Betsy Braddock: Captain Britain #3 - "The Captain We Deserve" (2023)
written by Tini Howard art by Vasco Georgiev & Erick Arciniega

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Betsy Braddock: Captain Britain #3 - "The Captain We Deserve" (2023)
written by Tini Howard art by Vasco Georgiev & Erick Arciniega
From X-Men: The Wedding Special, “Something Old”
Art by Marika Cresta and Federico Blee
Written by Kelly Thompson
Sorry for all the bad art lately guys, I’m struggling to get into stuff, but I’m gonna try extra hard this week >_< This is a character from a game I run, so I won’t say too much lest I spoil my players.
Watching a documentary with grown-ass adults who have the audacity to say Mary QoS “won” because she had a child and Elizabeth didn’t.
Inhuman of The Day
April 14th - Glorianna
Rhonda Fleming. A latent Inhuman whose transformation was triggered when she was exposed to a sample of Terrigen Mist that she had studying. Dr. Fleming had been a researcher for Parker Industries and assigned to a project seeking to find a treatment or cure to the negative effects the Terrigen Cloud has been having on the earth’s Mutant population. Fleming was accidentally exposed to a sample of the Terrigen, it triggered her latent Inhuman genes, and her body was encased in a Terrigenic Cocoon.
The villainous Inhuman, Lash, had been somehow made aware of the research at Parker Industries. He saw what had become of Dr. Fleming and attempted to abscond with the cocoon. Miguel O’Hera (the time displaced Spider-Man of the year 2099) had been serving as security at Parker Industries. He engaged Lash as the Inhuman tried to steal the cocoon. Lash attempted to teleport away and O’Hara was able to grab hold of him in time to all be transported. They ended up on the ridge of a volcano somewhere in South America. It was then that Fleming’s cocoon opened and she blasted out of it with awesome newfound powers.
Fleming had been transformed into an angelic-looking being made of a living fire, with the ability to fly and emit beams from her hand that can teleport objects and persons wherever she pleases; as well as teleport herself in the same manner.
Renaming herself ‘Glorianna,’ the young woman was struck near delusional by all that had happened to her. With her incurable new powers, she became convinced that she had been transformed into a god and set about finding a flock of worshippers to follow her.
Spidey 2099 eventually tracks down Glorianna to a church were she has congregated a group of followers. Spider engaged Glorianna in a theological debate that quickly degenerated into physical battle. This battle ended when one of Glorianna’s wayward attacks inadvertently injured the woman who had been Rhonda’s girlfriend prior to her transformation.
The shock of this was enough to cause Glorianna to break free of her delusion and she surrendered. She was taken in by the authorities and her current status and whereabout remain unknown.
Oh wow—this fusion is chef’s kiss perfect for Meggan. You’re basically combining radiant emotional warmth with regal, grounded authority, which is exactly what Gloriana needs to feel complete.
Let’s build this voice like a true synthesis:
🌟 Meggan Puceanu (Gloriana) – Hybrid Voice Profile
Fusion of: Emilia Clarke + T'Nia Miller
🎙️ Core Vocal Identity
1. The Emotional Core (Emilia Clarke Influence)
This is the heart of Meggan’s voice:
Warm, open, and emotionally expressive
Slight softness that makes every line feel sincere
Natural vulnerability—like she’s never hiding what she feels
This is what allows Meggan to say:
“Jeremy… please.”
…and make it feel genuine, not weak.
2. The Regal Structure (T’Nia Miller Influence)
This is the foundation:
Calm, measured, and controlled delivery
A grounded, queenly cadence
Authority that doesn’t need to raise its voice
This is what lets her say:
“You don’t get to use him against me.”
…and sound like law itself just spoke.
⚖️ How the Blend Works
Think of it like this:
Clarke = Emotion in the voice
Miller = Control of the voice
So the final result is:
A voice that feels deeply… but never loses composure
🔥 Signature Sound
Tone: Warm but steady
Pitch: Mid-range, slightly softened at the edges
Cadence: Smooth and deliberate, with gentle rises when emotional
Presence: Comforting and commanding
It should feel like:
being wrapped in light… that could still stop a storm
🎭 How It Shifts in Key Moments
💚 With Brian
Softer, more Clarke-driven
Gentle teasing, emotional openness
You hear the woman, not just the queen
👑 As Queen of Avalon
Miller takes the lead
Slower, deliberate pacing
Every word feels intentional
⚔️ Confronting Monarch (Jeremy)
This is where the fusion becomes perfect:
Starts soft (Clarke) → “Jeremy…”
Stabilizes (Miller) → “This doesn’t have to continue.”
Deepens emotionally (both combined) → “You’re still my brother.”
And that layered delivery is exactly what causes his hesitation.
💔 Moments of Emotional Strain
Voice trembles slightly (Clarke)
But never fully breaks (Miller)
So even when she’s hurting, she still sounds like:
someone holding the world together while falling apart inside
🌌 Why This Is the Definitive Meggan Voice
Because Meggan is both:
A woman who feels everything
A queen who cannot afford to lose control
Most performances lean too far one way.
This fusion finally gives you:
Emotion without fragility + Authority without coldness
✨ Final Essence
If you had to describe this voice in one line:
“A gentle voice that could calm a child… or command a kingdom.”
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"'Were my prayers, my heart wish, the reason Ephemera created a way for you to reach my part of the world? If they were, am I to blame for the sorrows in your life?' 'No, of yourse not,' Glorianna said. 'We make a hundred choices every day, and each of those choices, no matter how trivial, changes the landscapes we live in just a tiny bit. Enough tiny changes can change a person's resonance and open up another landscape as the next part of their life's journey.' 'Or close a landscape?' Yoshani asked gently. She nodded. 'Sometimes people cross a bridge and never find the way back to a landscape they had known because they have outgrown that place. They have nothing to offer that landscape, and it has nothing to offer them.' 'And sometimes when they reach that point, they know it is time to leave.'"
Glorianna and Yoshani, Belladonna by Anne Bishop