even an injured hand grasps at grace
A lonnnnnnnnnnnnnnnnnnnnnnnnnnnnnnng time ago I did a follower celebration with short fictions and promised a longer story to the winner. That (incredibly patient) winner was @fieryanmitsu, who asked for a story set after Mitsuhide’s Act II. Holidays, family stuff, a global pandemic, more family stuff, a crisis of creative drive, MORE holidays and MORE time later... Here, at last, it is. Anmitsu, thank you so much for participating in that follower celebration, for being so kind about the mortifying amount of time this has taken, and for being a fellow Cat Daddy fangirl. I am very, very grateful for your grace! M, 6000 words, SLBP Mitsuhide. CWs: obvious but unnamed depression, brief discussion of death by weapons. (But mostly it is happy-thinky-poetic wife worship and baby fever.)
Sometimes when she is exhausted she speaks in this silly way. His love for her makes him warm to his toes. Adorable, his wife is adorable. He will never again allow any other duty to shove her out of the place she deserves in the center of his heart.
He will never hold a sword again. The discovery that there is still any strength in the arm once so mighty, enough that he can use it to work: a cause for gratitude and relief. A gift. He can attend to the responsibilities of his new life. He has a new life. Master Tenkai knows better than most men what death looks like when it bears down in a flash of metal. Sword death is the smooth silver of steel, spear death is the sluggish brown of mud that will cradle a dying man, and death by bullet is the black of blood that comes out so thick it is purple before it is red. Weapon deaths are cold, as though to compensate for the heat of their forging. There is a depth of balance in this that he cannot yet name, a mystery of the heavens like the others he spends so much time thinking about and helping the mountain villagers understand.
This new life is mostly keeping up their modest home (half residence, half tiny temple), and sharing knowledge with the villagers and their children. Of course he still thinks of Sakamoto when he sees the children growing... but his entire life he has been too much in his own head, and since they came to the mountain he has gotten better at leaving memories alone. He does not forget, and he hopes this makes him a decent man. Like any decent monk, he allows the thoughts of Sakamoto their due, which is to rest and flow over him as water flows over every side of a fish. It is right that it surrounds him. He could not and cannot do anything for Sakamoto, or address the irreparable harm he caused. He can consider it, meditate on it, and live with what he has done. And he will. Because he can live.
Swordwork’s precision and steadiness are forever gone from him, he believes. But he still has his arm and still has his life, even after he made peace with losing much more before Hideyoshi’s sword came down. He can pet the cats that congregate around the little temple, and he can twirl bits of string and stalks of grass for them. He can still write, his characters more calligraphic than they were before. He has to work hard to make clear strokes when he teaches the village children, and he feels that is a just requirement. When the house needs repairs, he can make them, and he can draw air into his lungs and live with his failures and successes both, or at least live with his failures and the grace he has been given. He has the brush, and he has the strong walking stick that his wife has helped him cut to the right height. The staff is smooth in his hand after only a few months’ use, a little extra oil applied when they have it. He wonders if he is allowed this easy comfort, but will not allow a walking stick to be a thing that trips his thoughts. His watchword now is moderation, not abnegation. If a fallen tree limb comes to him he will be grateful, and if the wood breaks he will let it go. He is willing, now, to let so much go.
There is only one exception, and she sleeps easy these days, when the cold of night on the mountain curls them together as though they are rabbits in a burrow. They wake slowly to this dream life. The part of him that is a decent monk cannot help but wonder how different their lives might be if it had been this for them all along. He did not want to rule; he had only ever wanted to spare others the hardships of ruling, and allow all good people the comfort of safety, from most divine ruler to most helpless child. These thoughts are in his head. Here in their tiny room in the building that is their home and the village’s temple, she is in his arms. In his heart and his bones, he knows that fact is grander than any man’s attempt at divinity.
He never has to force smiles at the children who come to the temple to learn. They are rowdy, eager, and completely charming. He is comfortably grinning at a group of them when he catches sight of her at the bend in the path that leads to their home. She is smiling, too, and there are tall leafy greens sticking out of the pack behind her shoulders that remind him of the folded wings of a fine hawk, the kind favored by samurai and nature alike. What would they do, if not for her hawklike competence and gentle ferocity?
Likely starve, he tells himself, on both melancholy days and happy ones. It is only the truth. He has learned a few things, but cannot match her, and while he is always available to the villagers, he stays near the temple unless he is asked for in the town. She does their shopping, she is their face. No one of quality can resist being won over by the warmth of her smile.
The children are thrilled to see her, and it reminds him of a dream he has had several times now, something he has kept to himself because it is so precious and he still does not want to ask anything of her. He is not sure if the slips of dream come from the peace of their life or the torment they left behind them, whether the dream is reward or recompense. But the cheers of the children take hold of his heart and make a tapestry of the scraps of his happiest dreams, weaving them tightly with what he is truly seeing. His thoughts nearly take him to his knees-- or perhaps that is an insistent little person, tugging at the edge of his sleeve.
“Master Tenkai!” chirps the village child. “Hana is home, so it is time for our lesson!”
They teach the children together in the afternoon’s warm, clean light, and only send them home when it is time for her to prepare their evening meal and him to complete the evening sweeping of the temple floor. Later that night, she seems relaxed and sleepy next to him, full of food, full of love. She asks, “Do you remember when I asked you to bring me a stone, so I could make you pickles?”
That is a pleasant memory from their life before, a luminescent pearl floating through silt that suffocated so much happiness. But the memory itself is light. So his smile is easy and does not feel like punishment, and he nods and strokes the space between her shoulders.
“On this mountain I have all the stones I need,” she declares, pressing her cheek to his chest. The smoothness of her face is finer to him than any pearl, a marvel of sensation that settles him, instantly and completely. “And I will make you pickles every week, if you want them,” she adds.
Sometimes when she is exhausted she speaks in this silly way. His love for her makes him warm to his toes. Adorable, his wife is adorable. He will never again allow any other duty to shove her out of the place she deserves in the center of his heart.
“Only whenever you are inclined,” he says, drumming his fingertips to tickle her.
Her giggle is sleepy. “There’s not time to make them every day,” she quips, snuggling closer and sliding an ankle between his calves. He has only the one dream that is sweeter than his actual life, and he is keeping it close to his chest for now. But he will not keep anything closer to his chest than she is. They squeeze one another, and he expects they do not fully relax their arms until they fall asleep.
A winter has passed, and a spring. This is their first summer on the mountain, so they are learning the cycle of invigorating mornings, sweltering afternoons, and unpredictable nights. They have already learned from kind villagers how to best coax food from the pebbly soil of their garden, and their efforts in the summer are devoted to this every day until the air grows too hot and they retreat to the shade of the temple to fan themselves with their hands and drink water that (they hope) has managed to hold some of the chill of the night before.
Every morning he braids her hair, and in these summer days a few strands always escape and stick to the back of her neck, temptations that coax him to bare her shoulders and murmur along the skin he worships. She often swats him away, because even after tending the garden there is plenty of work to do. But sometimes she does not swat him away at all, and some days she draws closer with a magnificent, confident need. He cannot determine if it is need for him or need to show him something, but each time, their bodies become hotter still, sweat running like streams and stinging their eyes even as it makes moving together easier.
There is a day at midsummer when they cannot help themselves, resting on the step to their home. They are covered from the relentless sun by the good new roof of the temple. He is vulnerable to melancholy in the heavy air that precedes a storm. She knows this. By the time the thunder and rain seem to be on every side of them, heaven’s own veil around the little holy place where they live, their hands are in each other’s hair, she is straddling him, and he is kissing her so deeply he can taste their midmorning snack. The last time she went to town she came back with karashi seeds, and their food this week has been bright in their mouths, cleansing and flavorful. He is hungry for it.
“Mitsuhide,” she pants quietly. The rain around them is so dense no one would hear her, but that name is never spoken above the softest whisper. Her other sounds are louder, even louder than the roar of the rain, and he loosens his hold on himself to match her. He groans as he tilts his hips up toward hers, everything that he is straining for her. They are so warm that even though the air is cooling around them, the rain may as well be steam. One of her hands slides from his hair to his neck and then down his chest, between their bodies, until she palms his insistence and he gasps for her until she squeezes. They moan together, unbearably hot in the sweet agony before they join.
“Now? Here?” he asks. They’re alone, but he craves her comfort as much as her indulgence. There is always a point where he stops asking, but before that he needs permission. She gives it in a nod and shuffles off his lap onto the floor, still stroking him through his clothing. Her clothes are already loose from their embrace, and she puts her other hand inside her collar and tugs down until she is cupping her breast. His blood in his ears is louder than rain or crashing waves or the war chorus of a hundred desperate men. He lunges at her, one hand in her hair and another at the back of her neck to soften her landing. When he is over her, he snarls at her temple before kissing the space with the beastliness that is revealed by these stormy days. It is a wet kiss, and because his tongue cannot taste enough of her he ends up licking from her cheek to her hairline. He savors her, salt and spice and earth and somehow his, as he pushes into her hand. She does not let go of him. He never wants to let go of her.
