#echooche

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The full set!!!

then everything changed when the fire nation attacked.

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Oh. Oooooh. Irving was so pissed at Mark for forgetting about Gemma and liking Helly because if innie Mark has no attachment to his wife, outie Burt has no attachment to Irving. Irving is sitting at the campfire and watching a visual representation of exactly what it looks like when someone forgets a love and falls for someone else. Except for Irving, he's the one that's been forgotten.

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Wow, it's almost like Mark S doesn't know that he's in a psychological thriller. It's almost like the entire MDR team went through something huge when they got turned on outside and saw their outie lives. It's almost like that could naturally change someone's behaviour and attitude and how one looks and relates to their environment. It's almost like Mark had known Helly for only a few weeks before their revolution. Before she got replaced. So it's not his flipping fault that he didn't notice it was Helena. He's like two years old. He has no frame of reference for doppelgangers. And of course we the audience figured it out. We were supposed to. It's why the reveal was so early in the season. One of the team getting switched out parallels their stunt in the season one finale. It was clearly the most interesting way for the story to go, and Britt Lower's is terrifying with how well she sold the switcharoo. We're looking for the micro-expressions, so of course we're gonna find them. I don't think Mark S even knows what a micro-expression is.

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When you go from:

To:

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If Irving B gets turned off in the woods, does that mean outie Irving is about to wake up in the middle of nowhere with Milchick and a bunch of strangers??? Like what is Milchick's plan on spinning this? Hello we're in the woods and also you're fired??? Feel free to walk home??? Also also flipping also does hypothetical super-secret-conspirator outie Irving get to talk to Mark, Helly, and Dylan?!?! They could all learn that there are bigger waterfalls out there from a reliable source!!!

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Irving spent so long trying to send himself subliminal messages with the paintings and the dreams, and it finally paid off. There is no way that outie Irving doesn't know what the daughter of the CEO of the company he works for looks like. And here he is, back at his cubicle, seeing the letters E A G N appear over and over and over, instead of the usual black goo.

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Just imagining Jon in 146, feeding on someone impulsively, unable to stop himself. Then once it's done, feeling sated for the first time in weeks. The hunger pains and the constant headache suddenly gone and the lightheaded relief, followed by nauseated horror at what he just did. Jon throwing up bile in an alley, because it's not like he actually ate anything. Jon dragging himself home with the knowledge that there is nothing he could ever do to fix this, to fix himself, because succumbing to the monster within is the only way for him to feel remotely human again.

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Jane Prentiss' entire statement in MAG32 is so sad honestly. All she truly wanted was for someone to help her. She's literally being consumed, with the corruption digging holes in her Brain for months. And yet, she somehow manages to drag herself to the center of the Beholding in the hopes that it being anathema to the worms could do something. It's telling her she's loved, it sings to her, and yet she's still holding on to enough of herself to want them out.

"The happy, smiling Jane who called herself a witch and drank wine in the park when it was sunny" was probably really really scared for a very long time. And when she came to them, the Magnus Institute, like always, did nothing (: