#choirnotes

[choirnotations]

We can’t decide how we like our guys

Soprano #1: The funghi should be faster, if he's a fun guy. Soprano #2: You told him to take his time...

[choirnotations]

There shouldn't be any Alto/Tenor funny business.

Director

(Tomás Luis de Victoria, “Regina Coeli”)

[choirnotations]

The Mahler pieces are the twilight of the Romantic Era.

Director

(Gustav Mahler, “Im Tempo des Scherzos (5th movement),” Symphony No 2)

[choirnotations]

I think I'm pretty good with my hands.

Director

(Eriks Ešenvalds, “Trinity Te Deum”)

[choirnotations]

It starts so harmlessly...

Accompanist

(Matt Wetmore, “O Nata Lux”)

[choirnotations]

Who knows how long this will be.

Soprano, in reference to a rest with a fermata

(Mahler, “Im Tempo des Scherzos (5th movement),” Symphony No 2)

[choirnotations]

Did we hire a bagpipe?

Chorus member, referring to the organ

(Maurice Duruflé, “Domine Jesu Christe,” Requiem)

[choirnotations]

On humming:

“Let's not start with compression, like your grandmother's kiss." - Director