“I believe in singing. I believe in singing together.
A few years ago a friend and I realized that we both loved singing but didn't do much of it. So we started a weekly a capella group with just four members. After a year we started inviting other people to join. We didn't insist on musical experience — in fact some of our members had never sung before. Now the group has ballooned to around 15 or 20 people.
I believe that singing is the key to long life, a good figure, a stable temperament, increased intelligence, new friends, super self-confidence, heightened sexual attractiveness and a better sense of humor. A recent long-term study conducted in Scandinavia sought to discover which activities related to a healthy and happy later life. Three stood out: camping, dancing and singing.
Well, there are physiological benefits, obviously: You use your lungs in a way that you probably don't for the rest of your day, breathing deeply and openly. And there are psychological benefits, too: Singing aloud leaves you with a sense of levity and contentedness. And then there are what I would call "civilizational benefits." When you sing with a group of people, you learn how to subsume yourself into a group consciousness because a capella singing is all about the immersion of the self into the community. That's one of the great feelings — to stop being me for a little while and to become us. That way lies empathy, the great social virtue.
So I believe in singing to such an extent that if I were asked to redesign the British educational system, I would start by insisting that group singing become a central part of the daily routine. I believe it builds character and, more than anything else, encourages a taste for co-operation with others. This seems to be about the most important thing a school could do for you”
This proposal is interested in the potential for a different articulation of architecture: The palpable event.
The creation of cultural spaces where the specific engagement in an event can promote a different form of cultural capital.
One richer in experience and with greater local connectivity. One in which direct interaction is required, where ideas, specific moments and feelings are framed in Hvidovre town centre.
While the event may be fleeting, it will last long in the memory. It is a generator of what exists there already; accentuating the existing cultural potential.
It is open to all types of people, and will encourage a renewed feeling of collective purpose in Hvidovre.
Alsang Hvidovre is an event happening over a weekend in the summer of 2015.
It stages the social gathering of the residents of Hvidovre to sing altogether as an enormous public ensemble.
The performance will not require skill, simply enthusiasm. All of Hvidovre will be invited - young and old, skilled musicians and the tone-deaf.
The event will promote strong community feeling, enable new friendships and formally activate the Kommune’s new masterplan project.
The performance will end in a party and the individual singers’ participation will be memorialised in a new monument, The Alsang Hvidovre Megaphone, a nod to the Film-making enterprises at Film-Byen.
Recordings of the performance will be available on an online archive.
It is hoped that the performance could be repeated as an annual event in following years, but that is up to the locals.