BR Standard Class 2 78018 at the Great Central Railway on May 23rd this year.
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BR Standard Class 2 78018 at the Great Central Railway on May 23rd this year.
Logging Road View by JamesWheeler
As he prepares to take Dr Cosmos across the UK, it might feel as though Dylan Moran has an intricately conceived game plan in place given that he announces a new comedy tour approximately every three years. But that feeling would be quite wrong. “I’m glad to be able to say that I don’t
“I have high hopes for this show, I’m really into it. And I’m really into what an incredible time it is to be doing comedy. I want people to come in and have a great time and go home feeling better. I’m not going to ask people to understand anything too complicated or anything that I feel can’t be understood. A lot of it is about pulling the squirrels out of the bag and giving them a name or a number. Let’s just say that I’m organising the squirrels.”
Great Central Railway Loughborough Leicestershire 8th February 2014 by loose_grip_99 Via Flickr: I had the good fortune to be rostered on British Railways Standard 9F 2-1-0 92214 today. We signed on at 05.30 and this was the state of play at just before 8am.
Happy man by std70040 Via Flickr: Photo by Pete Hackney. Heading along the Up line towards Quorn on Great Western 'Hall' no. 6990 'Witherslack Hall'. It's a warm, sunny day, the lubricator is blobbing nicely, the vacuum is holding up and my fireman has the boiler in good shape. What's not to be happy about? My first turn on this engine after becoming a driver but, with previous experience elsewhere, I felt quite at home and Pete and I had a very pleasant afternoon. Great Central Railway.
If you exist within the confines of practically any part of the music scene in Leicester, you probably already know who Kermes are. If you don’t, then immediately stop whatever you’re doing and listen to them.
our new single, “No Names / No Flags”, is coming out on friday 30th september. whet yr appetite with this sweet review from Great Central!
The EP itself pitches itself somewhere between shoegaze atmospherics and the angular riffs of 00’s indie. From start to finish it’s smothered in leftfield pop melodies that are as perfect as they are unusual.
interview with emily in issue 1 of great central magazine!