#flick book

[ninetail-fox]

Japanese-style room ,Meguro

[watcharound]

Traduction graphique de mots occitans 2014

Veitura Petaron

[hetcheywerewolf]

This is my recent university project, an awareness animation on a matter that’s close to me, dyslexia. As I suffer myself, I wanted to make a piece that shows people, who don’t suffer, how it feels. My pencil tests came out well with several subjects struggling to read what was being spelt by the penguins bellies. That’s why I created two animations (see animation below) of the same thing as I found the black background brought out the word clearer, which is the opposite effect of what I wanted for my piece. The blue background (animation below) came about by accident which I kept as I believe it livened up the piece and made it harder to read the penguins bellies again. The text I’ve used is a special dyslexic font called ‘Dyslexie Font’ created by a Dutch graphic designer, Christian Boer.  

For More information on Dyslexia, visit this website:http://www.dyslexiaaction.org.uk/ or your local dyslexia charity.  

For more information on Dyslexie Font, visit this website:https://www.dyslexiefont.com/en/dyslexia-font/

[hetcheywerewolf]

This is my recent university project, an awareness animation on a matter that's close to me, dyslexia. As I suffer myself, I wanted to make a piece that shows people, who don't suffer, how it feels. My pencil tests came out well with several subjects struggling to read what was being spelt by the penguins bellies. That's why I created two animations (see animation above) of the same thing as I found the black background (animation above) brought out the word clearer, which is the opposite effect of what I wanted for my piece. The blue background came about by accident which I kept as I believe it livened up the piece and made it harder to read the penguins bellies again. The text I've used is a special dyslexic font called 'Dyslexie Font' created by a Dutch graphic designer, Christian Boer.  

For More information on Dyslexia, visit this website: http://www.dyslexiaaction.org.uk/ or your local dyslexia charity.  

For more information on Dyslexie Font, visit this website: https://www.dyslexiefont.com/en/dyslexia-font/

[bookshelfworm]

Hot Fuzz flick book

[animazion-blog]

Imaginary Forces For Tropicana

Have a look at this brilliant advert created by Imaginary Forces for Tropicana fruit juice. It's a CG flip book style animation celebrating sunrises. Enjoy...

[animazion-blog]

Paranoid Brazil For MTV

What an ambitious and innovative use of white balloons to create a stop-motion/flipbook effect animation for MTV! Created by ‘Paranoid Brazil’, directed by Dulcidio Caldeira and characters and animation by Don Hertzfeld. I’ve posted about Don Hertzfeld on the Animated Review before, check out his hilarious and disturbing short 'Wisdom Teeth'. Edit: The Illustration/Animation is actually done by Daniel Semanas. I looks remarkably like the work of Don Hertzfeld though.

[animazion-blog]

Becoming - A Gender Flip Book

Becoming Paperback: 112 pages Publisher: Mark Batty Publisher (11 Oct 2010) RRP: £14.00 ISBN-10: 1935613006 ISBN-13: 978-1935613008 In 'Becoming', artist Yishay Garbasz dares to explore one of society’s most taboo subjects—the exercise of individual agency in the unmaking and remaking of a body’s gender. In this groundbreaking work and objet d’art, Garbasz courageously documents the changes she underwent from one year before her gender reassignment surgery until one year afterward. With unprecedented honesty, the artist photographed her body every week, chronicling the changes throughout this period. Becoming’s flipbook format renders visible and immediate the element of time in this process. 'Becoming' distills the more than 900 pictures that Garbasz took of herself during this two-year period down to a selection of 89 photographs. Whether flipped through in a kinetic continuum or at a viewed slowly, photograph by photograph, these images confront viewers both with discrete moments in time and with the overall process of change.