His hand slips from her neck into the heaven of her opened collar, and his thumb finds her nipple between her fingers. She lets go, gives herself to him, and he pants adoration into her ear as he rolls the peak, beautifully strong, until she moans. He knows this is right, that nothing else in the world is anything next to the truth of how right it feels to cage her in, make her tremble, and soothe her, serve her.
So he doesn’t hold back. He tells her she is the most wonderful, beautiful, desirable, beloved. His mind makes poetry for her and he licks the words onto skin he pinches delicately between his teeth. You are rainfall to a dying man, you are here, you feel better than breezes, you are mine. After all he has done, he remains a man, and a man is an animal, as any man who has gone to war can say with certainty.
The thin clothes he wears for gardening are sticking to his body, and he swears he can feel the drag of each thread against his skin as he moves with her, friction enough to spark a fire through their sweat. Her hand on him is maddening kindling.
“You are flames,” he declares as he ruts down into her hand. “You are burning me.” A man is an animal, a gasping creature not sophisticated enough to express all she makes him feel.
She slows her hand and hums, pleased by they way he gives himself over. That is the way they play. “It is too wet for flames,” she murmurs, as though she is consoling him instead of throwing tinder on the fire she has made. “Drown in me instead of burning, my love.”
The affection in her words soothes his amorous madness and spreads the familiar, comfortable warmth to all the tips of his body as the power shifts between them again. He loves her so much. Could any man convey so much feeling? To be an animal is not bad, but it is base, and she is made of heaven and still chooses to be with him. He smiles at her in wonder of all her beauty and bravery. He will focus on giving her anything that he can.
“Gladly,” he whispers, smiling wider. He takes her wrist and pulls her away from her work. When she complies and settles her hand against the floor by her head, he unties the rope of faded jute braids that hold her kosode closed at her hips. She is worthy of finery but dressed in these threadbare rags with him instead, and still her eyes say she has what she desires. As he drops the thick cord beside their bodies, he thinks he will try to find her a pretty bead, or even a nice smooth stone from the stream, something to adorn her middle and give her pleasure when she sees it. She gives him so much pleasure.
Their clothes as temple keepers are very humble, but they are much easier to remove than their daily wear of only a year ago. Sacrilegious but sincere, he mutters his gratitude at the simplicity of baring her body to his eyes. Her slopes are gorgeous, winding like the gentlest river against the air. She reminds him of a war map he saw years ago, illustrated with hills and pools so lovely he mourned as war was planned against the unarmed ground.
He shakes away that memory to construct another of the way she looks right now, sensual and receptive, womanly in the way she came to be when they started their lives here. Back in control of herself, of both of them, she parts her lips and breathes his new name. He undoes the scrap of old kimono that serves for his sash, and peels away his own sweaty robe. When he comes back down to her, she has freed her arms from her sleeves and their hands find each other, fingers dancing warm and worn as they wrap together.
Now it is still raining, but the roar of it has quieted to a loving hiss. The light is gray and blue, so she looks like nighttime. She pulls him to her with the power of dusk closing flowers, and their kiss is moon-soft, full of promise instead of frenzy. Her lip is a marvel between his and he loves pressing it with his own lips and teeth and sucking gently to make it swell. He wants to touch it with his thumb while he’s inside her and then kiss her again, maybe kiss her while he touches her with his thumb.
The chill at his back cannot last when there is so much heat between them, no matter what she says of drowning instead of burning. A man can drown in the bubbles of a hot spring as well as he can in winter’s water. He sucks in a breath and breathes it out into her mouth, and when she does the same with more force he shudders. His hands slide to her hips, where her curves fit into his palms as though he were a farmer and she were a ripe stalk of rice. She is at least as crucial and nourishing.
He is so hard he doesn’t need to take himself in hand. The head of his cock slides (with a sureness he would never claim aloud) between her folds, against the spot that makes her thighs flex. The movement is easy, a slip if not for his control. They are always so eager for one another.
