#cleliaciardulli

[usmaradiomagazine]

🎙️ NUOVO EPISODIO! / NEW EPISODE! 🎶 𝕊𝕋ℝ𝔸ℕ𝔸𝕄𝕆ℝ𝔼 𝗔 𝗷𝗼𝘂𝗿𝗻𝗲𝘆 𝗶𝗻𝘁𝗼 𝗮 𝗺𝗶𝘅𝗲𝗱 𝘀𝗼𝘂𝗻𝗱 𝗲𝗻𝘃𝗶𝗿𝗼𝗻𝗺𝗲𝗻𝘁 Curated by Clelia Ciardulli LISTEN HERE > Fourth episode: 𝐍𝐨𝐭 𝐘𝐨𝐮 𝐍𝐨𝐭 𝐌𝐞, 𝐖𝐞

TRACKLIST

> Jacob Kirkegaard - Swimming Pool (TOUCH 2006) > Michael Lonsdale - excerpt from La Question Humaine (film dir N Klotz 2007) > Francesco De Gregori - Generale (RCA Italiana 1978) > DJ Food - Hour Glass/Looking Glass (NINJA TUNE 2001) > Pussy Riot - Organs (NICE LIFE EP, 2016) > EndgamE - NXN (Purple Tape Pedigree, 2016) > KLF - Madrugada Eterna (KLF Communications, 1990) > Wynton Marsalis interpreting Jelly Roll Morton - Dead Man's Blues (Sony Music, 2011) > Cut Killer - La Haine (Double H Productions, 2005) > slowthai - Doorman (Method Records, 2019) > Budos Band - Valley of the Damned (Daptone Records, 2019) > Coby Sey - Response (AD, 2022)Steve Reid - Drum Story (SoulJazz Records, 2005) > Ornette Coleman - Buddha Blues from 1968 Italian Tour (Gambit Records, 2005) Image credits: Large Abstract, Patrick Bridge, Scotland 2022 

>> Clelia Ciardulli is a radio broadcaster and soundscapist - and crucially, a “citizen of nowhere”. She was born in Bolzano, spent her childhood in Chiavenna (Sondrio, Italy) and her entire adult life in the UK, first in Sheffield England and the in Glasgow, Scotland. Now she is based in Berlin, Germany. Clelia’s journey into music started with her mum’s record collection, then on the dancefloor: she learnt basic DJ skills from  the Red Tape Studios (Sheffield) in 2000 and all there was left to do is to follow one’s bliss. The best opportunity came with the night DisOriental (Bradford), exploring the rich cultural intersections of Britan’s dance floor musical output. The search for different places to create space for people with music begun. In 2013 she joined The Audacious Art Experiment, a DIY autonomous space where she encountered the lived experience of punk, post-punk, noise, improv and a way for people to gather and experience outside of the club/venues music industry: this opened the opportunity to break out of given and purchasable musical experiences and to witness instead to a self-organised, open access, educational and critical network of musicians and activists. In 2014 she spoke at the Guelph Jazz Festival and connected with the work of Ajay Heble, well articulated in his co-authored book The Fierce Urgency Of Now: Improvisation, Rights and The Ethics of Co-creation. > Mixcloud > Soundcloud

[usmaradiomagazine]

🎙️ NUOVO EPISODIO! / NEW EPISODE! 🎶 𝕊𝕋ℝ𝔸ℕ𝔸𝕄𝕆ℝ𝔼 𝗔 𝗷𝗼𝘂𝗿𝗻𝗲𝘆 𝗶𝗻𝘁𝗼 𝗮 𝗺𝗶𝘅𝗲𝗱 𝘀𝗼𝘂𝗻𝗱 𝗲𝗻𝘃𝗶𝗿𝗼𝗻𝗺𝗲𝗻𝘁 Curated by Clelia Ciardulli LISTEN HERE    > Second episode: 𝐇𝐨𝐩𝐞 𝐑𝐨𝐚𝐝𝐬 🔴  ON AIR - Thursday 23 May at 9:30 pm (CEST) - usmaradio.org

"Hope cannot be said to exist, nor can it be said not to exist. It is just like roads across the earth. For actually the earth had no roads to begin with, but when many people pass one way, a road is made." 

