Francisco de Goya (Spanish, 1746-1828) Procesión de disciplinantes (A procession of Flagellants), c.1812-14 Real Academia de Bellas Artes de San Fernando, Madrid, Spain
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Francisco de Goya (Spanish, 1746-1828) Procesión de disciplinantes (A procession of Flagellants), c.1812-14 Real Academia de Bellas Artes de San Fernando, Madrid, Spain
“Círio fluvial” (river pilgramage), the highlight of the festivities in honor of Our Lady of the Rosary of Troia, in Grândola (Portugal)
This boat procession leaves from the Caldeira lagoon in the Troia peninsula and transports the image of Our Lady of the Rosary of Tróia along the Sado river back to Setúbal.
Ludwig Passini - A Procession in Venice, 1873, watercolour Ludwig Passini (1832 - 1903) is one of the greatist watercolourists of the nineteenth century. At an early age, his father, an engraver, taught Passini sketching and watercolour technique. Passini studied at the Vienna Academy of Art. He became friends with watercolourist Carl Werner and they travelled through Europe together. Passani enjoyed considerable success in Rome and Berlin. He spent his final years living in the Canale Grande. Throughout his career, Passini demonstrated a mastery of colour and technique.
Mesinha de S. Sebastião de Dornelas | Little Table of St. Sebastian of Dornelas - Portuguese Catholic Traditions, Feasts & Devotions
In January, one of the oldest traditions in the Municipality of Boticas takes place—the festivities in honour of Saint Sebastian, known as the "Mesinha de São Sebastião" (Little Table of Saint Sebastian), also called "Festa das Papas" (Porridge Feast), the saint protector against war, famine, and plague. The origins of this particular celebration are lost to time, but folk memory recalls that during the Napoleonic invasions (Peninsular War, 1807-1814), the folk of the village of Vila Grande saw soldiers passing along a road near the hamlets of Couto de Dornelas (old name of the parish). Knowing that these troops plundered everything in their path, the villagers prayed for divine protection. They took the image of Saint Sebastian, carried it into the street, placed it in the church tower, and vowed to hold a feast in his honour every year if the troops did not reach their villages. Miraculously, the soldiers moved on, sparing the villages, and true to their promise, the folk began a tradition that has continued for over 200 years.
Due to the scale of the event, preparations begin well in advance. Around Christmas, the "mordomo" (steward) visit homes across the parish of Dornelas to collect cereals (rye and maize) used to bake a type of bread called "broas". In January, they gather additional donations—primarily pork (usually shoulder and jowls) and money to buy rice. Additionally, firewood is also collected and preserved to cook the food. On the night of the 19th, at midnight, a fire is lit in the fireplace of the “Casa do Santo” (House of the Saint), where over 20 iron pots filled with chunks of pork are placed to cook. The building also has a large oven and a room to store hundreds of broas, which, over about five days and nights, they are baked for distribution or sale during the festivities.
On the 20th, as soon as the church bell rings for Mass, rice pots are added to the fire, and the Eucharistic celebrations begin. After Mass, the steward carries the image of Saint Sebastian along the table, allowing pilgrims to kiss the saint and offer donations. The procession with the saint proceeds in direction to the Casa do Santo where the priest blesses the bread, meat, and rice. Only then does the communal meal begin, with the food being served at a table (thus the name, mesinha) stretching hundreds of metres along the village's main street. The meal includes the homemade broa, rice, a piece of pork, and several other traditional foods. It is said that, by being blessed, the food possesses healing properties. The broas, in particular, are believed to resist mould for a long time. Such are the benefits attributed to this food that many people take portions, or even whole broas, home to eat or to feed their animals, ensuring they remain free from ailments.
Francisco de Goya (Spanish, 1746-1828) Procesión de disciplinantes (A procession of Flagellants), c.1812-14 Real Academia de Bellas Artes de San Fernando
Festa de Nossa Senhora das Dores | Feast of Our Lady of Sorrows (Trofa, Porto)
The festivities in honor of Nossa Senhora das Dores (Our Lady of Sorrows), in the portuguese city of Trofa, are considered one of the biggest pilgrimages from the north of Portugal. The pilgrimage takes place on the third Sunday of August, where the traditional and secular procession takes place, unique for the grandeur of its “andores” (procession floats). There are a total of ten floats, all made by hand using countless of pins and a few hundred metres of ribbons and satin. The one carrying the image of Our Lady of Sorrows is the largest, measuring between 15 and 16 meters, which makes it taller than some of the surrounding buildings, and weighs more than six hundred kilos, requiring several men to move them.
As the name suggests, the tribute to the Lady of Sorrows portrays a Marian devotion in its suffering facet. In this context, it assumes a veneration of the torture, that can be understood with all the effort dedicated to making the floats and the strength required to transport them. The procession begins and ends at the Main Church of Santiago de Bougado, with hundreds of extras who give encouragement to the pilgrimage, thus contrasting with the solemn moment of the reverence for the passing of the float, that is, the Seven Sorrows of Mary.
Alfred Dehodencq (French, 1822-1882) A Confraternity in Procession along Calle Génova, Seville, 1851 Museo Carmen Thyssen, Málaga