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28.2.1019// Studying the Sonnet and its reception in the German literature. I tried to exercise the theory, translating the meta-critical sonnet by Robert Gerhard „ Document of a critique of the most known Italian poetry form” ( germ. “ Materialien zu einer Kritik der bekanntesten Gedichtform italienischen Ursprungs“, 1981). I enjoyed a lot building the sonnet structure:

Especially adapting the German system (counting mainly the stressed syllables in a verse ) to the Italian one (counting the “quantity” of syllables in a verse ) was challenging. I couldn´t build hendecasyllables but I had to use in the first quatrain and in the tercets verses with 13 syllables and verses with 14 syllables in the middle quatrain. I could almost reproduce the rhymes according to the sonnet schema ABAB CDCD EFE FAA ( for the verses 2,4 and 6,8 I had to use imperfect rhymes or assonances). And I had a lot of fun because I found very cool translating a sonnet that criticizes the sonnet form also with rude and vulgar language. (yes, I´m strange and quite a nerd)

Ho conosciuto una ragazza con un tatuaggio

che diceva “l’importante è che non mi fai male” e allora le ho chiesto quali esperienze segnanti deve aver vissuto nella sua travagliata vita per aver voluto imprimere per sempre questa profonda massima sulla sua pelle.

Mi ha detto che è solo quello che ha risposto al tatuatore quando le ha chiesto se voleva una frase in particolare per il suo primo tatuaggio.

#tatuaggi #frasi celebri #divertisment