May 18, 2017
We can’t decide how we like our guys
Soprano #1: The funghi should be faster, if he's a fun guy. Soprano #2: You told him to take his time...
seen from Jordan
seen from Georgia
seen from Malaysia
seen from Togo
seen from Italy
seen from Malaysia
seen from United States
seen from Croatia
seen from Belarus
seen from Algeria
seen from United States
seen from United States
seen from Pakistan
seen from United Arab Emirates
seen from Georgia
seen from Japan
seen from Malaysia
seen from Australia
seen from United States
seen from Australia
We can’t decide how we like our guys
Soprano #1: The funghi should be faster, if he's a fun guy. Soprano #2: You told him to take his time...
There shouldn't be any Alto/Tenor funny business.
Director
(Tomás Luis de Victoria, “Regina Coeli”)
The Mahler pieces are the twilight of the Romantic Era.
Director
(Gustav Mahler, “Im Tempo des Scherzos (5th movement),” Symphony No 2)
It starts so harmlessly...
Accompanist
(Matt Wetmore, “O Nata Lux”)
Who knows how long this will be.
Soprano, in reference to a rest with a fermata
(Mahler, “Im Tempo des Scherzos (5th movement),” Symphony No 2)
It's music for brass that isn't stupid!
Director
Eriks Ešenvalds, “Trinity Te Deum“
If the sopranos are the loudest, then everything's out of balance. Just like my life.
Director
Camille Saint-Saens, “Les Fleurs et Les Arbres“
As per Mahler's curious instructions, it means building slowly, not slower. ...why would he write that...?
Director
Gustav Mahler, “Im Tempo des Scherzos” (5th movement), Symphony No 2