Can someone please explain why the best songwriter in history chose a lyric from Blank Space for her wedding?
From the Mastermind herself:
1989 (TV) prologue:

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Can someone please explain why the best songwriter in history chose a lyric from Blank Space for her wedding?
From the Mastermind herself:
1989 (TV) prologue:
The 'Lost' Midnights Aesthetic & Big Taylor
When Taylor Swift announced her surprise album Midnights to the world, she was quite literally covered in glittering jewels.
But when the promotional materials for Midnights were posted that night, everyone was really surprised by the aesthetic it seemed to have. No one could guess a genre. We thought it would be gut wrenching and 70s inspired, based on the photos and the blurb about her 13 sleepless nights.
We were fully prepared for our hearts to be ripped out of our chests, and hear a Taylor that was so incredibly raw and tragic. Gaylors specifically ere intrigued by the line
“We twist in our self-made cages and pray that we aren’t - right this minute - about to make some fateful life-altering mistake”
We wondered if she was about to blatantly tell the world what we had seen for years.
But when the album came out, people were shocked for a more synth, upbeat pop album. When she went to events she was star studded (literally) and glammed out. Or “bejeweled” you could say.
At first, people were surprised by the switch up. Where was the brooding darkness? Where was the 70s ballads? We tried to understand why these two sides didn’t seem to match up. As if the aesthetic of the promotion and the album itself were disconnected.
In comes the anti hero music video.
Suddenly, we see the two aesthetics side by side. Telling us that these two Taylors exist simultaneously.
This music video happens to also be where we are introduced to big Taylor. While she’s dressed a lot like the 70s version of Taylor above, but we know they are not the same Taylor because the video shows us so.
Big Taylor is the elephant in the room. She’s the one that makes Taylor too big to hang out…some think it’s because she’s “too famous” but I argue it is more about how she feels about herself. About how she feels like she is too big… takes up too much space.. too loud and too awkward. Something that she had to actively suppress about herself to get people to like her.
So why does big Taylor break my heart?? So many reasons!
The tour visuals truly show what big Taylor represents… it’s her. The real her. Not the sparkly Taylor that’s on stage, but the one who is so frustrated and over it and wants to tear down the city.
In the visual (which is played during Anti-Hero), big Taylor stands up and starts screaming and stomping her feet.
She’s massive and in any other situation, she would be the focus of the crowd… but she’s not… small glittery Taylor is. Even in TikTok videos, you can see the camera pan away from big Taylor.
Sparkly Taylor is the persona. We refer to her at Taylor™. She is the one performing I Can Do it With a Broken Heart. She’s the one who exists to survive in this profession.
And even when she shows us more of her… the duller, neutral, scared, sad her… all anyone cares about is the guitar smashing sparkles.
To the point where now, the sparkles and bejeweled Taylor is what everyone sees midnights as…
In fact, I think that everyone was so distracted by the sparkles, they forgot the prompt behind the album… Her 13 sleepless nights. There are meanings to these songs that are not immediately obvious. But everyone just wants the sparkles.
Did you forget about this Midnights Aesthetic? Let me know your thoughts!
This post is also available on Twitter, Substack, & Bluesky.
she’s so loud… like a rainbow with all of the colors 🌈
i was listing to “so high school” today and couldn’t stop thinking about this one line…
“You knew what you wanted and boy, you got her”
the entire song is written in the fisrt person perspective (“i know aristotle”, “i’m sinking” etc), so why would she suddenly change it to the third person? why didn’t she sing “you got me”
i think the “she” is not referring to actual her (real Taylor) but her media image - how media see her as the perfect straight american sweetheart. as this song is obliviously about bearding and a satire on the pr relationship she and travis are it makes perfect sense because there’s nothing between travis and real Taylor. he doesn’t have real Taylor (narrator), he only has some “her” which media shows.
furthermore, “he knew what he wanted”: why was he sure he was going to get it? it doesn’t matter, he (=his pr team) just wanted the media Taylor, the image which can be altered to play whatever role (in this case the american sweetheart) needed.
RE: Post Malone in the Fortnight video representing a version of taylor
A Matty fan found a parallel between his tour visuals where he lays with a wax figure of himself and compares it to the similar show in the Fortnight video.
Public Taylor (Taylor) and Private Taylor (Post Malone) not touching as the Mattys are is especially interesting. Public Taylor is opting to hold the stories of her relationships (the US book) instead of her own hand.
(full video: https://youtube.com/shorts/VKy8qltXuHc?si=3jGLF3svAEB7bncL)
tell me I’m wrong!!! #ttpd #taylorswift #the1975 #music #newmusic
best kaylor right where you left me breakdown I’ve seen
#stitch with @Dr. Sable | Orthodontist it paints quite the picture #rightwhereyouleftme #swifttok #friendsofdorothea #lgbetty #kaylor #gaylo
Zaylor Midnights, Part II
And we're back! If you haven't yet, please peruse the disclaimers I covered in Part 1.
Let's jump right in!
8. Vigilante Shit
Here's where we start to get some more Catwoman vibes on this album.
"Cat eye sharp enough to kill a man"
Also some generic Gaylor lyrics:
"I don't dress for women / I don't dress for men" Oh so you're bisexual? Okay got it. Case closed.
