Mr. Captain

seen from United States
seen from United Kingdom

seen from Italy

seen from Malta

seen from Malaysia
seen from Malaysia

seen from United States

seen from United Kingdom
seen from United States
seen from United States
seen from Malaysia
seen from United States
seen from United Kingdom
seen from Brazil
seen from United Kingdom
seen from Brazil
seen from United States

seen from United States

seen from United States

seen from Malaysia
Mr. Captain
Phil with facial hair is too powerful
i have headcanons about ages but they really fluid tbh. I find this topic pretty interesting, especially because the only ones with a canon age is Pickles and I guess Deb
Nicole – around 40, like 38 or 39, i mean we know that she has been working there for at least 11 years and before bh she had gained experience in different restaurants
Brad – 38-42
Joey – 42-47
Terry – 45-50 (but always a bit older than Joey)
Spencer – early 50's
Trick – 24-29 (i headcanon Joey had Trick really young)
Bridgette – 28-32
Amber – either 28-30 or 40-42
Aaron – 34-37
Clint – late 30's
Nico – 32-38
Ruby – 36
.
Still not over this /pos
I love them so much 💛❤️
I’m so glad I wrote this one and THIS was how it was delivered, honestly couldn’t have made it better hah
IT’S SUMMER
er. the process.
*weak jazz hands*
Someone asked, which then forced me to again think upon the mess that might be called "my process."
It is organized. It is not at all organized.
I did a Q&A on Patreon for patrons last year and some of them asked sort of similar questions, which I did my best to answer. I looked at those again, and I am going to post one of the questions and my answer here. But I'm not sure it's even what "my process" fully is.
(But also like, part of me feels like this is all pretty standard writing stuff. I mean, as I say, I don't write plot-based stories. I do character-based stories. So if you are a heavy plotter, this might be weird looking to you)
Anyway, the answer from that Q&A session. Question asked by KGA. <3
I'm curious which comes to you first, the characters or the story idea, and how much do you know/plan before you write the book.
--Sometimes, it starts with a notion. The notion can be small. “Dragon woos someone with garbage.” Which was a tumblr discussion that eventually, eventually, led to Zarrin. (It’s not quite garbage, in the end, but Joe was still confused.) Sometimes, it starts from a discussion about fun tropes from which we get “hyper space nerd has to be rescued repeatedly by giant space marine and at some point, has to think he’s been left behind only then giant space marine returns to save him.” And… you can tell what that ended up. Delf was because I just… originally wanted to do something with knights and a threatening vibe (what the threat was, I hadn’t decided yet). Knights alone in a dark, dark wood, that sort of thing, was the original notion. But why make the woods scary when the rest of the world is really what you should keep your eye on?
Occasionally, the character or part of the character comes first. I saw the name Potts on something and wanted to think about a gentle soul named Potts. (Or Jericho. Whatever).
Then I stew over the idea for a while. It rarely stays in its original raw form but the joy I took in that idea has to stay. That is the important thing. And then I start to consider what would get me to the point necessary for space nerd to always be in danger, to consider why the lonely witch in his lonely house is so lonely in the first place, or what on earth two knights would be doing in the woods if they aren’t after a dragon or a grail.
The steps are roughly the same after that. (Roughly.) Muse on it until it sparks into scenes or more ideas that please my brain. Extend a premise out of that. Then think about plot and characters. But characters first. Plotting is not my strong suit.
I make what I call ‘notes.’ Which is sort of an outline, or a map. I do it in linear order, because the characters grow over the course of a story so I can’t jump ahead too far or I will pay for it later when the characters that they become no longer want or need to do a thing I thought they might.
This process takes a while, and it basically… hmm I described it somewhere once as sort of like building a house. Sort of. The first part of the notes process is just me trying to get out all the ideas that have been forming in my head, including any specific scenes or lines I thought of.
Then I go to the start of the document and make little character sheets for their names and maybe some stuff about them. (There are a lot of question marks here.) Then once I have a better idea of my people, I go back to the outline part and I start to fill it in. This takes several passes and generally some time. A week or two or much longer than that, depending on the book or story. Each pass has more detail. Sometimes I will basically write a whole scene, including dialogue, but in messy note form.
When it actually gets written, though, sometimes that whole scene changes or gets cut. So what I call notes goes from true notes, to an outline, to a first draft of sorts, before I actually “write” it.
The notes for the ending scenes are always the most vague, deliberately. I usually have some sort of ending in mind (Confront emperor. Declare feelings in public. Realize your two boyfriends are your two boyfriends. And so on.) but, like I said, the characters will have been changed by the events of the story (some of which I don’t even know about yet) so the exact details cannot be known.
Little Wolf in my original notes ran away from Wolf’s Paw to protect it from Silas and also because he was used to running when he was scared. He goes back to Los Cerros, finds Ray (and Cal) and eventually Nathaniel came to get him. This was a terrible idea and because it was just notes, easy enough to delete and change. It would not have suited the Tim we actually get at the end of the book, because that Tim didn’t want to run anymore. Our baby grew up. Aw.
The notes I am working on now for a new thing have gone through… several versions omg. Over the past two years, I have considered and reconsidered what I wanted to do with this story and, in fact, at the time of answering this, I had only just figured out the end. And by that, I mean, it’s roughly there. It’s also finally more of what I want. My brain wantsto tell this story, so this is the one. Hopefully, it’s romantic enough for everyone. I think it is, or will be, with some more tweaking. (And you know, all the writing I have to do.)
(The new thing in question was Forget-Me-Not btw.)
Thank you for 1K Subscribers on Webtoon for Dirge for broken men!
[patreon]