#choirnotations

[choirnotations]

We can’t decide how we like our guys

Soprano #1: The funghi should be faster, if he's a fun guy. Soprano #2: You told him to take his time...

[choirnotations]

There shouldn't be any Alto/Tenor funny business.

Director

(Tomás Luis de Victoria, “Regina Coeli”)

[choirnotations]

The Mahler pieces are the twilight of the Romantic Era.

Director

(Gustav Mahler, “Im Tempo des Scherzos (5th movement),” Symphony No 2)

[choirnotations]

It starts so harmlessly...

Accompanist

(Matt Wetmore, “O Nata Lux”)

[choirnotations]

Who knows how long this will be.

Soprano, in reference to a rest with a fermata

(Mahler, “Im Tempo des Scherzos (5th movement),” Symphony No 2)

[choirnotations]

It's music for brass that isn't stupid!

Director

Eriks Ešenvalds, “Trinity Te Deum“

[choirnotations]

If the sopranos are the loudest, then everything's out of balance. Just like my life.

Director

Camille Saint-Saens, “Les Fleurs et Les Arbres“

[choirnotations]

As per Mahler's curious instructions, it means building slowly, not slower. ...why would he write that...?

Director

Gustav Mahler, “Im Tempo des Scherzos” (5th movement), Symphony No 2