Racism and Colorism in the Goth Scene
While I have noticed colorism's prevalence in the goth scene (despite being a white American), Shonalika, one of the founders of Powderpaint, articulated the dynamics better than I ever could've. They explain and define concepts so clearly, exposing how colonialism and eurocentrism aligns itself with casual racism, colorism, and microaggressions. Much of goth culture is derived from European culture.
Yes, Brazil's goth scene emerged at the same time Britian's did. It was large and expensive, with its own cultural undertones, bands, and musical elements. Yet, despite its presence, gothic rebellion in Europe was more commonly known, aspired to (both among ethnic minorities and the dominant culture), romanticized, and aligned with goth sensibilities, interests, and hobbies.
Think of how Siouxsie Sioux is credited with creating a "trad goth" makeup style. Acknowledge the expectation for goths to pale their skin. If darker-skinned goths don't lighten their face, they are considered less gothic and true to the look, since they don't have that dramatic black and white contrast. Common myths like the vampire are also rooted in Western culture. Other places do have their cryptids and their own vamp types, but they do not possess the traits and appearance of the modern western vampire. They have not been adopted into media and pop culture the same as Dracula.
This is only a summary of my thoughts. Shonalika goes much more in-depth. Their personal experiences have been very enlightening to me.
While I might not agree with them on their opinions surrounding the subculture's music, I've found their insight invaluable. Their subjective views on the music does not detract from the powerful words they share.
