Effie Gray (Lady Millais), oil on board By Thomas Richmond(1851)
Effie Gray (1828–1897) was the Scottish beauty at the center of the most scandalous love triangle of the Victorian age.
Locked in a cold marriage to the critic John Ruskin (1819–1900), she famously discovered on her wedding night that he was disgusted by her body. For six years, she remained a virgin wife, a silent ornament in his rigid world.
Freedom arrived in the form of John Everett Millais (1829–1896), Ruskin’s own protégé. In a move that shocked London, Effie successfully sued for an annulment and married the painter, later bearing eight children.
This portrait by Victorian Academicist painter Thomas Richmond (1802–1874) captures her just before the break. Though she looks serene, she later described her likeness as a "graceful doll," a hollow shell of the woman who would soon risk everything for love.
Loc. National Portrait Gallery, London. Dim. 81.0 cm H x 53.0 cm W (31 7/8 in. x 20 7/8 in.)