“How?” he asks, and kisses the chin she is offering as her head is thrown back. “Here? This? Just outside the reach of the rain?” A demon is in him, to tease her like this, but the demon wants her pleasure as surely as he does because this is what she wants, for everything to be drawn out until their tension snaps. “Do you want the air on all your skin?” he continues. “I will give you anything. Just tell me.”
She hums the thoughtful sound that means she’s thought of some way to drive him insane. Thunder cracks with an ominous sharpness in the distance, and when she tilts her head and looks at him there is lightning and mischief in her eyes. He squeezes her but still she wriggles out from beneath him... and she goes to one of the beams that holds up the roof, safe from the rain thanks to the overhang. She moves her feet back and bends at her waist and he can do nothing but feel blessed and aroused, so aroused he is stupid. The warmth she put in him turns to tingles, like she has displaced the lightning from her gaze and made his skin the sky and his bones the bare, vulnerable earth. Within himself he feels a frighteningly intense buzzing.
“This first,” she declares. “Just watch for now, darling. Stay where you are.” Her thighs and calves are so defined from the ways she has to toil in this new life that he feels a shadow of guilt for enjoying the sight of her so much. It vanishes when he sees her fingertips between her legs, right at his eye level. She is pulling his mind apart, but her method for that is giving him this gift, and in this life he takes what he is given.
“Yes,” he rasps, and swallows before the dryness in his though makes him cough. “Yes, of course.”
The movement of her arm slides her loosened braid along a shoulder like a brushstroke. Her touches are sure-- she told him months ago that she learned to do this when he made her sleep alone for nights on end. He curses his foolishness even as he is grateful for it. She is always turning the most miserable ingredients into feasts, his wife.
Her sure fingers make circles and dip into her folds to smear her arousal. She likes it a little messy sometimes, another thing she has revealed in the safety of their seclusion. He loves what she loves, and he wants to put his mouth on her, put his cock in her, so badly that he fears his voice will scar his throat in a mad escape if he has to stay apart from her much longer. But he will die of idiocy alone if he interrupts. So he watches, the cool air of isolation doing nothing to keep his belly from tightening when she coos. Her hips begin to drop forward to meet her hand and he bites the flesh of his palm to stave off insanity as long as he may. She is a cat, he realizes, playing with all his many frayed ends. When she glances back, whatever she sees on his face-- he must be flushed, he feels terribly hot-- makes her laugh, dark and sweet. She keeps going and keeps her eyes on him. There is that gentle command so uniquely her in the way she looks at him. It makes him feel like he is blooming frantically, too fast, a blossom pummeled by rain and completely out of control... and she keeps looking, keeps smiling, draws the moment into moments until he thinks he might sob.
And then she curls her fingers against herself to beckon him and says “Come here.” The way her voice puts the words somewhere between request and demand is flattering, but he has no time to be flattered. Rain-cooled air yields against his arms and legs as he rushes to her. Immediately, he is there behind her legs, positioning himself, and the heat of her backside would burn him were he not already so ruined. Against her at last, he can appreciate the way the weak light on her sweat-slicked back is more beautiful than the finest inkwash, the ways she smells competent and domestic and alluring, like the precious sweet scent of soil that hides between mountain pebbles. She is all these things, and she is so calm as his mind whirls in its delirium of adoration and arousal.
He doesn’t mean to tremble, but his hold on himself has been too tight, and the spaces where his teeth dug into his hand throb. Like the mongrel pet to a noble lady, he has little other purpose but to love her. He sees that she can sense it. There is a grace to her certainty when he grits his teeth, even though she is wound so tightly that when the head of his cock finally presses inside her, he must push. Slick, soft, smooth, she feels, somehow, despite the pressure. As he pushes fully inside, their groans are wanton to the point of inhumanity, more like the sound of creatures in the night than of a man and his wife. His wife, his wife. He pulls back and groans again at the way her body fights to keep him. He swipes the braid off her back and kisses her shoulder, pushing back in slowly as her soft, strong body welcomes him.
“More,” she cries, her first sound of vulnerability, and he is eager to take care of her. He knows to move steady and powerfully but keep it slow at first. She comes better around him, but needs to be allowed to focus, so he is quiet as he focuses on her and the way the muscles of his back stretch and roll to please her. He is still a fit man, and he hopes his body thrills her as hers thrills him.
She makes a needy noise between her teeth and moves faster, shaking just a little. She hisses “keep going,” and of course he does. The tension he felt a moment ago is so unimportant now he is not sure if it was real. In the time when things shift between them he no longer needs permission, and he feels the magic calm settling over him-- it is his turn. All he needs to do is what she needs from him, it’s so simple. And he would do anything she asked, for the chance to be so near her when she finds bliss. It is already rising up his legs, like a snake squeezing and sliding, like ripples... and her sighs are like waves. Maybe she is too wet to be flames because she is water itself. The way into her is blissful enough, a slick heavy pressure around him where she is swollen from all their kisses and touching. The challenge of it makes him grin with a ferality he usually keeps well out of sight, and he presses on, pulls back, kisses her shoulder again and calls her his beloved. His voice doesn’t shake.
Hers does. “Again,” she pleads, grasping back for his hand. “I want it again.” She guides his fingers in circles until he knows where she is and what she needs, and then she lets him give it to her. Trust is such a sacred thing.
When he touches her she laughs, and he laughs too, and fucks her with a great deal of joy. They find their pattern: her hips push back to meet his thrusts, so when he presses in, deeply, they fit as cleanly as a carpenter’s masterwork. The storm has truly cooled the air but all it does is chill the fresh sweat on their skin as they move. It invigorates him, makes his spirit shout with a freedom he cannot contemplate at the time. His wife is using the beam that holds up their roof to push back against him, allowing the tender space between her breasts to be abraded by the wood. There is room for nothing but happiness here, nothing to do but honor her sacrifice and make her feel more pleasure.
“Yes,” she rewards him with her voice for a particular thrust, dragging out the sound at a pitch that registers inside him while he is inside her. So he moves himself even faster to try and repeat it, then relishes the sweetness of her soft whine. It makes him feel like he is surprising her with his love for once, instead of the constant way she graces him with her own.
He leans over her a little more. “I want nothing as much as I want your happiness,” he tells her, the croon of his voice broken by the intense way their bodies are connecting. Her hand comes back over his, keeping him in place. Magnificent. “Go on,” he tells her. “Again, love. Just like you want. Just like I want. Again.”
She shudders and stops moving her hips (she clings adorably to the support beam, her arm as tense as her hand on his). He keeps going, because he knows that is what she expects. At the end, what she needs is to be filled, to be given something to clench around, and he needs to be that for her. He is so driven, from inside and out, to fuck her, that he cannot do anything else until he feels it, not think or breathe, only move into her as though he can shove bliss into her body. So he tries, until he feels the shaking of her legs as perfection alights, and then he takes one great breath before it hits them both as she squeezes tighter still. They gasp together again as her clenching and soft sounds pull his warmth to fill her. Abundantly. Deeply. The air comes out of his lungs onto her shoulders, then touches his cheeks with the softness of a cloud.
She is breathing heavily, and slowly she puts her weight against the wood and becomes still. There’s a gentle press against his hand before she drops her arm. He’s tempted to catch it and kiss her knuckles, but he does not want to move from being curled around her back. He does move his hand away and puts the arm around her belly instead, holding her that much closer. She feels exactly as warm and soft as a cat who has fallen asleep in the sun.
There is a slick, sticky feeling all around his cock, but there’s nothing unpleasant about it-- something in him actually relishes it, loves the thought of mixing, loves the thought of there being too much, it makes him want to take her to the floor and have her again-- and she does not ask him to move, so he stays until he softens. “Darling,” he whispers then. “I’m going to get us a cloth.” He has desires, but he has mastered himself.
But she mumbles “No. Hold me.”
So when he pulls out as not to slip from her, he simply sits down and pulls her with him, right down into his messy lap. There’s not a breath between the time they land and her turning so she can snuggle his chest. He strokes her hair and kisses her cheeks and nose and tells her what a marvel she is. She is all pliant affection, touching his arms, kissing his jaw, raising a love welt on his shoulder... reaching to stroke him gently, experimentally, just like she did when they were on the steps.
He has mastered himself, but not as well or fully as she has.
He pulls over their clothes and lays her out on top of them on the temple floor so he can join their bodies yet again, unhurried. They have the time for slow lovemaking in this life, and the grace. Her knees frame him as he moves and he cannot help but kiss one and then the other, reveling in her laughter (when he tickles her ribs, she tightens deliciously around him) as much as in her love. They lay together for a long time after that, cool and lazy in the quiet. When the rain is replaced by the first note of tentative birdsong, they know they should move in case someone comes to the temple. Despite the afternoon, they are a cautious couple by nature.
