Getting back into the creative flow after finishing uni :3
Charicter design by @ignoranceisparadise

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Getting back into the creative flow after finishing uni :3
Charicter design by @ignoranceisparadise
[651] normally I post finished projects and such but I wanted to try my hand at a season specific design. I could post a finished design but my hand was hurting so I decided to not strain it. This is my thought process for the design as I thought some might appreciate it. There seems to be a lot of themes of ocean and watery stuff so I was like yes piranha etho! [cause jungle plus fish] I also thought about playing around with some more frog designs but idk
My top 5 hairstyles from The Owl House that I am very normal about.
Luz, specifically her in the season 2 finale, and post time-skip.
While in season three Luz spends a lot of time wearing a hat or in Halloween costume, which means we don’t get to see her hair, I still fucking LOVE what the animators did to her hair late in season two/ end of season three, specifically, the little mini-pony tail she’s rocking when she rescues Amity. It’s got a very 1700’s short Queue/ gentlemen’s club-tail pirate vibe to it, giving the whole scene a swashbuckling and romantic vibe as Luz literally climes up onto the balcony of her love interest’s boudoir to rescue her from her evil and overbearing mother, It’s wonderfully practical, romantic, tomboy-ish and playful, and seems like a direct fuck you to Bellos who also wears his hair in a similar tied-back style.
look at those pants tucked into tall boots and tell me they weren't thinking pirate.
It hints at a volume and springiness of hair that make you realise that the animators and design team actually considered Luz’s Afro-Latina roots before promptly forgetting that again for most of season 3, only to bring it back for the post time-skip Luz. 9/10
Amity, specifically the change in hair colour.
This is just great character design: using the character’s visual design to communicate information about her to the audience: her hair is neat, prim, proper… restraining, very tied back, not at all free, and not only is it clearly a dye job, but a bad one, with the visible change in colour at the roots. You can tell from her hair, she is not happy with who she is at that point in her life. She’s had her hair done to blend in with the twins and her mother, be a part of a matched set, and you can see how she doesn’t care for it or she would have done something about those roots: bits of the real her, bits of her father’s influence, bleed through without Amity even realising. And then… BLAM.
Change to a purple do, the colour of abominations reflecting her talents and passions, which incorporates hints of her natural brown hair deliberately and thoughtfully. It’s even called out by the twins that her mom would hate it. It’s also a very similar colour to the purple on the Bi pride flag, and seconds after Luz see’s her with it for the first time, Amity kisses Luz for the first time. New hair, new her. It’s a colour that pairs well with the blues and purples Luz typically wears, and close to the shade you would get if you colour-averaged the Dominican Republics’ flag (thought that’s probably just a coincidence). It’s Amity rejecting who her mother wants her to be, and embracing the person Luz sees her as, and I Love it. 9.5/10
Principle Bump
You mean to tell be that Pallisman was hiding yards upon yards of the most beautiful silky flowing hair I’ve ever seen in a cartoon? Sir, you can not just drop that much swag mid-way thought season two, and not in the presence of minors, it’s just too sexy. 10/10.
And speaking of too damn sexy… Eda Cawthorne, the Owl Lady.
Oh my god yes. Just yes. Chef’s kiss perfection. Hair so voluminous it has dominates the outline of the character creating a distinct silhouette even at distance, hair that bobs and move in the action sequences with it’s own weight an gravity. I’m amazed she can walk, let alone strut, given that her centre of gravity must be a foot behind her head. Hair so voluminous you struggle to hide it when you’re in disguise, and so magical it has it’s own pocket dimension for storage and/or is just so big you can keep stuff in there like a handbag. By the Titan, drown me in your hair Owl Lady.
Special shout out to the pre-curse Eda hair as well: Flaming red, with her golden eyes, her narrow, pointed face and (even for a witch) huge pointed ears and the two hanging bits at the front that look like fox-tails? You just know Raine took one look at this and the carved their Fox Pallisman the very next day (and while it’s cannon that carving Owlbert was an attempt by Eda to reclaim some positive association with owls in her mind post-curse, the fact Raine looks like an owl with their big round glasses and little round face must have been on Eda’s mind: it’s my headcanon they carved their Pallisman’s to look like each other.)
11/10, perfect character design.
And finally, Vee, particularly right at the end of season three.
SHE HAS A BIG MANE OF HAIR TO HIDE HER EARS AND IT LOOKS LIKE AN AXOLOTL’S GILLS! SHE HAS ACTUAL AXOLOTL HAIR AND IT HIDES HER LITTLE EARS! THIS IS THE CUTEST THING I HAVE EVER SEEN JUST LOOK AT THIS LITTLE AXOLOTIL GIRL! 200/10!
it's been so so long sense I've drawn anything BFDI related. honestly I miss my blorbos
Charicter design. Wiskey.
MOSS MOSS MOSS MOSS MOSS
More of moss lad!
Ive been messing around with animation and pixel art and made these two little guys, they still need names though, anyone got suggestions?
(image ID: two 16 by 16 pixel animated gifs of characters walk cycles. the first is of a humanoid in dark blue robes on a black background. its head is a floating orb of orange light and it holds a lantern. the second image is of a figure with a beak or plague doctor mask, its unclear which, in grey robes on a dark background. the figure walks with a cane and has yellow eyes. it looks like the character it walking beneath a light. end ID)