The cd of the last (official) public group performance I gave is out on streaming and I’m in my feelings
https://music.apple.com/us/album/we-beheld-once-again-the-stars-live/1533177563?i=1533177566
seen from United Kingdom

seen from United States

seen from United States
seen from Brazil
seen from Pakistan
seen from United States
seen from Bangladesh
seen from United Kingdom

seen from United States
seen from China
seen from India
seen from Austria

seen from Maldives
seen from Saudi Arabia
seen from Austria
seen from United States
seen from Slovenia
seen from China
seen from United Kingdom
seen from Canada
The cd of the last (official) public group performance I gave is out on streaming and I’m in my feelings
https://music.apple.com/us/album/we-beheld-once-again-the-stars-live/1533177563?i=1533177566
Great Mass in C minor (1783) - Qui tollis
From one of his rare works for double choir, Venite populi (K.260/248a), Adagio
Lauda Jerusalem - Vivaldi For double choir, double orchestra, and two soprano soloists.
Gemma Bertagnolli & Roberta Invernizzi, soprano
Concerto Italiano ensemble vocale e strumentale
Rinaldo Alessandrini
Charles Villiers Stanford - Magnificat for Double Choir
This amazing Magnificat was inspired by Bach's own Mag. It's an absolutely amazing piece of music and extremely difficult to sing. We sang it in Durham Cathedral on Monday and this is definitely a piece written for grand buildings!
Enjoy :)
Post-Thanksgiving
Aye, some much has occurred in the past weeks since Thanksgiving. I really do need to catch up without a doubt. For this entry, I'll work backwards up to my lest entry, if that makes sense for readers.
This past Sunday was the usual Post-Thanksgiving service at St. Andrew's. I spent the holiday in New Jersey with my girlfriend's family and made the trip back on Saturday. I figured that the bass section could use more assistance (as not as powerful as my voice is) on the beloved Stainer anthem "I Saw the Lord." I must say, the anthem is a fun-filled ride and what makes it even more beautiful is the use of double choir.
Our director, Peter Luley, split the choir in half, with of course being generous to voice placements, as we sang the anthem. Whose voice worked best with Choir I or II was placed where they needed to be. Placed in Choir II, I was content (and blessed, sorry for the pun) to have a comfortable range composed by Stainer. Though, my low "G" is just a small growl, it still can be produced.
We have sang this anthem before at Lessons and Carols (video will be supplied in a new entry) and produced a great sound. For a Sunday mornign service, the results were not bad, to be completely honest. Our rehearsals start at 9:40 AM and around 10:30 AM it began coming together. Even though we have went through consistent rehearsal time, it was the first Sunday morning after Thanksgiving...we are all human.
Other than the Stainer, we performed a Mendelssohn's "Above All Praise and All Majesty" as a prelude, which came together beautifully. That selection has a comfortable rotation in our repertoire at St. Andrew's, commonly due to the specific day on the calendar etc. It was a relatively easy Sunday, music wise. The challenge majority of the time is beldning with the other members and finding that beautiful balance in the church space. Each selection has it's benefits, and don't get me started an Psalms and Anglican chant (soon to come!).
(4 hours)
Frank Martin's Mass For Double Choir Agnus Dei Performed by The Sixteen Harry Christophers