Mon Oncle, Jacques Tati, 1958.
Illustration : Etaix
seen from France
seen from Malaysia
seen from Lithuania
seen from Georgia

seen from Netherlands

seen from Russia

seen from Lithuania

seen from Sri Lanka
seen from China
seen from Australia
seen from China

seen from United Kingdom
seen from China

seen from Malaysia
seen from China
seen from Lithuania
seen from Italy
seen from China

seen from Malaysia
seen from China
Mon Oncle, Jacques Tati, 1958.
Illustration : Etaix
Rupture (Pierre Étaix & Jean-Claude Carrière, 1961)
Adiós a Pierre Etaix
Adiós a Pierre Etaix
CULTURA Fue uno de los grandes comediantes de la historia del cine. Parecía que había caído injustamente en el olvido, al menos en Argentina, pero cuando en noviembre de 2013 el Festival de Mar del Plata y la Lugones lo homenajearon a salas llenas, con un público fervoroso celebrando su presencia, se supo que Pierre Etaix –fallecido ayer en París, a los 87… [ad_2] [ad_1] Fuente:…
View On WordPress
Pierre Etaix était.
Harry Langdon as imagined by Pierre Etaix
Keaton by Etaix. Through a series of photographs in black and white, Pierre Etaix - actor and director born in 1928 - pays tribute to the great film comedians who have drawn their inspiration from the circus tradition as Buster Keaton, Charlie Chaplin, Laurel and Hardy and The Marx Brothers. Legend: Buster Keaton. A travers une série de photographies en noir et blanc, Pierre Etaix - acteur et réalisateur né en 1928 - rend hommage aux grands comiques du cinéma qui ont puisé leur inspiration dans la tradition du cirque comme Buster Keaton, Charlie Chaplin, Laurel et Hardy et Les Marx Brothers. Légende : Buster Keaton.
YoYo (1965) with Philippe Dionnet Directed by Pierre Étaix
Produced by Paul Claudon
Written by Jean-Claude Carrière & Pierre Étaix “AN EFFERVESCENT EPIC… tied to the eras of silent cinema, talking pictures and television. In a hilarious scene that evokes Pre-Code Hollywood, a flapper lasciviously unbuttons his spats while he puffs distractedly on a cigarette. YOYO celebrates true love and creative freedom. It’s also a valentine to cinema, incorporating allusions to the work of artists ranging from Groucho Marx to Federico Fellini.” - Kristin Jones, The Wall Street Journal
YoYo (1965) Pierre Etaix