#godspeed o7

[oursystemblog]

You mentioned earlier that cohost likes to wear masks to help ignore The Flesh Prison, what kinda masks would they recommend for that? I also like to ignore my physical form but I don’t have much for my face

they usually just wear a plain black fabric face mask (the ones with the loops that you put over your ears) , sometimes ones with fun designs if they Feel Like It

[way-too-obsessed-gamer]

Me a grimmorning stan being absolutely blindsided by the raw chemistry blarbie and frost have yet still wanting to ship grimmorning despite the fact blarbie x frost makes more sense and is more satisfying narrative: ghfhdbsbsjsj

😭😭😭😭 im so sorry grimmorning shippers. I am not one of your soldiers but I feel your pain. But hey I mean this is just starlight you still have ouaw and ouag to go ham.

But yess him and blarbie are also adorable. He's trying to rizz so hard and he thinks he's failing but its actually working.

Tbh Gricko is probably Frost's #1 wingman. He is hyping him up for real. So its definitely still platonic grimmorning at least!!

[bulletsgerard]

🕯 🕯️ 🕯

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🕯️ mcr tickets 🕯

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[cuddledemon]

What a fucking legend

[sea-buns]

Kristen Applebees for President, 2025 (...?)

[d20fuckability]

Esther Sinclair vs Captain Annabelle Cheddar

Esther Sinclair (The Unsleeping City, The Unsleeping City: Chapter II)

Captain Annabelle Cheddar (A Crown of Candy)

Voting ended onApr 23, 2023

"She's a wizard with a blunt force weapon. She routinely cries but gets shit done. I love her so much"

"pirate dyke"

[dykesbat]

one thing abt bruce is that he has a million mental disorders.

[northern-passage]

hey whats up!! i'm someone who is writing my own if, and i'm doing bad over here 😰😰😰 i really need help developing my world, and the northern passage is so so super cool, i've never seen anything like it and i love tnp soooo much. do you mind sharing how you did your worldbuilding, or any tips you have (for the worldbuilding or just in general i have no idea what i'm doing any of the time) or anything you think might be helpful at all in any way please i'm doing bad i'm doing so bad

oh this is funny anon i was just ranting about worldbuilding to some of my friends the other day lmfao

firstable i will send you over to brandon sanderson's lectures on worldbuilding (two parts, lectures 5&6, it's a little over 2 hours)

i assume you're writing a fantasy but i know worldbuilding is also pretty significant for scifi and post apoc settings as well, and kind of an integral part across all 3 genres. so i won't get too specific since idk much about your story but i'll tell you what i did for tnp

so tnp's setting is one that i've kinda been kicking around since like.. high school... but it's changed a lot since then, as your writing from high school always should. but the most basic thing i started with was the environment. i knew i wanted it to be cold and i wanted the ocean to play a significant part in the story, which led me to making it a significant part of the culture, both in the religion as well as the economy.

if it's cold and mountainous then what exactly would sustain the people there and how would their economy function? i already wanted the ocean to be a part of the story, so why not make a port city an important location? the north would focus on trading, fishing and whaling and animal husbandry while the warmer southern areas were perfect for farming. the backbone of Adrania is their port cities and trading across the country between the north and the south.

i'm not really one to get super into this kind of worldbuilding, especially since my story is not focused on this aspect of the world, however it's still important to feel out the basics, imo. you want to have a general idea of what day to day life looks like and how it is this country/kingdom/colony/etc functions. and in a broader sense it's a way for me to find roles for my characters to fill, like as an example: Merry works in tnp because maritime trade is very significant to the two countries present, so of course there would be pirates.

from there, my focus shifted to the story itself: the hunters. when i look back, i didn't really ask myself these questions word for word at the time, but i think this is a good general idea of how i started feeling things out:

1. what are hunters?

2. what is their role in the story and in the wider world?

3. how exactly do they fit in? what effect does their existence have?

4. why are they needed?

5. how do other people feel about them?

you can substitute whatever you need in that first question in place of hunters and apply this to just about anything. those 5 questions will get you pretty far, and will lead you to more questions, too. if hunters exist to stop monsters, then where do the monsters come from? they come from the vel. what's the vel? it was put in place by the gods to confine humanity to one plane of existence. well, who are the gods? and how do the monsters still get through? the gods are xyz and they did a bad job so the vel can be weakened. how can the vel be weakened? because it's blood magic. what's blood magic? are there other kinds of magic, too? on and on and on and on....

if you have a magic system, i once again point you to brando sando. if you don't want to watch the full lectures, you can still check out his 3 laws of magic essays on his website. tnp's magic system is something i'm still kind of figuring out (this is a first draft, after all) but i knew i wanted it to be elemental based +blood magic and i knew i wanted it to work alongside alchemy. i've made changes since then to allow for enchantments and other cool stuff i have planned later down the line, and i know it's something that i'll need to refine in the first 2 chapters at some point. so i honestly don't have too much advice on that one... so go read the essays ☝️ i also feel that these 3 laws can also be applied more broadly to like, how the technology works in your scifi/cyberpunk story as well so i still recommend reading them even if you're not using magic.

when it comes to worldbuilding, the biggest thing you want to do is look at your story and ask yourself... "does this make sense?" which sounds very silly but let me use an example (and also continue the rant i was on about the other day lol)

i was watching a review for fourth wing and i'm sorry to anyone that likes this book but it's a good example of very bad worldbuilding. the rundown is that this is supposed to be a very militaristic society, they force people into military training academies for the sole purpose of funneling them straight into The Military. however. for some reason... they just Kill anyone who doesn't "pass" the super elite training courses....? this doesn't make sense. why would they not just delegate them to another role within the military? why not just use them as cannon fodder? what about the logistics-- who is cooking meals for this military, is there a functioning quartermaster, what about people that just take care of the dragons (they have dragons in this book. we could say horses, too, or any other animal, really)? a military consists of more than just Super Special Elite Soldiers.

you want your choices and story to make sense within the society you've created, whatever that society may be. fourth wing gets compared to the hunger games, but it's not the hunger games. the hunger games had in-world reasoning for the kids to die during the games. there was a society that was built around the games and it functioned in a way that made sense. there is no reason for the kids to die in fourth wing except for the author to make an artificial conflict for the mc that doesn't make sense.

so if you already have your story, and you know what you want to do with it, you need to build a society that compliments your story and that actually allows it to happen. they have to hold hands and get along.

anyways that's a lot of rambling... i hope this helps, at least a little bit! worldbuilding can feel very daunting, but honestly i encourage you to start small like i did - something as simple as the weather and the terrain, and that will lead you on to more and more and more.