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듀나 연작 소설집 <별이가 우리에게 왔을 때> 표지 그림
New Releases: October 8, 2024
Young Adult Lucy, Uncensored by Mel Hammond and Teghan Hammond Lucy imagines college as more than a chance to party with other drama nerds and be roommates with her best friend Callie. College will be her fresh start. For the first time, she’ll be able to introduce herself as Lucy to people she hasn’t gone to school with since kindergarten. Plus, she happens to live an hour away from one of the…
But my memories are incomplete. They’re like collages made from ripped-up magazines.
Djuna, Counterweight (translated by Anton Hur)
https://wapo.st/3JYmoqw
My new SFF book review column in the @washingtonpost is about four books that will help you cope with the fanatics in our world. Whether it's a cult of personality around a toxic billionaire, or religious zealots, these books will help.
Paywall-free link: https://wapo.st/3JYmoqw
There's so much more I could have said about these books. The Deep Sky does some really fascinating stuff with VR/AR, which I totally didn't have space to talk about. Asuka's virtual world has a glitch that allows her to see other people's virtual worlds, which is really cool.
Also, C.M. Alongi has been saying on Instagram that she read my novel The City in the Middle of the Night after she'd already finished Citadel, and didn't realize how similar the two novels are. And they definitely have a lot in common! They are in conversation delightfully.
Citadel tackles some of the same themes/ideas as The City in the Middle of the Night, but takes them in a very different direction. And in some ways, Alongi's way works better!
There's a special pleasure in reading a book that takes ideas that I've played with in the past, but improves upon my own approach to them.
Citadel explores some of the same territory as my own City, but goes places I never would have thought of in a million years.
The Saint of Bright Doors gets so much weirder than I can explain without major spoilers, and the "bright doors" of the title turn out to have a really fascinating explanation that dovetails with the cult-leader shenanigans in the book.
This book features one of my favorite examples of a horny underachieving protagonist, a type of character I've been seeing a lot lately.
And Counterweight sort of reminded me of the Matrix films??? Not in terms of plot, but the way that action/thriller beats slowly dissolve into just long discussions about philosophy and artificial sentience.
The radical visions of South Korea’s mononymous, pseudonymous, and officially anonymous sci-fi novelist and film critic.
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Djuna gerçek arzularının ne olduğuna henüz karar verememişti; insanları ne kadar yaklaştırmak istediğine de. Görünüşte onları çağırıyordu, ama fazla yaklaşmaları, onu ele geçirmeleri, ona hükmetmeleri ya da sahip olmaları konusundaki karmaşık duygulan, korkuları yüzünden, oldukça temkinli bir seslenişti bu: içindeki insanı, o yalın, sıcak canlıyı işgalden koruyacak biçimde, dikkatle. İnsanları çekecek, cazip bir sahne hazırlarken, bir yandan da her türlü işgale karşı gizli, sinsi bir duvar örmekteydi. Hiçbiri fazla yaklaşmadı. Djuna da onlar gittikten sonra tek başına, yapayalnız oturdu - hiç gelmemişlerdi sanki. Yalnızdı; herkesin, her sabah, her rüyadan sonra olduğu kadar yalnız.
- Anais Nin, Albatrosun Çocukları
“AI will agree to satisfy every base desire and produce the most horrendous trash. This is what I fear more than losing my job to an AI.” - Djuna
Signed Second/First Edition of Anais Nin’s “Winter of Artifice.” Illustrations by Ian Hugo, 1942.