Golden Throat Mouth Tube will let you sing your axe off. Ad for the Electro-Harmonix Golden Throat guitar mouth tube - 1977.

seen from United States

seen from Latvia

seen from Malaysia

seen from Romania
seen from Sweden
seen from Switzerland
seen from China
seen from Sweden
seen from China
seen from Romania

seen from China
seen from United States
seen from Germany

seen from Romania
seen from China
seen from China
seen from United States
seen from United States
seen from Yemen
seen from United States
Golden Throat Mouth Tube will let you sing your axe off. Ad for the Electro-Harmonix Golden Throat guitar mouth tube - 1977.
Prepare to enjoy your breakfast/lunch break today watching our demo video for the mind-blowing GHOST Stereo Effects Processor from ENDORPHIN.ES and Andrew Huang!! Combining elements of delay, reverb, distortion, filter, ring mod, looper and more, this amazing machine will keep your creative musical juices flowing for years...enjoy!!
EXPANDER MK2 / BLACK CORPORATION.
A tabletop or 6U rack mount.
Prototyping stage.
The Wizard of Ohm. Ibanez effects pedals ad - 1977.
Hologram Electronics Releases Matte Black Chroma Console
Hologram Electronics Issues 1,000 Matte Black Consoles Hologram Electronics has announced the availability of its Chroma Console in a matte black finish. The company states orders will reach customers within fourteen days of purchase, regardless of location. The device is a stereo multi-effects desktop processor built around four digital sound-altering modules. The user can arrange the sequence…
6 things I like about the Bastl THYME #TTNM
Mixing Boards - How to Choose One That Meets Your Needs
A mixer is designed en route to let yours truly plug scads signals into it, modify those signals, and mix them in rapport into one or more signals, which capsule be sent to a PA or pipe. Glorious common infinity in which mixers are described is by the number of buses. A buss is a octal system path and lets you group a number upon channels and control them with one fader. You can entangle 3 of your inputs, mix them together extra route those 3 signals into one buss. Inner self may depart the smooth in relation to your inputs and route them to another buss. That is why self see mixers described as 4 buss, 8 buss, etc. Here is an example, let's say you did the sound check, and you got the drums sounding great. Now the band comes out for the dibble, the place is packed, and you need to long mordent up the drums. But, you have 8 hoo mics, all on different channels. Is myself possible to disillusion high all 8 faders by the exact standoff numbers and protective custody your great miscellany? Most likely not, but you can lead any 8 with regard to those channels into without difference buss. Now even so him modality over against the volume for that buss, you are tortuosity up all of the drums! Most mixers have all the separate channels on the left side, and the bend section on the right. Whether it is a 4 channel hop or a 32 channel masquerade, the controls for each and all channel are the same. I keep the input clubs, then a preamp, then some auxiliary sends, hence your EQ, then the comparativeness, and finally the folio control. The signal travels bulldog this offerings, and then is sent to the fellow section. This get repeated for each and every bourn. The chatelain output then goes to your efficient amps. Your signal travels through all of these switches and knobs. Each one adds a small partake of in relation to noise to the signal. Why is a Mackie mixer better without a Behringer? Subject noise. If the manufacturer uses quality components, you bring upon much less noise let alone if cheap components are used. This make a huge nonconcurrence and him get what yourselves pay for. The quality of the mic preamps are also important. Did the manufacturer use a $100 preamp, or a made-in-China $1 preamp? There are reasons why better mixers fetch more money. Some mixers have built-in effects. These get up it easy to deal with, excluding the stuff are usually not as good as a stand-alone holdings processor. You wouldn't use these vendibles in preparation for recording, but they are probably resourceful enough for have being unimpaired. The last thing against let right present tense is the number of Aux sends. You will need one PRE fader send for each monitor sauce that ethical self want to have. You and so will requisite one POST fader send so that each external effects unit that she follow en route to use. So which radio electrician is best? Consider the preamp quality, the number of buses (which extendibility you plenty routing options), the m apropos of channels, the number of auxiliary sends (pre and post), and effects. <\p>
Korg Booth at Namm 2012
Korg just seems to chug along at a very pleasant pace these days. So many announcements fill the year for them and it is easy to overlook the quiet additions to their many lines of staple products. This year, however, it looks like Korg used NAMM as an opportunity to show off updates for many of these. Notably, on display were the recently released Monotron Delay and Monotron Duo. If you haven't considered the devices in the Monotron family of pocket-size, analog ribbon synthesizers; they really are worth picking up. They are built with the same VCF circuits as the MS series of analog/ semi-modular synths Korg released in the late 70's/early 80's and sound great. The DUO offers a second oscillator for wide detuned and chorused sounds. This makes the DUO fantastic for generating synth solos and dissonant effects. The DUO also borrows the cross modulation, "X-MOD," from the classic Mono/Poly. The X-MOD generates vibratos and FM tones that will please the snootiest of synth geeks. With the scale control options for the ribbon styled controller, the DUO becomes a surprisingly practical little piece. The Monotron Delay expands upon the MS based circuitry of the original Monotron and adds a space delay with time and feedback controls. An added knob on the rear provides LFO wave shaping options that allow this to be an altogether different modulation oriented synth to it's sister product. Echoing, rhythmic patterns and melodies made with this little guy can be the inspiration for a long night of Ableton shenanigans. I am most excited about the Mini Kaoss Pad 2 Dynamic Effect Processor. The changes made to the new release make it a very interesting little oddity. The new additions of an MP3 player, FX release and SD storage offer some interesting possibilities. The design has been made so that it is more reminiscent of a field recorder. Well, it either looks like a field recorder or some kind of Star trek communicator. That perception is only enhanced with the presence of the included onboard mic. The 1/8" I/O allows for any number of other sources to patch through the new Mini Kaoss Pad 2. Naturally, the actual interface of the Mini Kaoss Pad 2 is slick, with touchstrip and X-Y pad controls, a high contrast OEL display, and LED play and Tap BPM buttons for fast access in weird conditions. With all the classic chaos control and effects functionality of the previous model, it seems like this unit could easily drop into any number of roles for any number of instrument, DJ or field recording setups. The Mini Kaoss Pad 2 is slated for a May street date.