I’ve listed the notes taken on character building from most important to least important.
A character is their:
Actions & motive: everyone acts a certain way but why do they act the way they do?
Past: “People are what they have done, and what have been done to them.” (8).
Reputation: what do other people think of you. Or more to the book, people gossip and from that, they make a snap judgment. What reputation does your character have with the others in your story?
Stereotype (w/in their job, sex, age, family role, race, ethnicity...): here, the author encourages us to use stereotypes to our advantage. we have to “count on” our readers to make these stereotypical judgments.
“Characters who fit within a stereotype are familiar; we think we know them, and we aren’t all that interested in knowing them better. [...] Characters who violate a stereotype are interesting...” (11).
Habits/patterns: what they do on the regular basis and if they try to change it, why?
Talents/abilities: are they extremely gifted? In what away? Are they not?
Tastes & preferences: do they prefer to look or act a certain way?
Body: what do they look like?
Chapter 2. What makes a good fictional character?
There three questions readers ALWAYS ask within the first paragraph:
So what? Why should they care?
Oh yeah? This is the clue/explanation that should persuade readers to trust you.
Huh? Make it clear. Make it believable.
YOU ARE THE FIRST AUDIENCE! - if you don’t care about what you’re writing, your audience also will not care.
Questions to always ask:
WHAT COULD POSSIBLY GO WRONG? (in my opinion, the best question)
Interrogate the situation and your character. Brainstorm a list of possible ways that events can go wrong, but still, drive the story and your character to an outcome/solution.
WHY?
Why is this happening? Why did the character act this way toward this event/person?
* Don’t ever settle for your first answer. The first answer is always obvious and too static. Add a twist (the author talks more about this in chapter 3, page 50):
~Maybe character X isn’t out to kill character Y because Y killed X’s family. Maybe X is killing because (they think) it’s their duty to kill, or X is just deranged and obsessed, they think killing is the solution to their problem.
Summary: Sam the autistic penguin takes Syd for a driving lesson. In the sixties. hilarity ensues.
INT. BASEMENT. PRESENT. DAY
We pan to our heroes in the basement. They are about to time travel to the sixties. It’s high time that SYD got a driving lesson.
SAM
But why the sixties?
SYD
Felt like it.
SAM
Do you even have a license?
SYD
No.
SAM
Well…
SAM looks around. The basement is a little messy. He hops into a truck. The time-traveling RV is an instrument used for time travel.
SAM
This isn’t about ROGER, is it?
A beat.
SYD
Maybe.
SAM
Promise me we won’t run over anyone.
EXT. London. The SIXTIES.
A bright flash of light. The RV appears in the distance, slowing down. Here, we have several mods and hippies walking about. SAM relaxes at the front seat.
SAM
Ok...
SAM walks out of the RV. SYD slides to the left. HE sits at the front row, appearing to fixate on learning how to drive.
SAM
Careful there...
SYD
Right.
SAM enters the RV. He puts on a seatbelt. SFX of a seatbelt clicking.
SAM
Careful.
SFX of a car revving. SYD appears hesitant at the wheel. SFX of a key turning.
SYD
Ok then.
SFX of a car revving. CU of the wheels turning and spinning.
SAM
Careful.
SYD gives a brief grunt.
SFX of keys turning.
EXT. Movie studio. UNKNOWN.
We are introduced to MICK THE HORSE, a thoroughbred brown horse. He is eyeing his costar ANITA the Horse. This wouldn’t be so bad if ANITA was romantically involved with KEITH the Horse, a secretariat-type racehorse who happens to be friends with MICK. The director shouts some directions, which become faded as MICK turns his attention to ANITA the horse, a blue Horse.
DIRECTOR
Action!
We pan to ANITA the horse. Somehow there is a romantic dissonance. Hearts flying. Romantic music playing.
ANITA
Right then!
Some generic romantic song plays in the background.
MICK
Huh?
MICK gets up from the seat. Romantic music continues to play as he approaches ANITA the horse. Flustered he begins to speak, in English-English. For an American audience, here are the subtitles.
MICK
ANITA, you are looking wonderful today.
ANITA
Why thank you MICK. You as well.
MICK
( flustered British- racehorse noises)
So who are you- er I mean- what are you doing this weekend?
EXT. LONDON. The SIXTIES.
SAM is instructing SYD on how to drive. Cu of his hoof on the steering wheel.
