Here are some select designs from my time on Jentry Chau vs The Underworld, currently streaming on Netflix. I definitely leveled up creating props and efx design for this show, and I appreciate all of the trust leadership put in me :')

seen from Netherlands
seen from Canada
seen from Germany
seen from Türkiye
seen from China

seen from United States
seen from United States

seen from United Kingdom

seen from Canada
seen from United States
seen from Türkiye
seen from Canada
seen from Türkiye

seen from United Kingdom

seen from United States
seen from Netherlands
seen from France
seen from Türkiye
seen from Switzerland

seen from United Kingdom
Here are some select designs from my time on Jentry Chau vs The Underworld, currently streaming on Netflix. I definitely leveled up creating props and efx design for this show, and I appreciate all of the trust leadership put in me :')
Some of the backgrounds my husband did for the latest Futurama ep, "Attack of the Clothes"!
Wanted to call this one out specifically first, as he hid some One Piece stuff in it!
Going counterclockwise: Luffy's Amazon Lily vest, his original red vest, Karoo's hat and goggles, one of Franky's Hawaiin shirts, and (not OP) Jojo hat!!
Some more of his bgs are under the cut! Can't share em all in this post bc it goes over the image limit lol
Clouds, Robot glow and atmospheric exploration I did for the film The Mitchell’s vs the Machines. Great assignment, had a good time with these.
I generally put WAAAAY too much pressure on myself to constantly come up with consistently beautiful and perfectly polished pieces. I’m trying to approach my art in a way more reminiscent of when I was in middle school and had a binder with those plastic page protectors in it. I used to store my sheet music for band in it, but I ended up getting a ton extra and would just draw and write comics and do a whole buncha doodles and stick them in there. I didn’t have the skill, i got made fun of, my art got stolen a few times, and lmao boy if one year someone didn’t write on one of my pieces “Ew it’s gay people kissing!!!” (no it’s not it’s SAKURA KINOMOTO AND SYAORAN LI YOU UNCULTURED CHILD). But I think there’s something to be said for the tenacity and stubborness of a child who only has their small grasp of the world and what they believe they can do with it. That essay outta the way. This is just some world building. Stuff i have in my head but never get down to putting on to paper. Family, glyphs, ancient symbols and languages imbued with power play a large part in the series. I wanted to get a feeling for what it could look like for various families and how it would work in practice. Some glyphs and families are intrinsically tied together, so it’s definitely not just some throw away factoid. I looked to flowers, kanji, and rosemailing for inspiration this time around. I’ll probably end up doing a few more pages of the symbols to nail down how i want this specific “language” to look like.
Nike’s magic is intrinsically tied to music. On one hand I love using that to define how her powers form. On the other hand it feels trickier to have it read quickly/cleanly and feel consistent. But I think it helps that I generally use pure white to express when she’s using magic, This is sort of a left over remnant of a woebegone time, but it does serve to contrast other story elements. So it’s stuck around.
some efx design work from my time on velma at WB