#falsettosposting

[numinouss]

stupid idiot gay man screams like a newborn baby

[kayotic-catgirl]

nobody cares about in trousers but “may we talk as friends? i dreamt last night you almost held me” is perhaps the saddest line ever

[evilturble]

friend is apparently concerned bc i listen to falsettos roughly twice a day & watch the stageplay once so every time she asks me “whatcha listening to/watching?” she looks at me like im a dog with something it shouldnt have in its mouth

[our-future-is-up-to-us-2]

GOING FROM 'THE GAMES I PLAY' TO 'MARVIN HITS TRINA' IS ACTUALLY AWFUL. /lh

just like- Marvelling in Andrew Rannells' vocals and then getting FULL CHILLS from the suddenness of 'HELLO TRINA THANK YOU FOR SENDING THIS'

especially because i wasn't quite paying attention so i got scared and my whole body went 'waaaaiiiitttt fuckkkk not THIS SONG WAIT OMG IT'S A BOP W A I T'

[march32nd]

vent moment but fuck William Finn's passing has been really hitting me

like. look obviously I know this is the least about me thing ever but also,,, I'm in a production of Spelling Bee rn and we open in five and a half hours? the timing is just so weird,,, and I only tried out for the show in the first place because of William Finn and because I love his music and his shows so much! I literally remember saying as much in my audition and for all I know that detail was the reason I got cast

there are so few interests that I've been able to hold on to and not hyperfixate and then burn out on, but the works of William Finn have been a hugely important part of my life since I was ten years old. I have never felt as seen by a single piece of media as I have with Falsettos. the Marvin Trilogy has legitimately saved my life more than once.

idk this is a man I did not know and never met but it's strange to think about performing his work today. something about what you leave behind forever when you are gone

[whizzerssupposedtomakethedinner]

Thinking abt when Marvin said “slap my face or hold me ‘til winter…oh baby please do” WHAT IF I CRIED. Please it’s so important to his character when he actually begins referring to Whizzer in a romantic light rather than solely using his language and wording as a way of practically denying his true feelings towards whizzer as a coping mechanism for his internalized homophobia WHICH IS SUCH A SKILLFUL CONTRAST IN ACT ONE WHERE MARVIN PRACTICALLY ONLY REFERS TO WHIZZER AS HIS FRIEND TO ACT TWO WHERE HE BEGINS ACCEPTING HIMSELF AND FINALLY ALLOWS HIMSELF TO CALL WHIZZER BY OET NAMES AND EXPRESS HOW MUCH HE ACTUALLY LOVES WHIZZER (especially his whole song What More Can I Say)…AND NOT ONLY THAT BUT HIM FORCING WHIZZER INTO THE STANDARD FEMININE ROLES IN SOCIETY AND EVEN BELITTLING HIM AS BEING LESSER THAN HIMSELF IN THE WAY THAT WOMEN WERE BELITTLED FOR NOT BEING SEEN AS ON THE SAME LEVEL IF INTELLIGENCE AS MEN AUGHH And Whizzers knowledge that Marvin is doing this and his struggle to keep up with it and his resentment to his role Marvin has forced him into both slowly leading up to the eventual loss of love towards Marvin, or rather, inability to continue their relationship as is…I love falsettos sm I apologize to my boyfriend who has to deal with me saying stuff like this to him every two seconds

[numinouss]

mendel gives triangle vibes send post

[numinouss]

"one old hornyy loverrrr"