"Picture me thick as thieves with your ex-wife"
Also the implication she fucked Scooters wife is too funny to not mention. She loves a divorcée ;)
9. Bejeweled
Initially I was fully prepared to write this one off as a song about Jake or John or even Calvin and therefore irrelevant to Toë, but holy crap is this MV gay as hell.
Opening, of course, with the scene where Laura Dern satirizes the concept that a proposal from a prince being "the best thing a girl could hope to achieve"
Note this Kravitz quote from the earlier GQ article:
We'll come back to this later.
Anyway, Taylor plays Cinderella in this music video, who rejects the proposal from the prince (played by Jack Antonoff, who has the same initials as Joe Alwyn), impresses the Princess (played by Zoë Kravitz) with her burlesque routine she learned from queer burlesque icon Dita Von Teese, and ends up taking the castle for herself.
Basically, another song that has nothing to do with Zoë but is extremely gay (in context of the music video, at least)
10. Labyrinth
I go back and forth on this song. I've heard other people theorize that it's about trying to end a relationship and then falling back in love with the same person again, which I think is a totally valid interpretation. It could be that.
However! It sounds to me like it's about the feeling of finding yourself falling for someone new and your traumatized brain is so focused on what could go wrong that you get completely ahead of yourself and start mourning a relationship that hasn't even started yet. Taylor is a Cancer moon, which is a moon sign that is deeply introspective and retrospective. The "labyrinth of my mind" could be referring to the twists and turns her mind takes to convince her that every relationship will end in catastrophe based on the way past relationships have panned out. Past becomes present becomes future in this song. Maybe it's about finding her connection with Zoë after the fallout from a Karlie or Lily breakup? Maybe Joe cheated on her and she found comfort in the arms of Zoë and they became a polyamorous couple? Who knows.
11. Karma
EDIT: I've found some articles claiming Zoë is a songwriter on this one and others that do not mention her. I believe there was initially a mistake on the Apple Music pre-release info, so for now we'll say she's not in a fact a cowriter for this song.
Taylor Swift clearly has a complicated relationship to gender and womanhood. Many of her friends called her "king" in their 2021 birthday posts:
In Dear Reader, she explicitly refers to herself as a "cursed man."
Queer women also tend to have complicated relationships with gender due to heteropatriarchal society. Some lesbians and queer women use he/him or they/them pronouns for any myriad of personal reasons. It's not too far-fetched that these women could possibly call each other by male pronouns/adjectives sometimes.
Zoë had this interview where she talks about High Fidelity, identifying more with male roles because they're often written to be more complex and nuanced due to misogyny in film/tv, and how passionate she is about how "women can be fuckboys, too"
"Karma is my boyfriend" but also "Karma is a queen" >>> "Karma" is both genders and neither gender. (Note: Zoë has a tattoo of a crown on her finger)
"Sweet like honey, Karma is a cat" First of all, that's pussy babe
Also, these two stone cold weirdos apparently have the same method acting technique:
"Flexing like a goddamn acrobat, me and karma vibe like that"
What else could "flexing like a goddamn acrobat" refer to other than Zoë playing a superhero famous for her acrobatics (and/or Taylor being in Cats (2019))
these two weird Sagittarius girls love to simply vibe together as cats or otherwise
"Karma is the guy on the screen coming straight home to me"
Not "Catwoman of my dreams" but "CAT WOMAN OF DREAMS" this girl is horny as hell and loves dreaming about women
Sweet like JUSTICE = another batman reference, of course
12. Sweet Nothing
Written by William Bowery who we think could be Zoë
Zoë also lived in London from 2020-2021, she could possibly have gone on holiday to Wicklow (in Ireland) after filming for The Batman wrapped
Taylor made her meals throughout covid isolation and a birthday dinner in December of 2020. Nice to Have a Friend in your pods with you, huh ladies?
Also, remember when Zoë crossed the picket line for the Oscar's party and then made a "joke" about the Will Smith situation being uncivilized? This is a song about a couple of out-of-touch insanely rich girlies who just Can't Be Bothered and also happen to be in love
Speaking of which, if this is in fact a song about Joe Alwyn, it's a (pretty) lie. "All that you ever wanted from me was nothing." Being in a relationship with Taylor has gotten him movie/tv roles, a Grammy, etc. He's gained so many accolades just by being associated with Taylor. If he doesn't want any of that, why does she keep jeapordizing her own image as an artist to get him awards? Zoë likely genuinely wants nothing from Taylor because she's been famous her entire life. She doesn't need Taylor to pull any strings for her to get roles or accolades.
13. Mastermind
This song is Taylor being very tongue-in-cheek about how this lover she's been singing for four albums about is actually a target she decided on long ago
Starts with a hand touch in a crowded room (obvious Gorgeous reference), that Bowery hangout did look awfully crowded, didn't it?
Dominoes cascaded in a line >>> hair falls into place like dominoes (Gold Rush)
All the wisest women had to do it this way / WE were born to play the pawn in every lover's game (as in, WE women are forced to play these roles)
Two lines that could reference Zoë's tattoos:
"I'm the wind in our free-flowing sails">> Zoë has several pirate themed tattoos
"And the liquor in our cocktails" >> "être toujours ivre" (always be drunk) tattoo
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And that's it for the 13 original Midnights tracks! Part 3 will be looking into the 3am tracks.
Part 1 | Part 2 | Part 3