Trying tk get myself out of art block but anyway here's load/reload era kirk if any one gives a flying shit
♡
DO. NOT. FEED MY ART INTO AI OR I WILL SHOVE CLIFFS BASS UP UR ASS

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Trying tk get myself out of art block but anyway here's load/reload era kirk if any one gives a flying shit
♡
DO. NOT. FEED MY ART INTO AI OR I WILL SHOVE CLIFFS BASS UP UR ASS
🥀💥THE BLOODY SHADOW OF THE RAMPARTS: THE ANATOMY OF A MURDER
"Some souls can never find peace without turning the very city they live in into a graveyard."
On October 4 2024
Istanbul witnessed one of the most systematic and brutal massacres in modern history. The perpetrator, Semih Çelik, did not merely murder two young women; he hurled public safety, faith in justice, and human dignity down from the historic ramparts. Here is the step by step chronology of that day, the dark preparation behind it, and the chilling truth revealed by forensic reports:
ACT I:THE SILENT PREPARATION AND THE MONSTER IN THE ROOM (The Pre Murder Process)
The Scent of Flesh and Visual Blueprints:
Before the murders, Semih Çelik worked as a "butcher" for a period. This ordinary trade transformed into a grotesque anatomical guide inside his mind. On the bleak walls of his room hung hand drawn sketches detailing the human muscular and skeletal structure. In his room, death breathed alongside the perpetrator every single day, like a piece of furniture.
A Cold Farewell from a Year Ago:
A chilling video discovered on the killer’s computer revealed how deep-rooted his obsession truly was. In a dark recording addressed to İkbal Uzuner shot about a year prior, he stared directly into the camera rehearsing death and whispered his lethal intent months in advance:
> *"İkbal, I wanted to say a special goodbye to you. In the end, I will die... The day I saw you, I came to kill you. I didn't want to leave a life behind when exiting this world. I was going to kill you right then and there, but... my heart didn't allow it. But ever since that day, I have thought about suicide every single day."*
>
*The Venom of the Digital Abyss:
He spent endless hours in the darkest corners of the internet, embedded in misogynistic subculture groups known as "Incels." The nihilistic and philosophical notes he kept proved that he did not perceive this massacre as a mundane murder; he had codified it in his mind as a consecrated "ritual of annihilation."
A Blind and Deaf System:
Even his father’s desperate pleas to the police, crying out that his son was performing bizarre rituals with knives in his room, and the perpetrator's five separate psychiatric hospitalizations within the last year were not enough. Amidst the sluggish gears of bureaucracy, a monster was left to quietly sharpen his blade.
ACT II: OCTOBER 4, 2024 – THE FIRST STOP: EYÜPSULTAN (15:30)🕞
Shadows in the Bag:
On that ominous Friday, Semih packed a black bag not with ordinary kitchen utensils, but with professional skinning knives and bone cleavers from his butchering days. His first target was Ayşenur Halil, a young woman who had once been a part of his life.
😶🌫️A Seconds-Long Silence:
He lured Ayşenur to that cold apartment under the pretense of "talking and having a meal." The moment she stepped inside, she stood face to face with death. There was no argument, no sound of struggle. With professional detachment, the killer drew his blade and cut Ayşenur's breath away within seconds. The agonizing detail in the forensic report revealed that she didn't even have the time to scream. The killer waited by the lifeless body for a while, changed his blood stained clothes, shouldered his bag, and set out for his second target.
ACT III: OCTOBER 4, 2024 – THE SECOND STOP: EDİRNEKAPI RAMPARTS (16:00)🕓
The Terrifying Calm Before the Storm (16:00 - 16:30):
His second target was "İkbal Uzuner", whom he had been obsessed with for years, terrifying her even with his shadow. He lured her to the top of those historic, ruined ramparts by threatening her family or promising "to talk one last time and end this for good." Camera footage and eyewitnesses documented the most harrowing 30 minutes in modern criminology: the two sat side by side at the edge of the wall, talking quietly as if they were ordinary friends. Passersby below were oblivious to the impending doom above, because the killer wore a chilling mask of calm, managing to keep his prey’s defenses completely down for nearly forty minutes.
