I cannot even express how excited I was to listen to the Underworld Saga. It did not disappoint at all (of course, I wanted more songs, but the trio was amazing). Spoilers ahead for Epic the Musical.
"The Underworld" was an amazing setup for what we had coming. There are just so many tiny details! There are callbacks with "Full speed ahead," "Open Arms," and of course, we also have the "Ruthlessness" callbacks with the army. That would be so horrifying. He's surrounded by the 500+ soldiers who relied on him and trusted him to bring them back home. He even stated back in the Ocean saga how he didn't lose a single soul in the war. It's when they leave that everyone starts dying. Then, we have the heart-breaking Polites cameo, reminding Odysseus of how he cost his best friend his life. Now, the part that got me a little choked up was when his mom showed up. I have read even the story, so I know that she's gone, but it hurt so much to hear him realize he'd been at war so long that he never got to see her alive again. Him saying "Bye, Mom," just tears my heart strings right out. I love the contrast too of the quiet sadness in his voice with this line, then immediately yelling "All I hear are screams!" There's so much rage and pain as he's forced to confront everything that's kept him away from his family--including those he'll never be reunited with in life.
Then, we have "No Longer You." When I say the snippet did not do this song justice...(sighs dreamily). I still enjoyed the snippet, but this is probably my favorite of the bunch to listen to. The melody, the vocals, it's all just so beautiful. The tune just seems to float like you could do a ballroom dance with someone. That's not to say that the lines aren't great too. I love how this one plays on Odysseus's fears and how his increased time away from home has jaded him. The prophet basically says, "I see you with your wife, but you're messed up from your time away" and our Ithaca king is just pissed that he saw someone with his wife. Uh, buddy...well, I guess you'll find out soon enough. It's also so fun to know the story and get reminded of what Odysseus will be doing when he returns to Ithaca, fighting subjects who just assumed he had died and don't have respect for anyone in his family now. Even this entire concept to me in fascinating since it considers an underlying theme of the play: how people change due to their experiences. Odysseus will return, but it'll never be the same Odysseus who left in the first place.
And we end with "Monster" which is such an awesome ending to a first act. I wish this was live, so the audience could erupt in applause. (Small detail, but I love the music at the beginning. It's so unique when compared to the other songs and is pretty cool, gradually growing when more instruments are added). A bigger detail is that you have the instrumental intro matching the intro for "The Horse and the Infant." It just shows how far they've come and calls back to the very first time Odysseus was responsible for a lost life in the musical. My favorite line in this song is "I'm the only one whose line I haven't crossed." That's saying something too because this song is full of amazing lines. I just love the implication since we know Odysseus has often had lines he thought were too far. He didn't want to kill the baby, chose to spare Polyphemus, didn't kill Circe when he won in the fight, etc. Still, as he finally admits in this song, he did kill the baby. Despite that, he hasn't crossed his line. Why? I think it's because he keeps pushing it back each time he's confronted with something he doesn't want to do but feels he has to. It ties into the end of this song where he considers everyone he's lost, fully understanding the scope of it now that he's seen the spirits of his loved ones. Turning into someone he never wanted to be doesn't matter anymore. If he's a monster who still has a living family and hasn't proven the faith people had in him was foolish, then it's fine. He might have even been a monster before by not going against their enemies with everything he had. It's all a matter of perspective. Was he a monster for killing the baby, one for causing so many in his fleet to never return to their families, or one for both of those choices? The ending going back to "The Horse and the Infant" with him calling out for Penelope and Telemachus AND pairing that with the repeat of "Ruthlessness is mercy upon ourselves" is marvelous. It's almost like it's in the same sentence where he's explaining his actions to them, telling them that he has to become a monster because it'll make things alright for everyone they hold dear.
The only thing that made me mad about this is that I have no clue when the next saga is coming out or what it's even called. So, I'll just be playing the songs on repeat until I can add however many more to the playlist.