SYD
‘Right.
He turns the key. There is a thunder of noise. SYD jumps at the noise.
SAM
No need to be frightened.
SYD
Ok then.
SYD attempts to twist the key into drive. The engine roars. He jumps back.
SAM
You’ll get used to that.
SYD twists the key one more time.
SAM
Ok. just hold on a second.
SAM leans into SYD’s lap. SYD straightens in his seat as SAM begins to operate the keys. It looks highly unusual from one camera angle.
SAM
Ok then.
There is a roar of the ignition.
SAM
Just turn the ignition key...
INT. THE STUDIO. DAY.
MICK THE HORSE is walking ANITA the horse to lunch.
ANITA the horse
MICK, it’s nice that you’re walking me to lunch.
MICK
No problem Anita.
The two stop at the cafe. There appears to be no one in the cafe. No sign of Keith the horse.
MICK and ANITA get something to eat. The next shot is them sitting at a table, discussing the script.
MICK
So in this line, I’m doing-
There is a pause. Anita looks at him, ANTICIPATING.
MICK
Oh, dear. Surely, Keith won’t mind.
ANITA
Not if he doesn’t know.
The two stare at each other. Suddenly they run to the cafe bathroom.
MICK
How would he know?
ANITA
I’m not telling him.
MICK the horse makes her promise not to tell.
INT. bathroom closet. INT.
THERE is a slam of the door. The environment appears mysterious, sort of psychedelic. SFX of a door slamming. Soft yet intense. MICK and ANITA appear cramped in the bathroom stall. They are about to do something bad. MICK nods at ANITA, giving asking for consent. ANITA approaches him, consensually. The bathroom closet is revealed to be a movie set. The next shot is that of a movie camera. This is a scene that is in the movie. There is a tinkling of a piano as there is a cu of MICK’s face being immersed in the smoky fog. The stage appears smoky.
MICK
Ah!
ANITA
AH.
INT. BEDROOM. DAY.
A repeated slam of the door. The environment is smoky once more. ECU of MICK the horse. The camera pans down to ANITA the horse. The two are in the process of making love. The two horses make love and embrace. The ambiance is very psychedelic. The scenery is colorful. MICK gives a grunt as he reaches climax.
MICK
AH!
ANTIA
AH!
The camera pans back to reveal that directors are watching. Ecu on the director's face. Cu of the people, the extras watching. Continue the piano tinkling. The piano is the background is tinkling. Ecu of the lovers embracing. The camera should move back and forth as if switching POVs. Elsewhere, we see Keith the horse working, oblivious that his lover is fornicating with his running mate.
EXT. LONDON STREET.
There is a large crunch. SYD has crashed into the mailbox of Keith the Horse. SYD not thinking steps on the pedal. KEITH runs out of his house cursing the driver for smashing his mailbox into bits. He begins to mourn his mailbox.
SAM
SYD what did you do?
SYD
The mailbox was being bad.
SAM
What?
SYD the magical pony turns to SAM the AUTISTIC penguin.
SYD
The mailbox was being bad.
SAM turns to look at Keith chasing him down. Since Keith is a horse, this can only end badly.
KEITH
( making angry British noises)
OY!
SYD ignores KEITH, instead focused on the road. He steps on to the pedal. Since this is an RV, SYD the magical pony has the upper hand. KEITH slows, highly upset over his destroyed mailbox.
KEITH
WANKER!
SYD stops the RV. Then the RV zooms out of the ROAD. PAN to the movie studio the RV passes.
INT. MOVIE STUDIO. DAY.
ROGER is in the middle filming something. The camera pans eastward, revealing several movie executives discussing the plot for the scene. ROGER is walking down the hallway.
ROGER THE HORSE
Could you keep it down?
MICK THE HORSE
SORRY MATE.
ROGER walks down the hallway. Now the coast is clear, MICK and ANITA sit alone in the room. The door slowly closes as ROGER THE HORSE sits on a bench. The horse sits up, apparently filming for a music video. Now that SYD the horse is out, ROGER the horse has to make up for his absence. In what seems like what a fun looking video, ROGER is seen unusually smiling, prancing around, and having a good time. When the camera shuts off, ROGER returns to his usual grouchy self. He stares at the floor. His fixation of the floor is soon interrupted by the ensuing coitus. OFFSCREEN MICK and ANITA fornicate.
