#cartierfoundation

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Cartier Foundation. Paris. October 2017

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Cartier Foundation: A New Vision for the Future of Art and Architecture

Cartier Foundation: Transformations in Its Future LocationMoving to the Venice Biennale 2025If you miss the renowned home of the Cartier Foundation for Contemporary Art on Boulevard Raspail, there is an exciting opportunity to explore its accompanying exhibition at the 2025 Venice Architecture Biennale. The Foundation will organize this event at the Giorgio Cini Foundation, located on the historically and aesthetically rich island of San Giorgio Maggiore. It is expected that the exhibition will serve as a glimpse of what’s to come in the future building designed by Jean Nouvel, offering a new and contemporary concept for both art and architecture.An Overview of the Exhibition and the New StructureThe exhibition to be displayed in Venice highlights significant milestones in the Foundation's development, particularly with the expectations surrounding the new structure designed by Jean Nouvel. The pre-exhibition demonstrates what the upcoming Cartier Foundation building will look like, which will be vastly different from the current one. The exhibition will provide an opportunity to explore the architectural future of this cultural institution through architectural designs and visual presentations.Opening the New Building: A Vision for the FutureOnce the new building opens on October 25, 2025, it is expected to mark a significant shift in how art exhibitions and cultural projects are presented. The exhibition in Venice may be considered a warm-up for this grand opening, offering an initial look at how modern architecture will merge with an immersive art experience that places artists and the audience at the center of the event.The Cartier Foundation's Move to a New Location in Paris: A Radical ChangeThe Surprise Move to the Palais Royal SquareThe announcement of the Cartier Foundation for Contemporary Art's relocation in Paris from its current location on Boulevard Raspail, designed by Jean Nouvel in 1994, to a new building in the 19th-century Palais Royal Square has caused a great deal of surprise within cultural and artistic circles. This change is not merely a shift in location but carries with it a new vision for presenting the arts in the 21st century.A New Design, An Immersive ExperienceThe new building, also designed by Jean Nouvel, is situated within an existing historic structure in the heart of Paris. This project is expected to offer an immersive and dynamic art experience that seeks to integrate modern architectural elements with the rich cultural history of the location. This step represents an ambition to present a holistic art experience that aligns with the needs of the 21st century, through a design that enhances interaction between art and the audience.A Shift in the Presentation of the ArtsThe vision is for the new building to be more than just a place to display artworks; it is intended to be a meeting point between art, technology, and dynamic experience. The Foundation aims to explore new possibilities for how art is experienced, moving away from the traditional format of exhibitions to offer visitors an interactive environment that resonates with the aspirations of the present age.Innovation in the Location: A New Vision for the FoundationInnovation in Execution and DesignWhen relocating to such a distinguished location with a rich history and strategic position, it becomes essential to innovate in how art is presented. As Jean Nouvel stated, "Moving to such a significant location, both in terms of site and history, requires a form of innovation. What is being innovated is not necessarily visible in steel or stone. The space stands out in a different way in execution: a way of envisioning how to enable artists to express with the utmost power." These words emphasize that innovation in design is not limited to the external form of the building but also encompasses the way art is presented and how the audience interacts with the artworks.Boldness and Courage in Presenting ArtNouvel points out that the new location demands "boldness and courage," qualities that artists may not always be able to express in traditional institutional settings. This new challenge opens the door for the Cartier Foundation to become "the institution that offers the greatest distinction in its spaces, exhibition forms, and the most diverse perspectives." Thus, the Foundation aims to activate artistic experiences that go beyond the known traditional frameworks, enabling actions that are not possible elsewhere, through reimagining the display system and offering a renewed artistic experience.Opening the New Building: Glimpses of the FutureThe Venice Exhibition: A Preview of the New BuildingThe new Cartier Foundation building is expected to open next fall, but the recently opened exhibition in Venice offers an early glimpse of what is to come. The exhibition provides visitors with the opportunity to explore large-scale drawings of the building's design, as well as immersive photos and a film that reflect the essence of the architectural concept behind the new project.Construction Details and Dynamic ExperienceOne of the standout features of the exhibition is the drawings that highlight the construction details and the atmosphere of various areas within the building. This includes a showcase of the building’s characteristics, such as movable platforms and its adaptive nature, reflecting the continuous interaction between architecture and art. A generous model of the building is also displayed, arranged in a way that allows visitors to explore its interior, enhancing the immersive experience and providing them with a sense of the dynamic possibilities of the new structure.The Impact of the Exhibition on the Future of Art and ArchitectureInspiring Discussions and Thinking About the FutureThere is no doubt that the exhibition in Venice will encourage visitors to explore the new Cartier Foundation space once it becomes available. More than just presenting a vision for the building, the exhibition will inspire discussions about the future of art exhibitions, cultural architecture, and interdisciplinary creativity. These topics will remain central to the development of modern cultural institutions, which aim to transcend traditional concepts of architectural and artistic spaces.A Public Program Accompanying the ExhibitionA public program is expected to accompany the exhibition, featuring a group of prominent names in the fields of architecture and art. Among the participants in this program are Jean Nouvel, the architect behind the design of the new building, as well as Cecilia Boiga, Andrés Jaque, Lina Ghotmeh, Manuel Segadi, and Antoine Becon. These participants will provide valuable insights into how art exhibitions and architecture will evolve in the future, enriching the experience and expanding the discussion on what can be achieved through collaboration between the arts and architectural design.🔗 Read also:https://archup.net/the-venice-charter-1964-a-cornerstone-for-cultural-heritage-conservation/ Read the full article

