Me, 10 years post music degree, trying desperately to work out the chromatic progression of Go Long by Joanna Newsom
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Me, 10 years post music degree, trying desperately to work out the chromatic progression of Go Long by Joanna Newsom
Tag urself
C Major
Completely Pure. Its character is: innocence, simplicity, naïvety, children's talk.
C Minor
Declaration of love and at the same time the lament of unhappy love. All languishing, longing, sighing of the love-sick soul lies in this key.
D♭ Major
A leering key, degenerating into grief and rapture. It cannot laugh, but it can smile; it cannot howl, but it can at least grimace its crying.--Consequently only unusual characters and feelings can be brought out in this key.
C# Minor
Penitential lamentation, intimate conversation with God, the friend and help-meet of life; sighs of disappointed friendship and love lie in its radius.
D Major
The key of triumph, of Hallejuahs, of war-cries, of victory-rejoicing. Thus, the inviting symphonies, the marches, holiday songs and heaven-rejoicing choruses are set in this key.
D Minor
Melancholy womanliness, the spleen and humours brood.
E♭ Major
The key of love, of devotion, of intimate conversation with God.
D# Minor
Feelings of the anxiety of the soul's deepest distress, of brooding despair, of blackest depresssion, of the most gloomy condition of the soul. Every fear, every hesitation of the shuddering heart, breathes out of horrible D# minor. If ghosts could speak, their speech would approximate this key.
E Major
Noisy shouts of joy, laughing pleasure and not yet complete, full delight lies in E Major.
E minor
Naïve, womanly innocent declaration of love, lament without grumbling; sighs accompanied by few tears; this key speaks of the imminent hope of resolving in the pure happiness of C major.
F Major
Complaisance & Calm.
F Minor
Deep depression, funereal lament, groans of misery and longing for the grave.
F# Major
Triumph over difficulty, free sigh of relief utered when hurdles are surmounted; echo of a soul which has fiercely struggled and finally conquered lies in all uses of this key.
F# Minor
A gloomy key: it tugs at passion as a dog biting a dress. Resentment and discontent are its language.
G Major
Everything rustic, idyllic and lyrical, every calm and satisfied passion, every tender gratitude for true friendship and faithful love,--in a word every gentle and peaceful emotion of the heart is correctly expressed by this key.
G Minor
Discontent, uneasiness, worry about a failed scheme; bad-tempered gnashing of teeth; in a word: resentment and dislike.
A♭ Major
Key of the grave. Death, grave, putrefaction, judgment, eternity lie in its radius.
A♭ Minor
Grumbler, heart squeezed until it suffocates; wailing lament, difficult struggle; in a word, the color of this key is everything struggling with difficulty.
A Major
This key includes declarations of innocent love, satisfaction with one's state of affairs; hope of seeing one's beloved again when parting; youthful cheerfulness and trust in God.
A minor
Pious womanliness and tenderness of character.
B♭ Major
Cheerful love, clear conscience, hope aspiration for a better world.
B♭ minor
A quaint creature, often dressed in the garment of night. It is somewhat surly and very seldom takes on a pleasant countenance. Mocking God and the world; discontented with itself and with everything; preparation for suicide sounds in this key.
B Major
Strongly coloured, announcing wild passions, composed from the most glaring coulors. Anger, rage, jealousy, fury, despair and every burden of the heart lies in its sphere.
B Minor
This is as it were the key of patience, of calm awaiting ones's fate and of submission to divine dispensation.
Dave
Lately, this whole music key thing has been intriguing me. I decided to search Google for more information, even though it seemed unlikely that I would find something I didn’t already know. Classical musicians were having a harder time finding jobs, and the music that was played was flat and emotionless. It was as if everyone was slowly losing the ability to feel emotions in music.
I googled “music key personalities” and many of the results were pretty much the same thing: a list of key characters by Schubart. I glanced through, looking at the keys I had already met in person. Seriously, were the keys different back then? Their personalities as described by Schubart were quite different to what I had experienced myself.
Eventually I found this thing called the Signature Series CBC. The producer was based in Canada, and apparently he’d come up with this cool idea of personifying the keys. How it worked was like this: each episode, around 4-5 minutes long, started with an ascending scale of the key. If it was a minor key, the harmonic minor scale was used. And get this: each key had a nickname. I had chanced upon F-sharp major/G-flat major (I still had no idea which enharmonic spelling she/they/he preferred to go by), D minor and A major. Let me see. The Mystic, The Ice Queen and the Will’O-the-Wisp.