ANITA
( making aggressive sexual noises)
ROGER stares at the room next to him. He bangs on the wall, now annoyed that he has to listen to some hippies fornicate.
ROGER
AY! KEEP IT DOWN!
ROGER bangs on the door. The sexual noises stop.
ROGER
KEEP IT DOWN!
The sexual noises grow louder in intensity. ROGER growls in annoyance, then he stomps off aggravated that he has to put up with this nonsense. We cut to SYD and SAM comically crash into a wall. MICK and ANITA sit back up embarrassed. Cut back to SAM and SYD Staring at the camera. Cut back to MICK AND ANITA in mid-coitus. MICK scooches back, mortified. Back up.
EXT. KEITHS house
SYD
We don’t have to mow down anyone.
SAM
We don’t?
KEITH THE HORSE looks at the two of them. He acts/ makes concerned movements.
KEITH
How long mate?
SAM
Excuse me?
SYD elbows him, indicating that he needs to be quiet.
SYD
We saw them the entire day.
KEITH
What?
KEITH looks at the two of them in shock. He begins to pace back and forth nervously. The news of ANITA plowing someone other than him is a shock.
KEITH
And you are from the future?
SAM
You could say that.
KEITH stares at SYD. The two horses glance at each other. He nods and embraces him as if forgiving him for mowing his mailbox. The next shot is the three horses, in a bathtub. Another pink horse, steps into the bath, seemingly naked. The bathtub should be filled with water. In the background, a sitar plays. Mick appears somewhat amused, at the blue horse sexually sitting on his lap. Mick appears somewhat satisfied. ECU of Keith driving. Ecu of the hoof. Ecu of the key in the ignition. Ecu of Keith's serene face, calm. Internally boiling over with rage, but strangely calm. Ecu of tires spinning. Back to MICK the horse's serene expression. The blue horse ANITA is sitting on his lap. Cu of montage playing back and forth, repeatedly playing in Keith's mind. Cut back to MICK the horse sitting on ANITA’s lap. The two begin to do things rather sexually. Ecu of KEITH, ANITA’s boyfriend, driving. Cut back to MICK and ANITA. BACK and forth. Finally, smash cut to KEITH kicking a door down.
KEITH
FREEZE YOU, SON, OF-
ROGER screams. Clearly, KEITH has caught him in an embarrassing moment.
ROGER
OUT!
KEITH
Apologies mate.
Using the correct door, Keith kicks down the door.
INT. THE MOVIE STUDIO. DAY.
KEITH
MICK!
A pause as MICK and ANITA are staring at him in horror. KEITH has become armed with a baseball bat.
MICK
HI MICK.
KEITH
We need to talk.
EXT. LONDON street. DAY.
SYD is hanging out of the RV.
KEITH
Thanks, mate.
SYD
No problem MATE. Sorry about your bird and all.
KEITH
It’s ok. I might need to move out of the country, but eh, it will blow over.
SYD laughs at this notion, understanding that KEITH will never live this down in the age of social media. We cut to MICKs mangled body as KEITH looks on.
SYD
So, what next?
KEITH
Go back home.
There is a flash of light as the RV zooms out of the way. No one takes notice as there is a flash of light. For a moment. All grows quiet. In the end, no one had to get run over. SAM and SYD appear satisfied as they come back to PRESENT DAY.
SAM
So in the end, we didn’t have to kill anyone.
They reach the present day. There is a soft glow of light as the RV comes back. The RV stops. SYD comes out, being satisfied with the Driving process. SFX of the slam of the door. SYD comes out. JOHN, in the process of turning, comes out of the room looking as if he was interrupted by the sounds of an RV. SYD turns to him, satisfied. JOHN glances at him. Then he walks out of the room.
As we approach the average college coed, in 2017, we see a colorful scene take place. For instance, there's the burnt out preppie sipping her seventeenth macchiato. Notice how she gives out a brief glare to the passerby in the hallway. As we move on to the male coed hallway, the environment becomes denser.There is now garbage littered throughout the floor. The beta males are trying to study for Midterms. Alas, they will not absorb much information, causing these students to fail miserably. On the other side of the Hallway, there is heavy metal music blasting from the door. Can the occupant in room 302 please shut down that loud music? I’m trying to dramatically narrate here!