- Lu Xun

TRACKLIST

- Inside The Bell Tower (foundsound) - Clelia Ciardulli - One String Bass And One Night Train In Toowoomba - Clelia Ciardulli/Dean W - Denham part of Cities And Memory project "Stay At Home Sounds" - The Death Of Miles Davis - Joe McPhee - Working Class Hero - Maja Ratkje/Poing - Legend - The Bulgarian Voices - You Don’t Know What Love Is - John Martyn - …and I Lay My Ear To Furious Latin - Ben Frost - Symphony no 3 in F, Op.90 - 3 Poco Allegretto - Johannes Brahms - Like Hell Broke Away - Lonnie Holley - 22/7 - Spandril - 8 (side B) - Michael Gordon/Cello Octet Amsterdam - The Wretched Of The Earth - Vernacular - Road To Peace - Tom Waits - Freedom For Apo [Berlin, Feb 11 2022 - Kurdish Demo] (foundsound) - Clelia Ciardulli  >> Clelia Ciardulli is a radio broadcaster and soundscapist - and crucially, a “citizen of nowhere”. She was born in Bolzano, spent her childhood in Chiavenna (Sondrio, Italy) and her entire adult life in the UK, first in Sheffield England and the in Glasgow, Scotland. Now she is based in Berlin, Germany.Clelia’s journey into music started with her mum’s record collection, then on the dancefloor: she learnt basic DJ skills from  the Red Tape Studios (Sheffield) in 2000 and all there was left to do is to follow one’s bliss. The best opportunity came with the night DisOriental (Bradford), exploring the rich cultural intersections of Britan’s dance floor musical output. The search for different places to create space for people with music begun. In 2013 she joined The Audacious Art Experiment, a DIY autonomous space where she encountered the lived experience of punk, post-punk, noise, improv and a way for people to gather and experience outside of the club/venues music industry: this opened the opportunity to break out of given and purchasable musical experiences and to witness instead to a self-organised, open access, educational and critical network of musicians and activists. In 2014 she spoke at the Guelph Jazz Festival and connected with the work of Ajay Heble, well articulated in his co-authored book The Fierce Urgency Of Now: Improvisation, Rights and The Ethics of Co-creation. > Mixcloud > Soundcloud

[usmaradiomagazine]

🎙️ NUOVO PROGRAMMA! / NEW SHOW! 🎶 𝕊𝕋ℝ𝔸ℕ𝔸𝕄𝕆ℝ𝔼 𝗔 𝗷𝗼𝘂𝗿𝗻𝗲𝘆 𝗶𝗻𝘁𝗼 𝗮 𝗺𝗶𝘅𝗲𝗱 𝘀𝗼𝘂𝗻𝗱 𝗲𝗻𝘃𝗶𝗿𝗼𝗻𝗺𝗲𝗻𝘁 Curated by Clelia Ciardulli

> First episode: 𝐎𝐧 𝐂𝐨𝐥𝐭𝐫𝐚𝐧𝐞’𝐬 𝐁𝐢𝐫𝐭𝐡𝐝𝐚𝐲 🔴 ON AIR - Friday 21 January at 9:30 pm (CET) - usmaradio.org

"Strangelove – a strange love. A love of the strange. Love while estranged. The bends (le stranie) that come with love and its depth. Melancholy, alienation, loss. Surprise. Belonging in between the lines, outside the margins. Resistance. Strangelove as dedication to fighting norms, as assertion of what is and not should be. The relentless awe for being alive.

It was cold, and despite my expectations, I felt heartbroken: thank God it was Coltrane’s birthday.  Coltrane and his transcendence of everything, even himself, carved a space for my feelings, and these are the pieces I have retrieved."

>> Clelia Ciardulli is a radio broadcaster and soundscapist - and crucially, a “citizen of nowhere”. She was born in Bolzano, spent her childhood in Chiavenna (Sondrio, Italy) and her entire adult life in the UK, first in Sheffield England and the in Glasgow, Scotland. Now she is based in Berlin, Germany.

Clelia’s journey into music started with her mum’s record collection, then on the dancefloor: she learnt basic DJ skills from  the Red Tape Studios (Sheffield) in 2000 and all there was left to do is to follow one’s bliss. The best opportunity came with the night DisOriental (Bradford), exploring the rich cultural intersections of Britan’s dance floor musical output. The search for different places to create space for people with music begun. In 2013 she joined The Audacious Art Experiment, a DIY autonomous space where she encountered the lived experience of punk, post-punk, noise, improv and a way for people to gather and experience outside of the club/venues music industry: this opened the opportunity to break out of given and purchasable musical experiences and to witness instead to a self-organised, open access, educational and critical network of musicians and activists. In 2014 she spoke at the Guelph Jazz Festival and connected with the work of Ajay Heble, well articulated in his co-authored book The Fierce Urgency Of Now: Improvisation, Rights and The Ethics of Co-creation.

> Mixcloud > Soundcloud