All the mugs are sitting around ready for their inner glazes + some Illegible, soon-to-be Alchemical Scrawlings (a.k.a. glaze notes)!
seen from Japan

seen from United States
seen from Russia
seen from China
seen from Japan

seen from Spain
seen from Germany
seen from Martinique
seen from United States
seen from United States
seen from United States
seen from United States

seen from Singapore
seen from Japan
seen from United States
seen from United States
seen from India

seen from Russia
seen from United States
seen from United States
All the mugs are sitting around ready for their inner glazes + some Illegible, soon-to-be Alchemical Scrawlings (a.k.a. glaze notes)!
Started a new pottery notebook for 2023 - here's a sneak peek at my glaze plans for a bunch of the guys in this batch (subject to change if I'm inspired while working)!
glazing notes // 5.12.19
1. i am hoping that the pieces thickly coated with copper oxide will come out a ‘cast iron’ black, with a coolness of tone that is reminiscent of metal, and with a slight texture resulting from the oxide’s thickness and mode of application. there is however a danger that they will come out more brown than true black.
2. i am hoping that the cobalt carbonate will bleed through the white glaze, adding both an element of colour and a quality of depth. 3. hopefully the tenmoku will come out its proper rich, glossy black.
4. these three pieces were exercises in layering. i am hoping that they will all show evidence of both glazes - both the pearly, pink-tinged white, and the true white. the best case scenario would be if different effects resulted on each one, as the glazes were applied in differing orders & heaviness on each.
5. the white-pink stoneware glaze will hopefully be transformed into an electric blue glaze in reduction.
6. i am hoping that the washed-back copper oxide layer will alter the titanium white glaze, creating a grey colour or neutral shading to grey. i’m unsure quite how this will come out, however, as i applied this glaze quite thinly - i didnt want to obscure the way the copper oxide picked out the highly textured surface.