Dark haired Apollo and light haired Artemis
(born from a chat with @brujite-de-gulubu)
seen from Russia
seen from United Kingdom
seen from China
seen from United States
seen from New Zealand
seen from China
seen from Mexico

seen from Türkiye

seen from Canada

seen from United States

seen from Australia

seen from United Kingdom
seen from United States
seen from China
seen from Sudan
seen from United States

seen from Russia
seen from Netherlands
seen from United States
seen from United States
Dark haired Apollo and light haired Artemis
(born from a chat with @brujite-de-gulubu)
Diana, Hera, Apollo as space shooter bosses.
Febo friet, 2024
Quasi, take it from an old spectator. Life's not a spectator sport. If watchin' is all you're gonna do, then you're gonna watch your life go by without ya.
-The Hunchback of Notre Dame
Photo by hans hoeben
Amante Ciego
Fotografia: Febo
How Victor Hugo portrayed Clopin Trouillefou, his creature:
¶ Clopin Trouillefou— as the doge of this senate, as the king of this peerage, as the pope of this conclave— dominated; first by virtue of the height of his hogshead, and next by virtue of an indescribable, haughty, fierce, and formidable air, which caused his eyes to flash, and corrected in his savage profile the bestial type of the race of vagabonds. One would have pronounced him a boar amid a herd of swine.
¶ “You are going to hang this man?” Esmeralda said gravely, to Clopin. “Yes, sister,” replied the King of Thunes, “unless you will take him for your husband.” She made her pretty little pout with her under lip. “I’ll take him,” said she.
¶ Clopin’s orders were executed in silence, and with admirable precision, the worthy chief of the band, mounted on the parapet of the church square, and raised his hoarse and surly voice, turning towards Notre-Dame. (...) “To you, Louis de Beaumont, bishop of Paris, counsellor in the Court of Parliament, I, Clopin Trouillefou, king of Thunes, grand Coësre, prince of Argot, bishop of fools, I say: Our sister, falsely condemned for magic, hath taken refuge in your church, you owe her asylum and safety. Now the Court of Parliament wishes to seize her once more there, and you consent to it; so that she would be hanged tomorrow in the Grève, if God and the outcasts were not here. If your church is sacred, so is our sister; if our sister is not sacred, neither is your church. That is why we call upon you to return the girl if you wish to save your church, or we will take possession of the girl again and pillage the church, which will be a good thing. In token of which I here plant my banner, and may God preserve you, bishop of Paris,” Quasimodo could not, unfortunately, hear these words uttered [by Clopin] with a sort of sombre and savage majesty.
¶ Quasimodo who did not hear, saw the naked swords, the torches, the irons of the pikes, all that cavalry, at the head of which he recognized Captain Phoebus. (...) It was, in fact, the king’s troops who had arrived. The vagabonds behaved bravely. They defended themselves like desperate men. (...) One was noticed who had a large, glittering scythe, and who, for a long time, mowed the legs of the horses. He was frightful. He was singing a ditty, with a nasal intonation, he swung and drew back his scythe incessantly. At every blow he traced around him a great circle of severed limbs. He advanced thus into the very thickest of the cavalry, with the tranquil slowness, the lolling of the head and the regular breathing of a harvester attacking a field of wheat. It was Clopin Trouillefou.
What Disney and fanfiction writers understood from it: