A Witchcraft Scene
anonymous, Flemish school, 17th century
oil on walnut paper
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A Witchcraft Scene
anonymous, Flemish school, 17th century
oil on walnut paper
The Family of Henry VII with St George and the Dragon (Flemish School, c. 1503-9)
Hans Memling (1430-1494) • Still Life with a Jug with Flowers (The reverse side of Portrait of a Praying Man) • c. 1480 • Thyssen-Bornemisza Museum, Madrid, Spain
Mary Magdalene, 1530-1535 Flemish School
Venus Blindfolding Cupid
Artist: Worshop or follower of Titian (Italian, , 1488/1490 - 1576
Date: c. 1566/1570 or c. 1576/1580
Medium: Oil on canvas
Collection: National Gallery of Art, Washington, DC, United States
Description
Though this painting presents a mythological allegory, Venus wears a costume and jewelry closely related to the fashion of the time it was painted. The two cupids may represent Eros and Anteros, both sons of Venus, but symbols of contrasting aspects of love—the blind and sensuous, and the clear-sighted and virtuous. In this context, scholars tend to interpret Venus as a deity overseeing marital love and conjugal chastity. This suggests that the work may have been painted or acquired to celebrate a marriage.
Follower of Anthony van Dyck St. Peter of Verona
Oil on canvas, 57 x 48 cm, 17th century
Personification of Justice by an Anonymous Flemish Artist, (late 17th century), oil on canvas, Ashmolean Museum, Oxford