Riddle me THIS gene roddrnbey
If vulcans ARENT goth baddies, then WHY do they have the cunty microbangs?

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Riddle me THIS gene roddrnbey
If vulcans ARENT goth baddies, then WHY do they have the cunty microbangs?
Eddie and Ana/Buck and Natalia parallels.
Alternative title: ♪ I think I've seen this film before ♪
Everyone was complaining Taylor hasn't removed the sounds from the White House TikToks using her music but she was playing chess while we were all begging for checkers the whole time.
She knew about Trump and Clinton and Putin and how that would be a bigger deal than Trump trying to rage bait her. Your enemies will defeat themselves before you get a chance to swing is the prophecy.
Hmmmmm. 🤔
I feel like deleting my Oc-tober drawings cause they didn't get that many notes. I'm not gonna do it but I needed to express this.
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...Yeah that's all.
sorry I'm having late night majora's mask thoughts and they might be half thoughts and not super coherent, but... the fact that link learns the song of healing from the happy mask salesman from an organ...... like... I don't know, I'm wondering how that fits into this whole healing thing, since what he heard from an organ last time was basically the source of all his trauma, now becoming the first anchor to help people moving on (starting with himself)
I don't know, it's also the thing about koume and kotake being basically kind swamp grandmas in this one despite the gerudos being pretty much still gerudos (even arguably crueler) otherwise...
like I don't know if that's anything, but I'm wondering how his time in Termina helps Link process This Gigantic Part of his trauma, and how that ties up with Skull Kid and Majora (and the moon itself, awful and horrendous and destructive from outside then incredibly calm and beautiful and childlike within)... and what he gets out of this and reapplies to Hyrule later, especially given we're in the backstory of Twilight Princess and we all know how that goes!!!
I don't know, I always felt like Ganondorf (and Zelda, and any of the major NPCs) just not being present in the game (Zelda memories/fisherman situation not accounted for) was actually a pretty potent choice, because these characters are everywhere but in a distilled form; and I think Ganondorf especially (given he's the reason Link is not doing fine in the first place) exists in the moon, the Mask, Skull Kid, Ikana...
But also it's a game with such tenderness for the monsters (the re-deads dance when nobody is looking, the mummy is a loving father that his daughter tries to protect from you, the dekus are fully fledged people...), and it's a game that rejects evil as a fixed characteristic safe for the corrupting object (AND EVEN THEN you get the moon's insides where every boss becomes a literal child), so I can't help but wonder how Link's little brain is processing this whole mess on uhhh This Side of the equation
(I'm taking on the metaphor angle, I'm not onboard for the "it's all a dream" game theory sides of things, I think it can both happen for real and be a metaphor at the same time, to clarify, and I think it's the most interesting setup narratively so vOv)
Oh to sink my teeth into someone’s neck and leave marks that scar
The critical writer part of my brain has a number of issues with the PJO show, especially concerning tone and characterization, and how it is over-reliant on the audience being familiar with the books instead of trying to set up a story that works independently of its source material.
Sadly, I am constantly overrun by the monkey brain who goes tee hee every time it sees these funky little children breathe.