🌫Vile Geometry on Stone:
The moment that conversation ended, the mask slipped. The top of the ramparts instantly turned into a slaughterhouse. After murdering İkbal, the killer began translating the horrific anatomical sketch he had drawn in his notebook months earlier into reality; he dismembered her body into six pieces.
ACT IV: HUMANITY FALLING FROM THE WALLS (16:40)
The Pinnacle of Nightmare:
What turned this case from a double homicide into an unforgettable societal trauma was the perpetrator's theatrical sadism. The killer began throwing İkbal's severed remains over the edge of the ramparts, right in front of the gathering crowd below. The most agonizing, merciless scene in history took place at that exact moment: İkbal's head fell directly in front of her mother, who was waiting helplessly and fearfully at the base of the walls. This was not just an act of taking a life; it was pure, unadulterated sadism aimed at turning the living survivors into the walking dead.
😶🌫️The Final Applause and Annihilation:
While the perpetrator swayed at the edge of the precipice, messages were flooding the Incel groups he belonged to, cheering his brutality in real-time and treating the victims as a "score." Surrounded by the cheers of this digital darkness, Semih Çelik tied a rope around his neck and threw himself off the historic walls, ending his own life.
İkbal and Ayşenur were not torn from life solely by Semih Çelik’s blades; they were stolen by a step by step cultivated obsession, the hatred brewing in the dark dehliz of the internet, and a blind, unresponsive system. In this file, it is not the names of two young women that are condemned, but the organized darkness that took them away from us.
🥀This file has been sealed so that no blood may ever be spilled in the shadow of the ramparts again...
Curse Maelstrom (Pathfinder Second Edition Archetype)
(art by NemeiaHellcross on DeviantArt)
Vindictiveness and cruelty are what define a curse and sustain it. Without those emotions, the magic would dry up over time, but the hatred that defines a curse is a self-perpetuating fuel source that causes the magic to linger and cling to a person much like the bitterness that spawns it.
All of which to say that being cursed is by all accounts an awful experience, but not one that can’t be worked around in some way.
This is where so-called “curse maelstroms” come into play: individuals whose curse has become an unpleasant constant companion that they can’t seem to be rid of, but that they can make use of in their own ways.
Now, the thing about this archetype is that it doesn’t have to start with a character having a specific hard-to-remove curse on them, although it can. Indeed, whether it is a familial curse that is more vague since they aren’t the original recipient, a vague and nonspecific “may you be surrounded constantly by misfortune” sort of hex, or something else, some characters can simply be surrounded by supernatural misery. But with their familiarity with the curse, they can sometimes weaponize it against their foes.
Some may see their curse as an old friend, while others simply wish to live a somewhat normal life despite it. Either way, they can make use of it when needed.
The base dedication of this archetype establishes the relationship between the character and their curse, be it a pre-existing one or just implied by this archetype in general. In many ways, the curse tends to act out and is something that the user has to suppress or choose to let out. This might be surges of unluck, or in rushes of jealousy when other misfortune affects the cursed one. Either way, these surges are potent enough to cause others nearby to suffer poor luck as well, and the maelstrom can choose to unleash it further as a surge, unleashing that poor luck on a single foe.
Whether they are simply very familiar with the mechanics of curses or the curses themselves recognize their own, some of the afflicted have a knack for noticing and identifying curses on items or mortals.
With a push, some of the cursed can extend the range of the unluck around them, though doing so causes all sorts of unnerving phenomena that can leave others on the back foot.
Fully used to enduring foul fortune, some of these maelstroms learn to take the burdens of others onto themselves, taking the effects of unlucky magic or true curses unto themselves in the place of another, potentially triggering a reaction from their own curse.
Familiarity with curses comes with a little bit of magic, which some of the afflicted learn, including taking the burden of curses off of others temporarily, cursing foes to die a certain way, or simply predict violent misfortune in the near future.