As I wander around the sleepy college hallway, one wonders why I’m here. Where did I come from? Why is yours truly stuck narrating the exploits of young adults? I had a life once. I had a family and job. An actual job! I had a wife with two kids, Lizzy and Xavier. How do they sleep at night knowing their father has a measly job? Anyway, I’ve got to continue narrating or else no pay for tonight.
The cheerleader sleeps on her desk, burnt out. Obviously, she lacks the macchiato, from the preppy. Her parents are so not going to be pleased when her grades fall to F’s and D’s. F’s and D’s? Oh my gosh! I have to prepare for that exam tomorrow! She grabs her textbooks and flashcards. Soon, she tries to keep her eyes open. It’s no use. She needs to go to bed. Oh no, you don’t! She yells at herself. Come on brain! We’re going to get some coffee and a cold shower! She marches herself to the doorway. Suddenly she feels the strong urge to collapse on her bed. Suddenly the silence is interrupted by the sharp squeaks of the shower nozzle. Wow, you sure are stubborn. I love taking a shower in the middle of the night! It’s a good time to forget everything in your life! Wish I could do that. The preppy cheerleader lathers her hair, letting the soap circle the drain. Her eyes pierce wide open. All of a sudden her heart beats rapidly. Her heart beats with renewed energy. It’s official: she’s awake. She emits a groan and places her head on the wall. She needs a coffee. Her life as a cheerleader started out as a child. She wanted to win the state championship. So she prepared, which meant she had to stay up late. The Cheerleader was intelligent, as she passed her tests. Her essay writing was also remarkable.
So why was she here? I’m here to achieve my dreams! WHICH IS CHEERLEADING! Yay!
I, on the other hand, had dreams too. My narrating career started when I was a small boy. My adorable voice over had jump-started my career. However, my prepubic voice cracked during the voice over. So, I was removed from the radio voice over. “The only problem was your voice”. You see, my voice didn’t just crack; it stayed the same range. I did not have a dramatic baritone voice, only an effeminate tone. In fact, as a teenager, I was often mistaken for a girl. I resembled one too. I have a lean body, which strangely does not produce fat. I also grew my hair out. I wore my blond hair out at mid length, which oddly enough gave me an advantage with the student body. My high school years were filled with idolizing Boy George and Ru Paul, drag Queen.
Boy George? Like Karma Chameleon?
Yes. I was very effeminate. The local girls had formed a posse around me. They defended me from bullies and generally nasty people. My life had been like a moat, as I felt safe. One day, however, I met one of my many ex-wives. Her name was Alice. We were inseparable. One day, however, she walked in on me. Ever since then, I have been searching for some place to call home. This college provides shelter for me.
You’ve been in a string of relationships? I know I’ve seen you before, but where? Ah ha! The cheerleader snaps her fingers. You were on that BBC program in the early 2000s!
Ah yes. The 2000s. I regret every minute of that decade. My eyes still burn after remembering my fashion choices. That decade and the earlier part of this one were awful. I drank heavily, to combat my insecurities.
About what?
I shiver to myself. The people I’ve known turn away from me when they know my secret. “It’s personal.” What’s personal? I shake my head. “I’m confused”. About what? the girl inquires. I shift my legs so she doesn’t notice. “I-I-m”. I stutter, “What? You can tell me.” Finally. Someone to come out to. “Gay? Lesbian? Transgender?” “Hermaphrodite” There's a long pause. The cheerleader sucked in her breath. My parents never told me I had different organs. I just discovered that I had both female and male characteristics only a few months ago. “Could you please help me?” My cheeks feel warm. Tears were rushing down my face. The cheerleader tucked her towel around her body. “Whats your name?” “Dorothy.” “My names Dorothy and it’s nice to meet you”.
As known, Nancy is an insomniac. Normally she'll lay awake until the early hours of the morning until she falls asleep.
Normally Nancy doesn't get nightmare. But when she does, they can leave her screaming in her sleep.
Nancy sleepwalks on occasion. Nights where she actually falls and stays asleep, she'll wander around her room. If she does somehow manage to get out of her room, it's best to wake her up quickly.
She doesn't show it, but Nancy is constantly tired.