I decided to start with A major. Man, this Signature Series thing seemed to capture some, if not most, of her personality. A major had drawn me in, and now I found myself involved in this whole synesthetic business. Twirled me around her little finger. The girl next door. I suppose she was friendly in that way.
F-sharp major (she was written as F-sharp major in the series) supposedly had a green thumb. Where had I last seen her? At a place with a lot of plants. Okay, so that didn’t necessarily mean anything. But the vibe she gave off that day, it matched what I was hearing now. Just so you know, her relative minor is written as E-flat minor. From his nickname, I figured that E-flat minor was some slightly crazy dude whom nobody really understood. I guessed, in this series, parallel keys keep the same enharmonic spelling, seeing as F-sharp major could have been G-flat major but F-sharp minor, her parallel minor, would not have been G-flat minor. How many flats would that have been, anyway? Too many.
I was not prepared for the D minor episode. Alluring, sexy. Huh. I didn’t remember Re being sexy, at least not in that sense. I guess, she had been alluring in her own way. I remembered how I felt pulled towards her. Sultry dark eyes, accurate. The part about her being all sad and angry at the world? Quite accurate. The problem: she wasn’t quite as scary as she was made out to be. By the end of the episode, I felt for her more than I had upon meeting her for the first time in that library.
I listened to these 3 episodes during my lunch break, and after my last class, I looked for Rafaela, the only other person whom I knew was also caught up in this synesthetic mess. I sat her down and showed her what I had found.
“Interesting,” she murmured. “That could come in handy if we were to meet more keys in person, already knowing what their personalities are like. The problem is, this is based on one person’s perception, and while it’s mostly accurate, there might be some differences in the way we perceive them.”
“I know. A major seemed to fit the description pretty well, but she was more annoying than she was portrayed.” I thought back to the day she had hounded me in the train station.
“Huh,” Rafaela snorted. “You know what, if you have time now, let’s listen to the episodes of the keys we both have met, and compare.”
So that’s what we did for the next fifteen or so minutes. Rafaela had met F minor a couple of times, like I had with F-sharp major. We both met D minor and A major. What surprised me the most was the fact that D major was Raf’s math teacher.
“I didn’t know they could be part of our normal lives, much less be a math teacher,” I remarked.
“Well, many musicians were scientists and mathematicians in their own time. The composer Alexander Borodin had a chemical reaction named after him,” she replied.
“Wow. Guess it isn’t so surprising, huh? I swear, the more we get sucked into this, the stranger everything looks on the surface,” I grumbled.
“Also, there’s something I think you should know,” Rafaela said. “Now that we’ve listened to the D minor episode.”
“Wait, what’s this about? Apart from the fact that she’s a lot less scary in real life than she’s portrayed, and a lot sweeter as a person?”
Raf rolled her eyes. “No, Dave. Okay, maybe. But this is what I’ve noticed myself, and what F major told me.” “Her relative major talked to you about her? Why wasn’t I part of that conversation?” I asked. Considering that I fell pretty hard for the key of D minor, or Re, as Raf and I called her, it made sense that I would’ve liked a chance to converse with her relative major, F major. Kinda like talking to your crush’s older sibling to learn what their favourite food is. Raf sighed. “Shut up and listen to me for a while, okay?” She glanced around to make sure nobody was eavesdropping. “Re, as I know the key of D minor by, appears to have some of the symptoms of depression.”
“Hold on a moment. Before you slap a diagnostic label on what could very well be a temporary mood, let’s look up depression,” I said firmly. “Dave, I’m well aware that sadness is not depression, or at least, not all sadness is. She seems like she’d stay at home all day and not get anything done, but miraculously, she goes out. Obviously with this whole thing going on. Maybe her relative or parallel majors are helping her. Whatever it is, I’m sure it’s serious. Plus, F major seemed worried. I don’t think you get worried over someone who feels sad for a day or two, and is back to normal after that.”
“Yes, Dr Rafaela,” I joked. I looked at her to see her reaction and realised she was serious. Without warning, Raf had slapped me on the arm. Ow. “This isn’t funny,” she hissed.
“I stopped laughing, but yeah,” I grumbled.
“Anyway, the next step is to find her and possibly F major too. I’ll update you,” she promised. “See you tomorrow.”
With that, I walked towards the exit, making my home, and worrying once again about the pile of assignments that I had.
I hadn't played through F# Major in a while and I just did and none of the chords work. None of them. I went through my records and I'd written three different versions of it in three different keys... with key changes... what the fuck...
