oozey mess
Today's Document
DEAR READER
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occasionally subtle
Jules of Nature
shark vs the universe
i don't do bad sauce passes
wallacepolsom
almost home
YOU ARE THE REASON
todays bird
pixel skylines
Monterey Bay Aquarium
noise dept.
if i look back, i am lost
@theartofmadeline
Sweet Seals For You, Always
2025 on Tumblr: Trends That Defined the Year
seen from Japan
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@choirnotations
Let the high A flat be strong ladies. Imagine a firefighter bursting through the flames with a new-born child! Strong yet beautiful, graceful yet secure. Let it radiate from your heart in the most genuine way possible. Don't lose that image.
Director
We take a breath and then wail through the ending.
Director
Look what a good mood I'm in; I'm giving all the pitches.
Director
Thank you all very much for not being Machiavelli.
Director
We can’t decide how we like our guys
Soprano #1: The funghi should be faster, if he's a fun guy. Soprano #2: You told him to take his time...
Create shapes! Not notes! Shapes!
Director
Even the French feel something occasionally, in between cigarettes.
Director
If hillbillies had been Anglican, this would have been what they had written.
Director
It's hard to hear when that thing* is in my head.
Soprano
*The “thing” was a very, very large hanging gong
Even basses can be elegant.
Director
(Gustav Mahler, “Im Tempo des Scherzos (5th movement),” Symphony No 2)
Men, sometimes you get spanked, and it doesn't feel good.
Director
You guys need to make that 'but' smaller. Does this song make my but look big? Yes, it does.
Director
(Craig Carnahan, “Armistice 1918 (Everyone Sang)”)
That's almost better.
Director
The many who say 'Lord, Lord' - I'm sorry, I didn't mean to be so sincere.
Director
(Maurice Duruflé, “Libera me,” Requiem)
If it's under pitch, we need more of the Meryl Streep cheekbones.
Director
(Mårten Jansson, “The Choirmaster's Burial“)
We can't count AND think.
Bass
(Michael Gordon, “Natural History”)
The Mahler pieces are the twilight of the Romantic Era.
Director
(Gustav Mahler, “Im Tempo des Scherzos (5th movement),” Symphony No 2)