Am I the only person who is looking for some good character devolopment memes/tutorials/videos/etc. online? If anyone knows of some, a link is appreciated :3
Napoleon Dynamite: A Comedy Driven by Character Development
Franklin County, Idaho may have been unaware of it at the time, but this $400,000 dollar budget independent movie being filmed there would go on to gross over 46 million dollars while gaining a cult following which is still strong to this day, nearly a decade later. The plot too has no original merit; it’s a film about an awkward and geeky adolescent teenager trying to fit in and find friends. On top of that, it is a PG comedy, and the comedies that I am normally drawn to have more vulgar language. So what drew me and so many others to fall in love with this movie?
The thing that makes myself and so many other people drawn to this movie is the unique characters and fantastic character development throughout. If it was not for the uniqueness, likeability and overall obscure personalities of these characters, this movie would have had very little appeal. Comedy doesn’t always come down to one-liners (although this movie has some classic ones) because without characters that your audience can connect with, your movie becomes forgettable. Even if an audience doesn’t identify or even moderately relate with the characters, you can still make your audience connect with the characters, which is something Napoleon Dynamite displays to perfection.
The Characters:
Uncle Rico
The following quote from the film summarizes Uncle Rico’s character perfectly:
“How much you wanna make a bet I can throw a football over them mountains? Yeah…Coach woulda put me in the forth quarter, we would’ve been state champions. No doubt. No doubt in my mind.”
Everything that Uncle Rico does is driven by his will to try to go back in time and play in a state championship football game. He I so convinced that this is the moment in his life that would have changed things for the better. Instead of figuring out how he can better his current situation, he spends all of his time and money trying to go back in time. Uncle Rico is so delusional to a point to where it is hilarious.
Uncle Rico’s plan to earn the money for this unproven time travel device? Selling tupperware door to door with his 32 year old nephew Kip.
So lets jot all that down in one run-on-sentence, shall we? We have a middle aged single man who lives alone in his van in Idaho, he believes that if he can travel back in time to 1982 and he can convince his high school coach to put him in the game so they could win state and he could go on to make millions in the NFL.
See the humor yet?
Even the broken smile of Uncle Rico represents the large mental chunk of himself that is still stuck in High School. We all know somebody that lives the world of nostalgia and what if’s. Those are the same people that we fear becoming, and Uncle Rico serves as a constant reminder to Napoleon that living a life of regret isn’t much of a life at all. Unless you don’t mind selling tupperware and living in your van.
Kip
Let’s discus Uncle Rico’s co-salesman and nephew, Kip.
Kip is 32 years old and lives at with his grandma and his high school brother Napoleon. He spends most of his hours during the day chatting with “hot babes” on online chartrooms. As you can see in the picture above, his looks match his lifestyle.
Kip sounds like somebody who spends his entire day on the internet, speaking in a anemic manner, obviously lacking basic social skills.
While Kip may seem like a useless character on the surface, asides from the comic relief he provides just by being weird, Kip also serves as a foreshadowing of Napoleon’s future if he doesn’t learn how to interact with people. It seems that the only male figures in Napoleon’s life serve more examples for what Napoleon doesn’t want to become rather than being role models that he can look up to.
Kip and Napoleon are brothers far in age yet Napolean doesn’t seem to respect Kip as an older brother. In fact Napolean truly doesn’t show much respect until Kip finally meets his online lover Lafawnduh. Once Kip falls for her, he changes and gives Napolean more brotherly like words such as, “Don’t worry Napolean. I’m sure there is some babe out there for you.” By the end of the film, this message shows the underline message of this film, love.
Pedro
Pedro isn’t really a funny character however he is the most important one in the film. He unknowingly teaches Napoleon something that he had always been lacking, assertiveness.
Pedro just moved from Mexico so he is also looking for friends and relationships while at the same time trying to learn a new culture that he is unfamiliar with. While his English isn’t the best, what he lacks in grammatical skill he makes ups for with his confidence and assertiveness.
When Pedro wants something, he doesn’t have a second thought and goes for it. He wanted a date for the dance so he didn’t hesitate to ask the most popular girl in the school, Summer. After she says no, his courage isn’t shaken as soon he asks out Napoleons love interest Deb.
Later Pedro decides to run for class president against the popular girl, Summer. All of these actions of Pedro taking initiative motivates Napoleon to take that same initiative saying, “If you need me to use any of my skills to help I can.” Essentially Napoleon develops a friendship by mutually helping Pedro to reach a particular goal. Friendships are born through common interests, and during this campaign is when we see Pedro and Napoleon become best friends.