She keeps telling me That I will be just fine And maybe I will, maybe I won’t Who fucking knows
Dave
You know how some people associate keys with the weather or nature? For example, my friend Rafaela associates D major with the sun. I think of F-sharp major as being related to the beauty of plants.
Years ago, when my parents had moved and were at a nursery looking for plants to spruce up their garden, I remember seeing a lady in bright clothes admiring the plants. Wavy blond hair tumbled around her shoulders, and she was the light that filled the area. As I wandered away from my parents to watch this lady, she was humming a catchy melody. Back then, I was a child. I remember looking up at her in curiosity. She glanced at me and smiled a warm and comforting smile. “What are your favourite plants?” I blurted out. And that’s all I remember of that lady.
Now, at the age of 18, I was walking in a park, the occasional jogger passing by. I passed by a family on a picnic mat. Birds were singing, kind of like in the second movement of Beethoven’s sixth symphony. Butterflies were flitting around from flower to flower. Soon, I got to an open area where there were swings, the kind that has two seats facing each other. I walked over to one of them when I passed by a vaguely familiar figure on a bench. I looked at the figure carefully. I searched my memory, and I realized that it was the same lady from years ago. But this time, the figure wasn’t quite as feminine. The person noticed me staring and waved me over with a friendly smile, inviting me to sit down.
“Hey, kid. I remember you asking what my favourite plants were, years ago in that nursery,” I heard the person say. The voice was lower than what I faintly remembered. “We meet again, but under different circumstances. I’m G-flat major. I think you should know who you’re talking to.”
“What? But...you seem different from last time. Unless my memory is...By the way, my name is Dave.” Was I going crazy? Why was my memory of that lady so different?
“No, you’re right. Don’t you remember learning that F-sharp major and G-flat major are enharmonic keys? When you first saw me, I was F-sharp major. It’s a lovely, feminine key. But today, I’m feeling a little more masculine, but not masculine enough to present as a guy, unlike G minor, for example. When I’m G-flat major, I’m more androgynous. I often switch, depending on my mood.”
“That makes sense. So it’s something like genderfluidity?” I asked.
“Mmm. You could say that. You don’t seem surprised at this meeting,” she (they? he?) stated casually.
“My friend Rafaela told me about you guys. She already met D minor, F major and A major. And I bumped into D minor a while back. So, if anything is strange, I’m used to it, I guess. And, by the way, I assume you’re a she when you’re F-sharp major, based on what you told me and what I remember. But when you’re G-flat major, what do people call you? In terms of pronouns, I mean. I think of G-based keys, such as G major and G minor, as masculine.”
“What about G-sharp minor? Think about that carefully. You wouldn’t say that G-sharp minor is a guy, would you? Okay, maybe that works only if you’ve met her. Admittedly, G-sharp minor is not very feminine, but there’s a reason her perceived age is much older than many of us. And that’s the vibe you get from listening to music in that key,” G-flat major explained.
“How do you...right. I forgot that you keys can sense what we synesthetes perceive. Anyway, back to the point. So you’re still a she, even when you’re G-flat major?” I wanted to be sure.
“If that works for you, then sure. Actually, I’m not too picky. No matter what form I take, my parallel minor is always F-sharp minor. So I’m okay with being called a she, even as G-flat major. But as F-sharp major, I’m definitely a she. My presentation in this cisnormative society takes care of that. Until people stop assuming gender, I might as well put that to good use, right?” G-flat major winked at me. “And now, I’ve got to go. It was nice seeing you after many years, Dave.”
With that, G-flat major walked off at a very brisk pace and disappeared along one of many paths into the trees.
Symphony No. 10 in F Sharp Major
Honestly, this is my favourite symphony at the moment. I don't care if he didn't quite finish it, enough of it is there that Cooke's version can, in my opinion, represent what Mahler may well have finally produced given another year of life. And Christ, this symphony more than all the rest, more even than the ninth, moves things forward. Obviously the dissonant chords in the first and last movements catch one's attention, but my favourite moment is definitely the sweeping violin melody in the finale (roughly 1:10:00 in this recording).
Definitely a piece I think all music lovers should know, it completely changes the preconception that Mahler at the end of his life was defeated and ready for death - rather, the message of this symphony is, to me, more about rising from the ashes of Alma's affair, of his daughter's death, and being able to find a way to carry on.
I DON'T WANT TO PLAY IN F SHARP MAJOR
C'MON WHYYY