He attempts to clean her with their clothes, and carries her to their room to rest more comfortably. Her hair clings to the idea of a braid, but much of it is loose and floats about his arms in the sodden air. There is a satisfied tilt to her mouth when he helps her sit, and as he moves behind her the last he sees of her face is her smile curving deeper. He settles his robe over her shoulders and combs his fingers through her hair to ward off tangles. When he is finished, he replaits her hair and kisses the ribbon, then her mouth. She shakes her head, hiding her mouth and making him chase it. His rewards are sleepy giggles, enchantingly low, every time he catches her.
Several kisses later, he redresses and leaves for the kitchen to make them a simple meal. He delights in feeding her by hand as soon as he returns, because their closeness makes him feel whole and doting on her feels right. They stay near as they bathe, and then they go back to bed. It is early, but they will need to start early tomorrow to make up for the time they spent not working this afternoon. They have earned their sleep. He wonders if he will have the dream again.
Tucked into their bedding, she is in his arms, not yet dreaming herself. “Darling,” he says quietly into her hair, and murmurs love until she turns to kiss him sweetly and tells him to go to sleep.
He does have the dream. It is the most wonderful dream yet.
“Chichi-ue!” The voice is high and happy. It is coming from behind him, so he must turn away from the sight of his wife with a baby at her breast. Before he can see the little one who called him-- called him chichi-ue, his child-- the dream shifts and his wife is with an older child, tasting broth and listening patiently as the child recites ingredients. Then his wife is with two children, each holding one of her hands as they turn on the bend of the path to their home, and the smallest lets go of her to run to him. Their faces are all obscured by a sudden cloud of mountain dandelion seeds borne on the wind... all he can see are healthy little legs and feet in clean sandals, slapping against the ground as fast as they possibly can. The movement becomes a child’s hand with a brush, marvelously steady and precise. The same hand around a cluster of flower stems. Scraped knees and palms and little puffs of breath between shrieks and giggles as tears are soothed away. Two voices laughing over the plunking sound of skipped river stones ending their flights, and he recognizes the stream where they stand. The face and voice of the herbalist in the village, kindly telling them to be patient and then whispering something they might try. Four simple bowls, mismatched but meant to be together, set around a table. He can see this scene over his own shoulder, hears those same two voices dutifully expressing gratitude for their meal. The sounds change as his dream gives him the voices at different pitches through time, thankful for their rice, fish, vegetables; the bowls stay on the table, the food in them changing in dizzying whirls of color until he wakes.
“Good morning,” says his wife, in the voice she can only use for the first words of the day. Quiet and deep as a hidden pool. “I love you.”
He reaches to stroke her cheek, and tells her about the dream at last. She tells him her dreams, too.
Exhausted but awake, awed and unsure, he holds his son for the first time in the crook of his better arm. All of him shakes, because he is weeping at the perfect newness of this child. The baby, so unhappy with the village woman who came to help with the birth, settles into his father like poetry, and closes sweet dark eyes, and yawns flawlessly. They way the baby’s tongue trembles reminds him of a stretching cat. Master Tenkai of the mountain cannot look away. There is so much to see, and there is something about gazing at this tiny face, shifting magically from pinched to peaceful, that shows him the virtue of disregarding time completely. He should know it for what it is: another effort by man to control what he cannot. Everything that marks time in a human way can be broken. The sun rises no matter what people do in the night.
One of the temple cats senses a fellow creature and leans up to sniff at the baby. The baby’s father is happy to share the sight. The cat noses at the baby’s plumpness and then slinks off, but Tenkai stays where he sits, holding his son beside the bedding where the baby’s mother is gazing at them both with a tired, happy expression on her beautiful face. Her hair has all come loose from its ribbon. The woman from the village said it was an easy birth, but it certainly took its time. At the end, they have their perfect son, and she is alright. Everything is alright. The greatest challenge facing them at the moment is that he will have to learn to braid one-handed. He chuckles to himself and the baby blinks, then settles.
He will never hold a sword again. Whatever time may be, it feels like he made his peace with a more important truth a very long time ago, perhaps in another life entirely, and had only to relearn it. To hold his woman, and child, and the other he believes will join then... that is more than enough for the warrior who was once Mitsuhide, who became Master Tenkai of the mountain. All else may come and go. He will treat everything with respect, and allow all that is temporary to leave his hand like water. His family, permanent and indescribably precious, is the only thing that he will never, ever give up.