Napoleon
Paid a mere $1000 at the time, Jon Heder portrays one of the most memorable comedic characters of all time. Geeky and misunderstood seems to be the dilemma Napoleon finds himself in when trying to fit in his social environment known as high school. Sometimes in an environment such as high school, creativity and uniqueness can be seen as weird and geeky.
Napoleon is that type of kid who is more interested in drawing Ligers than he is in fitting in with the latest fashion trends. Which is obvious from the beginning wearing hipster glasses, way before they were ever considered “cool.” When people see Napoleon all they see is a freak. It is not until the end of the film when his peers realize just how unique and talented he truly is. Napoleon love for fantasy is due to the combination of his terrible home and school life. Fantasy is the only way in which Napoleon can find happiness, because he hasn’t had any true relationships.
There are two main significant events in which Napoleon starts to make connections. The first connection he makes is with Pedro, when he transfers to the school. Pedro is new and Napoleon, not having any friends, shows him around and slowly starts a friendship. It is a funny friendship at first since these characters are both from very different places and seem to not have much in common either.
The other connection is with is another person who seems to be somewhat of a social outcast herself, Deb. Deb and Napoleon meet when she is going door-to-door selling key chains and hair products to make money for college. She leaves her stuff on his doorstep after feeling embarrassed after Kip made a joke from the living room. The next day at school, this gives Napoleon a chance to talk to her and give her back her stuff. Which he does.
Later Napoleon finds out that Pedro asked Deb out to the dance. Napoleon is truly upset, but doesn’t want to tell Pedro that. Once they go to the dance, Napoleon’s date ditches him whom only went with him because her mother forced her too, thanks to Uncle Rico who made up stuff to make her mother feel sorry for him, and buy his tupperware.
Anything to get back to 1982 right?
Anyways, after Napoleons date ditches him Pedro and Deb come over. Pedro, seeing that Napoleon’s date left, offers him to have a dance with Deb. While Napoleon and Deb dance she ends up telling him that Pedro and her are just friends. This is great news for Napoleon. Right after that we get a shot of Pedro in the hallway getting a drink of water at the water fountain. He looks at a poster for class president’s elections. And just like that, we have new character goals. Napoleons new objective becomes to help Pedro win the election and continue his chance at a relationship with Deb, while Pedro’s goal now is becoming class president. Since each character has a clear objective of what they want, this is where Napoleon, Deb and Pedro form a strong bond with each other.
Napoleon and Deb do everything in their power to help Pedro during his campaign. Once the day of the election speeches take place, Pedro starts to grasp that maybe his dream was a little far fetched after seeing Summer, the popular girl, gain a massive applause after her speech and talent show act. We have all been to high school and know that class president was merely a popularity contest, and for the first time, Pedro realizes this. He is now more nervous than ever right before his speech. Napoleon tells Pedro, “Just tell them that if they vote for you, all their wildest dreams will come true. “
Pedro goes out and delivers his speech, which is very short. After he walks off, having to talent act. Napoleon knows what he must do. He takes the cassette tape up to the person running the sound. Remember Napoleon would never have this tape if it weren’t for Kip’s lover Lafawnduh, who gave him the tape when she found out that he was training to dance. So if Kip had never spent years on the internet, desperately looking for a relationship, Napoleon may have never even attempting this dance. It is interesting how one relationship helps strengthen the other relationships around them. Continuing this message of love and friendship.
Once Napoleon starts dancing, his classmates aren’t really sure what to think. Yet as it progresses we start to see people in the crowd starting to enjoy it. Once it ends, Napoleon runs off the stage, not really sure if anybody liked it. Once he runs off, a massive eruption and standing ovation from the crowd emerges. Deb looks around seeing her classmates join her in standing up and cheering.
Napoleon’s classmates finally see his talent. They didn’t see a fantasy geek drawing weird drawings in his notebook; all they saw was teenager dancing like he was Michael Jackson. Talent makes people like you, regardless of how weird you are.
The very last shot of the movie is Napoleon at the tetherball court. Deb comes over and joins him. The song “The Promise” by When In Rome comes on as the camera slowly zooms out until the ending credits.
Napoleon has made long term relationships with Deb and Pedro. Pedro, accomplishes his goal of becoming class president. Kip gets married and finally finds love. Even Uncle Rico seems to find someone, at the very end of the movie. The audience feels the underline message, be yourself and friendship and love will find you.