Dante Gabriel Rossetti + red hair

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Dante Gabriel Rossetti + red hair
Dante Gabriel Rossetti (UK, 1828-1882)
Lady Lilith, 1866-73 Oil on canvas 99 × 85 cm Delaware Art Museum
first painted in 1866–67 using his mistress Fanny Cornforth as the model, then altered in 1872–73 to show the face of Alexa Wilding.
Mythical Lilith is a powerful, threatening, sensual woman who resists domination by men...
thnx books0977
https://en.wikipedia.org/wiki/Lady_Lilith
Photograph of Fanny Cornforth, 1863
Looks like Fanny's getting in on the boop action, too.
Lady Lillith (1866-68) - Dante Gabriel Rossetti
Modelling in this piece is Fanny Cornthorth, who Rossetti had repeated affairs with. Naming the piece after Lilith is a reference to the sexual nature of their relationship.
Unlike Eve, Lilith was made from the same soil as Adam, not his rib. As a result, she refused to be subservient to Adam and ended up leaving him and the garden of Eden. She became a symbol of sexual promiscuity and sin.
“She represents the New Woman, free of male control, scourge of the patriarchal Victorian family,” - Virginia M. Allen, historian.
In some Jewish traditions, mothers tie red string to their newborns wrist to ward off lilith. In this depiction of Lilith, she has tied a red hibbon to her own left wrist as if embracing her own 'sinful' nature.
Pre-Raphaelite models
Fanny Eaton
Sophie Gray
Alexa Wilding
Jane Morris
Fanny Cornforth
Effie Gray
Marie Spartali Stillman
Lizzie Siddal
See the answers
A few of them were also artists of their own.
Rossetti’s Portraits, by Sylvie Broussine and Christopher Newall
Fanny Cornforth
Fanny Cornforth met Rossetti in 1856, and became his model and mistress in the absence of Elizabeth Siddall whom Rossetti married in 1860. Cornforth’s first role was as to model the head of the principal figure in the painting Found, which she later described, saying he “put my head against the wall and drew it for the head of the calf picture”.
READ MORE ABOUT THE PRE-RAPHAELITE BROTHERHOOD AND THEIR MUSES