackage album in Love Yourself: Answer, starting with Euphoria. At first, I was worried that the chorus would be empty, but the post-chorus assuaged my worries. I like the instrumental, especially the mix of the gentle guitar and the electronic twinkling (I don’t know how else to word it). The song’s overall not my favorite of theirs but a nice breather, upbeat and wispy, and the music video definitely made me smile, so props to them!
DNA continues the wispy, upbeat guitar trend, with whistling thrown in for good measure and making a nice contrast. I love the sprawling quality of the chorus, although I wish that the slight post-chorus at the end of the song continued through the rest of it, as I think it would make it live up more to the greatness that is the pre-chorus, which I don’t quite think it does. Although, I’m aware that that’s more personal preference than anything else. I think this one is my favorite single from the album.
Idol has an interesting beat and a good message. I’m sure it’d be a great song to run or dance to, and I do understand why people like it. I found myself tapping my head during the post-chorus, which I did enjoy. It’s just not for me, with its constant rapping and such a chanty chorus. Something about it just doesn’t feel like it works, although I could see it growing on me if I gave it more listens.
Mic Drop is even more not for me, to no one’s surprise. Unlike with Idol, where I could appreciate but not like it, I didn’t enjoy any part of this one and I found it grating on my ears. Again, I acknowledge that this is due to personal pet peeves more than anything, but it bears repeating that even if I can note the talent in something, that doesn’t mean I have to like it.
Overall though, I quite liked this album. The trilogy (if you will) of Serendipity (I love the guitar), Singularity (Taehyung’s vocal control is impressive), and Epiphany (I’ll talk more about it in a minute) is lovely, down to the names themselves. I also enjoyed Answer: Love Myself and although the song itself isn’t my style, I appreciated the unique lyrics of Anpanman.
Epiphany is definitely my favorite, though. It starts with a soft piano and strings, then slowly builds to become a quietly powerful song about the strength that it takes to wake up every morning and keep going, even when it seems impossible. It’s a topic that is near and dear to my heart, and I don’t think enough songs address it. I love how something about it feels cyclical, just like its meaning, and Jin’s voice communicates it so honestly that I completely understand why so many people have connected to this song.
Black Swan starts with a unique harp (?) that gives a sharp contrast to the more hard-hitting beat and electronic production layered over it. I want to like it more than I actually do, because there are so many interesting ideas in it but none of them are given time to breathe or developed enough to make the song stand out. I don’t really have an opinion in a way, because it doesn’t feel quite finished to me.
Boy With Luv surprised me with how much I actually liked it. Halsey’s voice works very well in it (though, as a fan of hers, I wish she had a little more to do) and it was a little toothless compared to other singles of theirs (and hers, for that matter), but I loved the pre-chorus. Overall, it’s fun! It’s not ending up on my Top 10 Lists but I didn’t skip it nor did I want to.
ON has a great build up and finally is one of their more EDM songs with a good payoff after it, moving like a marching band with the background drums. I quite liked this one; it marries their more ethereal and electronic style and their more harsh and dark style together in what turns out to be a great combo. I especially enjoyed the bridge and the pre-chorus, proof that I can enjoy chanting if it comes in concert with other things too.
On Map Of The Soul: 7, I liked most of the songs, including Filter, 00:00, Moon, Louder Than Bombs (especially the “louder than bombs, I sing”), and Inner Child. But, my favorite was Friends. If you’re a fan of them, you might think I’ve been harsh in my reviews, but I want to say that’s mostly because when I know what groups are capable of and they don’t strive for it, it feels like a missed opportunity. Like NCT Dream, I think that BTS’ best songs are when they let the cool facade fade away and sing (and write) from the heart, which is exactly what Friends is.
Look, I’m a sap. It’s a gently anthemic, almost sickeningly sweet song about Taehyung and Jimin’s friendship that doesn’t just wear its heart on its sleeve, but screams about it from the balcony. Of course I replayed it three times and kept going “awww” every ten seconds. I was doing work at my desk and once it got to the “you are my soulmate” part, I suddenly got the urge to text my own soulmate friend and tell her how much I love her. Which I did.
Life Goes On is understated and feels a bit more like a b-side, but it’s honestly so sweet that I like this one too. It feels like a warm hug, and I don't even mind the rap, because it’s miles ahead of the ones in calm songs from the beginning. I already knew this song too, but in context with the rest of their discography, I enjoyed it more. Having spent this review and the last going through Everests of albums, BE is almost scarily short. That being said, I did enjoy the guitar in Dis-ease, and I especially appreciated the throwback to the skits of the first few albums in Skit, a good return to form.
Alright. Enough of the hearts and flowers, I have a confession to make. I hate Dynamite. I know that I don’t have any actually valid reasons for this, because I know it’s a good song. But, as I said in the disclaimer, I’ve been a k-pop fan for almost five years now and since the time this song came out, it’s become people’s reference point for BTS, which is already wrong, and then it becomes their reference point for k-pop, which never fails to get under my skin.
It’s not BTS’ fault that so many English-speaking people see a song specifically designed to appeal to an English speaking market, and then refuse to do any effort to look beyond it, but it drives me insane nonetheless. I’m sure that if it wasn’t to that level of fame that I’d feel the same way about it that I do about Boy With Luv. My thoughts are the same for Dynamite, Butter, and Permission To Dance, so I’ll spare you the repetition.
I’m going to end not with my irrational hatred of Dynamite but with a note that I really enjoyed the song they released with their Best Of album, “Yet To Come,” although I don’t think it was a single. I won’t go into too much detail but I did think that it was very sweet and a good thing to end on.
So, overall thoughts: I’m very glad I did this. I’m glad that I took the time to make up my own mind and recognize that I was doing what I just called out all the people who assume that Dynamite is every k-pop song ever, and assuming that I wouldn’t enjoy this deep dive. I’m extremely happy to say that they proved me wrong. I can’t call myself a fan, exactly, but I can say that I respect their talents (and their humor) much more than I did before this. I always watch an interview when I’m typing up this last part, and I might even watch more than one this time. We’ll see.
My top 5 songs are, to no one’s surprise, Spring Day, Friends, Butterfly, Epiphany, and Life Goes On, with a special shout out to Paldongangsan and War Of Hormone. BTS gets a 8.5/10 from me, the same as (G)I-DLE and NCT Dream, which I definitely didn’t see coming. I enjoyed the greater part of their discography, and of the songs I didn’t like, it was usually personal preference or bias and not any fault of the songs themselves. Once we get to 9/10 and beyond, it gets firmly into the land of what are my own absolute favorite groups (like, say, Gfriend), so I can’t really rate them any higher.
I’ll see you very soon for a quick girl group supplemental and next week for a longer girl group! Tschüss!