Some take their anti-cursing further and learn rotes to try and counteract and ward off curses targeting themselves or others.
Rather than simply affect another with lingering unluck, some of the afflicted learn to unleash the malevolence of their surging curse in a life-sapping expression of entropy, withering nearby foes.
Finally, The most skilled of them can not only counteract curses, but turn them back on the caster, inflicting the vindictive punishment back on those that would unleash such suffering on others.
This is a fun idea for an archetype, and can be a fun way to turn misfortune and curse effects to your advantage in a system where such effects are among the more annoying. Additionally, the archetype really can easily be used by any class be they caster or otherwise.
There are plenty of ways to roleplay the relationship between the curse maelstrom and their curse. Does the curse act sometimes like a living thing? Does it sometimes manifest a projection of itself? Can it be reasoned with? Befriended? What happens if the curse is finally lifted? All excellent questions to ask. That being said, if you choose to use this archetype alongside an actual curse with it’s own mechanics, it may do you good to give the player a little bonus depending on how disruptive the curse is to the character, if you think they need it.
Though the hag that crafted the curse is long dead, an echo of her still lives on in the familial curse of a certain family of shisk scholars, who refer to the manifestation of this curse as Bitter Mother. Though they have control of it, the clan does experience wariness even among their peers.
A strong and enduring people, the centaurs of the Wildspell Wastes wear the marks of mutation and transformation of their home with pride as proof of what they endure. However, there is one bit of wild magic that they are loathe to discuss, and that is the wild curses that their shamans accept and transfer to themselves in order to keep the rest of the community safe.
Galdro Hexmarked was born, much like his predecessors, under a curse, but while many have sought to use it’s power, few truly sought to understand it. So far, he has observed that the curse dislikes the color yellow, and gets melancholic on rainy days.
Pathfinder Dark Archive Cover Art by Wayne Reynolds
What I'm currently reading ✨
Mug by @dai.sy.hell
This is my character Aria Serizawa for our Pathfinder game so that Tumblr knows what I'm talking about when I bring her up!! Neutral (verging on a little chaotic)/Evil She's the 22-year-old heiress of a wealthy trading family from Tian-Xia but she has ummm violent and impulsive tendencies! Her fiery temper, abrasive personality and love of alcohol don't change the fact that she's a great shot with her pistols though!
She also has a knack for triggering traps and getting severely wounded which some may call karma, but I think karma is sexist and hates to see a girl boss winning!
First image is by @mformultiverse the second and third are by @xerkanlol-il and the fourth is by DiceDoll on Twitter! Thank you all so much for bringing what I envisioned in my head to life so perfectly with your beautiful art <3 Follow them and support their art if you can!!
Milly:
https://twitter.com/mformultiverse?s=21&t=_3Yebe-7wvH9io4fa_mEgA
Xerkan:
https://twitter.com/xerkanlol_il?s=21&t=_3Yebe-7wvH9io4fa_mEgA
DiceDoll:
https://twitter.com/dic3doll?s=21&t=_3Yebe-7wvH9io4fa_mEgA
beautiful nightmares
do you ever wonder why the bad memories
lurk like shadows in our hearts
clinging things you can't just sweep away
or pry from the walls I have graffitied with calligraphy
do my words still echo behind your eyes
does my intellect still confuse you
synapses are just electric pathways
grasping like veins of lightning
across the space of a stormy mind
lightning doesn't touch the earth
unless a chaotic wind seduces it
a seed does not grow
without darkness and warmth
it is the leaf and bloom that seeks the sun
not the twisting roots that blindingly reach
to find a source of dew and entanglement
to strangle what it can feed on in the soil
the heart is bioluminescent and ravenous
and the eyes of the mind easily veiled
⠀⠀⠀⠀⠀ⓒ⠀⠀ભ᥆𝘵_᥌𝘪𝕣𝘭.ᥱ𝕩ᥱ⠀⠀⠀⌯⠀⠀🧺⠀¹⠀⠀