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... immersing... Fondation Cartier pour l’art contemporain at Power Station of Art in Shanghai #cartierfoundation @powerstationofart #powerstationofart @avant.arte @artnet @artforum @artsy #artwork #artshow #artstagram #artgallery #artislife #artnerd #artjournal #artlover #urbanexploration #urbanlandscape #urbanjungle #urbanphotography #streetphotography #igmasters #instaphoto #igers #igersoftheday #igersdaily #insta_crew #bestofmy #photogallery #shotaward #instameetingsh #GlobalLocal

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하이라이트 Higlight Cartier Foundation #cartier #cartierfoundation #seoul #서울시립미술관(서울시립미술관 Seoul Museum of Art에서)

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News | Daido Moriyama Gives a Fresh Look to Tokyo

After a major exhibition of his work in 2003, Japanese photographer Daido Moriyama returns to Foundation Cartier. “Daido Tokyo” will feature seldom seen colour photographs captured by Moriyama from over the past 20 years, as well as a new images in a commissioned installation that will show a different look to the streets he has documented for years. Moriyama is best known for high contrast, grainy, black and white street photography,the artists is heavily influenced by William Klein.

The new installation titled “Dog and Mesh Tights” (named after two well-known Moriyama photographs of a woman’s legs in fishnet stocking and a stray dog) features photographs that were taken between July 2014 and March 2015. For this project Moriyama forced himself to use the viewfinder to compose his shots atypical of his previous work where he commonly snaps while continuing to walk. He also further challenged himself and shot only in portrait format.

The artists said “I was more focused and attracted to the surface and details of Tokyo,” Mr. Moriyama said. “I wasn’t really paying attention or particularly focused on the emotional life of the city.”

Via New York Times

News | Museums Embrace Digital Offerings as Visitor Numbers Surge

Gallery and museum visitors are on the rise with international tourist arrivals hitting a record 1.18 billion last year, up from 25 million in 1950. For museums, more visitors means more money however they come with a threat to cultural heritage. Body sweat, carbon dioxide exhalation and dust from visitors can damage works of art. Art administrators are bracing for an onslaught, Wim Pijbes, the general director of the Rijksmuseum in Amsterdam, said museums were likely to face a “tsunami of visitors” in the years ahead.

Fortunately digital technology will be bring the galleries directly to their intended audience with 360-degree interactive tours, videos and ultrahigh resolution images. Google is ahead of the game in this cultural shift with its nonprofit organization Google Cultural Institute with more than 1,000 museums and institutes allowing Google’s high powered cameras to capture their collections. The Institute offers free web access to more than 5 million items.

The question is, will these new technologies put museums out of business? Mr. Pijbes said “If someone produced a 3D hologram, full color, full size of the original, it would never measure up, Nothing beats the real thing,” with Giorgia Abeltino, director of public policy at the Google Cultural Institute agreed with this statement “Looking at a painting is an incomparable experience, and we’re not trying to provide a substitute.”

Via New York Times

News | Sterling Ruby: Making It Big

Sterling Ruby’s new exhibition “Work Wear: Garments and Textile Archive 2008 – 2016” at the Sprüth Magers gallery in London features clothes designed by the artist including bleached sweatshirts and trousers, splattered coats, flattened denim ponchos and dyed textile pieces. Sean O’Hagan from The Guardian interviews the prolific artist about his life, work and creative process.

“I’m manic, for sure. I’m always working on several series simultaneously. Right now, I’m making paintings, large flags, tapestries and textile works, a new ceramic series and I’ve started making mobiles.” Sterling Ruby

Via The Guardian 

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