#complex art

[moonlycot]

Dreamy peacock 🦚 📖

Character belongs to Chnubi

[greis-art]

Omagad. Sketch. I won’t add anything, I’m afraid this post won’t get into my feed either.

[furiarossa]

No weird jokes this time. The situation is serious. They are aware that they're shifting. They're aware-wolves.

Mixed 'n complex illustration for Blasphemer, drawn with black ballpoint pen and colored in digital.

+$2 patrons can download HERE the .zip pack with WIP steps and full resolution files.

This work is available to purchase as print, posters, stickers and other cool stuff HERE on Redbubble!

★Facebook|FurAffinity|Commission prices|RedBubble shop|Tapastic★

[milky-shea]

MECHA OC :: NAUTILUS

August 20 ♌

His design is mostly based on a shark

Has a dorsal fin

The end of the tail has a joint for the fin to rotate [it can either be vertical like a shark's or horizontal like a dolphin]

Frequently swims with a family of local whales

Nautilus' overall size is on par with said whales [aka freakin huge]

The air sacs on his legs give a speed boost underwater

[sigulary]

Commission from May

Requested by Hikari

For more information about commissions, see here

[freshthoughts2020]

• STELLAR

• 12” x 18”

• by Jaevonn Harris

[hollowbonesstudio]

How Far Down (acrylic on canvas, 12•23•16-12•31•18)

this technically took me two days but i waited to finish it for two years because i didn’t know what else to add so finally, after all this time, it’s finally finished

[tanmay-banerjee]

‘La Reprise — Roman Opalka’ from “Detail-001, 1–32062” to “Detail-256, 5594934–5607249.” Each of the Details are run in a looped animation, perpetually oscillating between black and white.

“La Reprise, Roman Opalka” belongs to a series of digital creations, titled as: “La Reprise” or ‘Remake’ with the idea of digitally recreating or reproducing the visual form that reveals a certain aspect of regenerating the process used by few famous artists on their iconic artwork.


“La Reprise - Roman Opalka, 1-5607249 & from black - white” is a digital recreation or reproduction of Roman Opalka’s lifetime work called, 1-∞ 1965. A series of 256 images called ‘Details’ presenting an increment of generated numbers ranging from 1 to 5697249. Each Detail here has a format of 196cm (h) x 135cm (w) - exactly as Opalk’s original work - using a white font in size 10, however each ‘Detail’ has a unique background colour, starting from Detail-001 in dark black (R=0, G=0, B=0; #000000) and culminating on a pure white background colour, as seen in Detail-255 (R=255, G=255, B=255; #ffffff). 


As observed through the series of images, the passage from a very contrasting and legible image (revealing white numbers embedded in a deep black background), towards a fading and illegible white on white situation, reveals an act of disappearance. This progressive degradation of the background colour shows a finite range of 256 possible grey tone values that can be obtained in an 8-bit RGB image, whilst also evoking Opalka’s attempt to achieve a ‘numerical infinity’ and a visual transcendence achieved by fading to white. 


Here, the primary difference from Opalka’s work, is that the sequence of numbers is generated through a computational process replacing the organic manual process used by Opalka, attempting literally to count till infinity and spending nearly a lifetime doing so. 
Since it is computationally possible to generate extremely lengthy numbers in an extremely short duration of time (within seconds) - as opposed to Opalka’s manual process that took him over 45 years), the idea is to eliminate the notion of “time” hence also eliminating the numerous variations that reveal themselves as a byproduct of “time” that are very much relevant and fundamental to Opalka’s organic process. In stark contrast to that of that, this series of images reveal a perfectly linear degradation of the background colour that is visually represented in a ‘digitally dry’ environment and quantified through computation and reduced to a finite framework of what was an infinitely complex process that manifested through a lifetime of work, in Opalka’s 1-∞.