Megillat Esther — Amsterdam, Netherlands ca. 1686
This Esther Scroll was created in the 17th century in Amsterdam but now resides in the collection of the New York Public Library.

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Megillat Esther — Amsterdam, Netherlands ca. 1686
This Esther Scroll was created in the 17th century in Amsterdam but now resides in the collection of the New York Public Library.
Esther scroll
Jerusalem, early-mid 20th century
Olive wood
Esther scroll case, Izmir (Smyrna), 1873, Center for Jewish Art.
The Scroll of Esther tells the story of the salvation of the Jews of the Persian Empire. Since the Talmudic period it has been customary to write the Book of Esther on parchment in the form of a scroll, and the rules governing its production and writing are basically the same as those for a traditional Torah scroll. It is not known when and under what circumstances artistic embellishment of Esther scrolls began. The earliest extant illuminated Esther scrolls emanate from 16th-century Italy, commissioned by well-to-do Italian Jews. Cylindrical or polygonal cases were often made to house such scrolls, often provided with a crank handle to roll the parchment through a vertical slot. Cases were made of copper, tin, and wood, but fine silver and some ivory cases have survived as well. Such containers for the scroll were mostly produced in Italy, Austria and the Ottoman Empire.
While the exhibit on the Jews of the Ottoman Empire was being prepared at the Israel Museum for over ten years, the researchers heard from families that in Izmir a few of the most wealthy families possessed Esther Scroll cases of pure gold. This is one of those and is of the utmost rarity. There is only one other such case recorded, in the Victoria and Albert Museum in London. The gold is 22 carat, the finest standard for gold objects from the Ottoman Empire. The filigree is of the utmost delicacy and the traditional three crowns on top are finished with a small finial with a pearl. It is known that filigree of such delicacy was generally produced by the Armenian goldsmiths in Izmir. The text of this Esther scroll is of exceptional quality and delicacy as well, as is the separate decorated blessings sheet for the prayers said before and after the reading of the scroll.
Purim was a very cherished occassion for the Jews of the Ottoman Empire. It was the custom from the bride's family to give a scroll and case to a prospective bridegroom upon the engagement, as recorded on the decorated blessing sheet. Clearly this was a gift from a very wealthy family.
Inscriptions:
The blessings sheet:
Top: The scroll book is a gift given to the nice and pleasant bridegroom, the engaged gentleman, the honorable Rabbi Senior David Leon, may the Lord sustain and protect him, the son of the gentleman Senior Yitzhak, may the merciful one protect him and bless him, may his name live forever, amen
Bottom center: I will give the year of (chronogram of Devarim 25:8) (5)633 [=1872/3], according to the minor reckoning.
Esther Scroll by Aaron Wolf ben Benjamin Zeev Schreiber Herlingen of Gewitsch. Vienna or Pressburg. ca. 1735. This scroll contains the entire text of the Book of Esther. It is an example of 18th-century fashion for illustrated megillot among Ashkenazi communities, including scrolls produced by the scribe-artists of the so-called "Moravia School" of Hebrew illumination. The tradition of tiny writing arose from the micrographic illustration of biblical texts and the copying of verses for mezuzot and tefillin. The calligrapher, Aaron Wolf Herlingen, was a prolific artist who worked as a scribe in multiple languages in the Imperial Library in Vienna in the first half of the eighteenth century. Gift of Louis E. Levinthal to the Bryn Mawr College Library.
"Esther scroll in fish-like case. Place of origin: Eastern Europe, 19th century. Collection: The Jewish Museum, London"
megilat esther for a jewish restaurant
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Detail from illuminated Esther scroll illustrating the hanging of Haman
Germany (?), 18th century
Collection of the Joods Historisch Museum, Amsterdam, via the Center for Jewish Art
Happy Purim!
This scroll contains the entire text of the Book of Esther. It is an example of the Jewish art of micrography, tiny writing, often arranged in decorative patterns, which grew out of the practice of adding linguistic notes in the margins of the Bible. Besides the text, the scroll contains eight miniature illustrations from the story, including Esther going unbidden to King Ahasuerus, the banquet of Esther, and the hanging of Haman’s sons. The man who created this scroll was Aaron Wolf Herlingen, a prolific artist who worked as a scribe in multiple languages in the Imperial Library in Vienna in the first half of the eighteenth century.
Esther Scroll
Aaron Wolf ben Benjamin Zeev Schreiber Herlingen of Gewitsch (Austrian, active ca. 1721-ca. 1755), scribe Vienna or Pressburg, ca. 1735 Manuscript on parchment
2 3/4 x 6 1/8 in.
Gift of Louis E. Levinthal