#estates general

[secondjulia]

Happy Estates General!

quick, everyone sit through a boring 3-hour lecture by necker about the financial problems & get ready to not verify credentials until the question of voting is resolved!

[sacredheartorcockade]

Quiz IV: The Answer is Finally Revealed

And now, without further ado... The answer is…

🥁Drum roll🥁

Answer C : Louis XVI

Yes, the contemporaries of Louis XVI, even those who supported him, did not hesitate to describe their king in unflattering terms. This is particularly true of Madame de La Tour du Pin. Madame de La Tour du Pin—Henriette-Lucy Dillon, Marquise de La Tour du Pin and Countess of Gouvernet—saw the king with her own eyes and recorded her testimony in the memoirs from which the quiz excerpt is drawn, Journal d’une femme de cinquante ans.[1]

The countess was present at Versailles during the opening of the Estates General of 1789. On Tuesday, 5 May 1789, in the great hall of the Hôtel des Menus-Plaisirs at Versailles, Madame de La Tour du Pin watched the king ascend to his throne, “set upon a dais covered in purple velvet strewn with golden fleurs-de-lis, backed by a paneled backdrop and surmounted by a canopy of the same fabric.”[2] The royal elevation created a striking contrast with the dark mass of deputies from the Third Estate.

Hardly had the king arrived when the entire assembly of Third Estate deputies rose to greet him with applause. It was the first time many of them had ever seen their sovereign. Were they surprised by his appearance? For it is at this moment that the countess reports, in her memoirs, the manner “in which he waddled,” his lack of “dignity in his bearing,” his “abrupt and awkward movements,” and his “extremely poor eyesight […] which made him grimace.”[1]

The awkwardness of the scene was heightened by an unexpected gesture just before he began his speech: for reasons unknown, the king rose and clumsily replaced his hat. The queen, Marie-Antoinette, naturally rose as well. This added further embarrassment, as the king motioned for her to sit, which she refused with a formal curtsy.

Despite these awkward preliminaries, the delivery of the speech proceeded smoothly. According to the American statesman Gouverneur Morris, who was also present, the address was repeatedly interrupted by “warm and infectious applause.”[3] This eyewitness testimony illustrates an important point about Louis XVI’s public image at the dawn of the Revolution: even in highly ceremonial settings intended to project royal authority, his natural awkwardness, poor eyesight, and lack of physical poise undermined the impression of majesty that the court hoped to convey. For many contemporary observers, including those not hostile to the monarchy, these physical traits became symbolic of a broader perception of a monarch ill at ease with the role he was expected to embody—an image that would profoundly influence how his reign and downfall were later remembered.

Footnotes

[1] Madame de La Tour du Pin, Journal d’une femme de cinquante ans, p. 180.

[2] Alexandre Maral, Les derniers jours de Versailles, p. 95. [3] Gouverneur Morris, Journal de Gouverneur Morris, ministre plénipotentiaire des États-Unis en France, p. 27.

If my humble work has pleased you, Citizen, you may drop a revolutionary tip on Ko-Fi! ☕️

[nordleuchten]

I have Given You an Account of the Assembly of Notables, Wicked People say not able (…).

The Marquis de La Fayette in a letter to George Washington, February 7, 1787.

The “Assembly of Notables” was formed in 1788 to establish a general tax, without calling in the Estates General. Soon the Assembly was deadlocked and more or less useless and the Estates General were formed in 1789 … and apparently La Fayette was also a “wicked” person.

[thephantomofthelibrary]

May 4, King Louis XVI led the official opening procession, surrounded by his two brothers and the younger prince. The crown prince, or dauphin, lay in bed, gravely ill. Queen Marie Antoinette followed with the two princesses and, behind them, members of the court and government minister. The nobility, including Lafayette, followed in gold jackets, with flamboyant, Henry IV-style-wide-brimmed hats from the sixteenth century. All carried swords, the symbols of knighthood and fealty to the king. The clergy followed in red or violet capes. Because of its inferior social status, the Third Estate of commoners was barred from the procession and entered the hall through a side door - wearing black.

Harlow Giles Unger, Lafayette, (2002) p.231

[marq-de-laf]

In fact the Assembly of Notables was destined to fail for a more fundamental reason than the 'neutrality' of the Queen: it simply did not provide the obedient endorsement that was its raison d'être. What it did provide was a plethora of debates, arguments and discussions, with demands that fiscal and administrative reforms should receive proper acceptance from the Parlements--or even for the summoning of that dread spectre, an Estates General. La Fayette asked his friend Thomas Jefferson whether the Notables should really be called the 'Not Ables.'

Marie Antoinette: The Journey by Antonia Fraser, Chapter 16. The financial mess that France had gradually descended into was the catalyst for the earliest stages of the French Revolution. This early phase is something I need to do further research on. I find it interesting.

[rbzpr]

The Estates General formally began on May 4, as a thousand elected deputies from the Clergy, the Nobility, and the Third Estate paraded through the streets of Versailles, the royal capital some fifteen kilometers to the west of Paris. Not all of the representatives had yet arrived. Some — like those from the city of Paris — remained to be elected, and others were still making their way from distant corners of the kingdom and from far-flung French colonies around the world. But in the cultural language of eighteenth century France, the ordered procession of the deputies present — most of them bedecked in the appropriate dress of their estate — symbolized the unity of France and the hope for a new order in which all elements of society might participate. Almost everyone who described the scene that day waxed poetic. “Perhaps nothing of its kind,” wrote Ménard de la Groye, “has ever surpassed the magnificence of this imposing ceremony, admired by all the world as the most beautiful ever to have shown on the face of France.”

The Coming of the Terror in the French Revolution (Timothy Tackett)

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